Recently, I took a splendid little trip to Orlando to partake in Disney World and the Universal parks. How can I sum up my trip in one image?
Sheesh.
I guess I should go in this day-by-day.
Yeah, that’s right. Two musical references in one title. I rule.
One of my few regrets about this site is that sometimes people don’t take my opinion seriously because I revel in stupid shit. I can give them my take on something and say it’s worth checking out, only for them to roll their eyes because I’m the guy who says that the Double Dragon comic was a good read or that the later issues of Mortal Kombat weren’t even all that bad. Now, sometimes when Venom is the center of a conversation, someone might explain that he’s actually a good character. Another person will ask, “Yeah? If he’s such a good character, name one of those good Venom stories.”
I could suggest the time he teamed up with Morbius against an army of goblins or Eddie Brock’s misadventures as a skateboarder, but those will just be seen as off-the-wall screwball stuff. Is there an actual true blue good Venom story out there from before modern days?
Yes there is and I’m going to tell you about it.
Venom: The Hunger (Venom #43-46), is that story. Don’t get this confused with the Spectacular Spider-Man story also called The Hunger, by Paul Jenkins and Humerto Ramos. We won’t get to that one for a while. This one is instead by Len Kaminski and Ted Halsted. What a fantastic creative team. Bagley may draw the true Venom to me, but Halsted’s creepy depictions of the symbiote anti-hero go perfectly with Kaminski’s writing.
Off-the-wall adventures against monsters and guys with flamethrowers is always good for a laugh, but you have to remember that Venom is insane. Why go for the colorful slugfest option when you can just go deeper and do a psychological story? I mean a real psychological story. Not that crap in The Madness where he screamed about being crazy and then got tossed into an alternate dimension where he fought Fake Spider-Man, Fake Wolverine and Fake Ghost Rider.
Hey, Dan Slott? You know how angry I was when you basically shat on the Juggernaut during your She-Hulk run?
All is forgiven.
(note: I still boycott Amazing Spider-Man, but I’ve allowed myself to make exceptions for Eddie Brock appearances)
Welp. I’m back to this. It’s been a while since the last We Care a Lot, so let’s do a quick recap. It started off with me reminiscing about how I was introduced to Venom comics and how it led to this site. In the comics, Venom decided that Spider-Man wasn’t so bad after all and they formed an agreement not to go after each other. That lasted for about five minutes. Then Venom went to San Francisco, where he teamed up with and/or fought Spider-Man, Punisher, Juggernaut, Hulk, Morbius, Mace and Vengeance. He then went back to New York City to get punked out by the Scarlet Spider. After dealing with his symbiote children and fighting Carnage inside the internet, Eddie Brock turned his wife into Venom for a few minutes and saved Christmas. All that and he made appearances in other comics.
All caught up? Good. Let’s pick up where we left off with Rune vs. Venom, a one-shot by writer Chris Ulm and artists Greg Luzniak, Mark Pacella and Gabriel Gecko. So who is Rune and why does he get top billing? He’s an alien vampire from Malibu’s Ultraverse line. At the time, they were doing a series of Marvel/Ultraverse crossovers and this was one of them. Fair enough.
Um… let’s not make eye-contact. Just move on.
To bring us up to speed, Venom left his life in San Francisco as a Lethal Protector to the secret underground city behind so he could visit New York City and throw down with Carnage. Carnage was already taken care of, so Venom fought the newly-christened Scarlet Spider, who knocked him out and led to his apprehension. Now Eddie Brock and the symbiote are separated and incarcerated by the government.
This brings us to Separation Anxiety (Venom #23-26) written by Howard Mackie and drawn by Ron Randall.
In a bout with splitting hairs, I always found it interesting that they named a videogame after this story. For one, the game’s story isn’t based on Separation Anxiety, but Lethal Protector. Second, the game is meant to be a sequel to Maximum Carnage, even though that story came after Lethal Protector. Third, even though Carnage had nothing to do with Lethal Protector, they toss him in as the final boss for the hell of it. Hey, they did have those sprites lying around from the last game.
I don’t care much about Mark Millar’s Old Man Logan arc in the pages of Wolverine one way or the other, but I don’t get this part. Logan and Hawkeye drive around South Dakota and pass this.
The Venom symbiote just chilling on the side of a mountain. No reference to it anywhere. It’s just that panel. The hell is that about?
Anyway, before I get into the next Venom arc, we should take a look at Marvel Comics Presents #160-163. There were no Venom appearances in these issues. There were stories involving Tigra, Slapstick, Hawkeye and Vengeance, but nothing with Venom. Why is it so important? Because it introduces a character named Mace.
Mace is a character created by Carl Potts. Through the four issues, he writes an origin for him as basically the Japanese Wolverine. A criminal organization called the Sunrise Society takes the cloned DNA of a skilled martial artist and has it genetically engineered to create the perfect warrior. Since the Society is paranoid and thinks the scientist that created Mace is a traitor, they have him killed. The scientist is quick to destroy all of his notes, making Mace one-of-a-kind. Using his new cyber ninja skills, Mace escapes the Sunrise Society and knows freedom for the first time in his life.
He’s armed with a cybernetic mace, a healing factor, a laser gun that’s fine-tuned to the tattoo on his arm so it only works when he’s holding it, special vision abilities and… you don’t care. I don’t care. Nobody cares. Nobody has ever cared about Mace other than Carl Potts. That’s why we have Venom: The Mace (Venom #16-18 for those keeping track), featuring the superhero team-up that NOBODY asked for.
