It’s the last week of #1s for the New 52 and it’s an interesting one. The last few weeks have been filled with comics that I had been genuinely looking forward to, but not so much for this week. This week it’s nothing but DC trying to win me over. Characters I don’t care for, characters I’ve never read before and a couple comics that feature heroes in new comics that already set the bar high. Let’s dive in.
First is All-Star Western by Jimmy Palmiotti, Justin Gray and Moritat, which surprised me as being one of the top three of the week. Nothing says “western” like a fictional city in New Jersey, but whatever. I bet they figured that despite being a pretty awesome character, Jonah Hex’s name was too poisoned by the recent movie to carry the title. Or they’re going to be doing non-Hex stories down the line. Anyway, it’s an interesting pairing with Hex and Dr. Arkham, with the latter reminding me of the biographer character from Unforgiven, only with actual talents to keep him useful. It’s a murder mystery from the past mixed with a buddy cop movie… only the two will surely still hate each other by the story’s end.
I like that with Arkham around, we have a protagonist who could talk down at Hex to us as being something of a monster (though he’d never have the balls to do so to Hex’s face) and yet we have our cake and eat it too by being able to follow and root for Hex as the other protagonist. A prostitute gets fridged because, well, there’s nobody else to really get at someone like Hex through and even that only shakes him up verbally. With his gritty know-how and Arkham’s occasionally helpful brilliance, it feels like it’s only a matter of time before they have this wrapped up with no problem. Then the ending turns it all on its ear where even our two main characters accept that they may indeed be fucked. I’m drawn in and definitely want to see this story through. Between that and Moritat’s Tony Moore-like art, I’m sticking.
Aquaman by Geoff Johns and Ivan Reis is probably the best intro we can get that doesn’t involve turning him into the beloved Zap-Brannigan-meets-Hank-Scorpio incarnation that Batman: The Brave and the Bold gave us. I don’t know when the whole “Aquaman is worthless” thing truly came into being. I’d like to think that it was something people silently agreed on for years, especially in relation to the first season of Superfriends and didn’t fully explode until that skit on the State where Superman gives the Superfriends missions, tells Aquaman to “go talk to some fish” and everyone begins laughing relentlessly at him. Either way, the guy has been a laughing stock and DC’s been trying so hard to make him work. Personally, I loved what they did with him last time they gave him a reboot with the One Year Later underwater Conan concept where he carried a sword and hung out with King Shark. That ruled pretty hard until Busiek left the book.
It’s a strong start. Aquaman acts like a badass to the point that getting shot in the head causes him to get slightly cut open in the temple, but he’s considered to be this big joke by the police and public. After years of stories about superheroes doing the right thing only to be hated for being menaces who everyone thinks are really evil, it’s pretty great to see a different, more light-hearted take on it. Granted, no matter how Aquaman tries, he’ll still never measure up to Namor. I bet if that asshole blogger guy asked Namor about what it’s like to be nobody’s favorite superhero, he would have flown off through the wall and come back later to tell him that he’s now that blogger’s mother’s favorite superhero. Then he’d punch him in the dick for good measure.
I tend to have faith in Johns’ storytelling and I like what he’s doing so far. As long as he doesn’t draw out the “Aquaman sucks” gimmick too long, I’m sticking.
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