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Comics Should Be Good! » Was it WiR?

April 10th, 2007 Posted by david brothers

Comics Should Be Good! » Was it WiR?

Interesting post on the Women in Refrigerators dealie over at Comics Should Be Good!

It’s one of the best posts I’ve seen over there in ages (not that the others have been bad, necessarily), and it kind of highlights how personal perception colors this sort of thing.

In other news– if you aren’t enjoying Iron Fist, get your funometer recalibrated. It’s great.

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No Solicitors

March 22nd, 2007 Posted by david brothers

Have you guys read the new Marvel and DC solicits? I love comics, but those things are a bore and a half. It’s like they don’t even want you to read their books.

It’s cool, though. Here are the ones that are new and good and interesting. Jumping-on points only here, with one exception, perhaps. My pithy and vitally important commentary is in italics.

DC Comics is first since Marvel is better!

BATMAN #667
Written by Grant Morrison
Art and cover by J.H. Williams III
The Batmen of All Nations reunite for a weekend of fine food and nostalgia, but an unexpected visitor has other plans for the gathering. Batman, Robin, and the rest of the Club of Heroes find themselves trapped and at the mercy of a dangerous madman on the Island of Mister Mayhew!
This is why I read Grant Morrison. Mad ideas that sound completely goofy. He’s Silver Age with a Modern Age sensibility. Plus, I hope the sweet Knight and Squire from JLA Classified 1-3 shows up.

ROBIN #163
Written by Adam Beechen
Art by Freddie E. Williams II
Cover by Patrick Gleason & Wayne Faucher
It’s Tim Drake’s first Father’s Day as Bruce Wayne’s adopted son, and he wants everything to be just right. Unfortunately, the justice-crazed supervillains known as The Jury pick that very day to go on a murder spree in Gotham City!
This is a great idea for a story. The “family” part of Bat-family doesn’t get looked at often enough. “The Jury,” though, conjures up images of a certain ’90s anti-Venom team.

BATMAN: HARLEY & IVY TP
Written by Paul Dini and Judd Winick
Art by Bruce Timm, Joe Chiodo and others
Cover by Timm
Paul Dini and Bruce Timm -two of the masterminds behind Batman: The Animated Series – join forces in this volume collecting the miniseries BATMAN: HARLEY AND IVY! Also included is the special: HARLEY AND IVY: LOVE ON THE LAM by Judd Winick and Joe Chiodo, plus a newly-colored story rom BATMAN BLACK AND WHITE VOL. 2!
It’s Harley Quinn, so shut up and buy it.
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A Few Good Comics

March 14th, 2007 Posted by david brothers

What comics are you reading? Good stuff, I trust. Personally, I have impeccable taste. Okay, maybe not impeccable, or even good, really, but at least I don’t read Tarot: Witch of the Black Rose or Fantagraphics’ porno comics so shut up you pervert. :doom:

Anyway.

I’ve been really enjoying Ed Brubaker lately. Criminal was one of the best comics I’ve seen lately, and is proof positive that the Brubaker/Phillips team is the proverbial bee’s knees. They tell a tragic noir tale full of the usual twists and turns that you’d expect from both Brubaker and films noir, and then hit you with a downer ending that feels oh-so-right. His run on Captain America has revitalized the character and quietly done away with the story-arc focus that Marvel had a while back, when each story was modular. Here, the issues are composed of multi-part arcs, but each arc builds organically into the next. Bru’s first twenty-five issue all tell one story. It’s pretty impressive, and the quality of the work has been ridiculous.

Of course, you can’t talk Brubaker without mentiong Immortal Iron Fist, and therefore Matt Fraction. This book is practically perfect. The story promises us(and delivers) new insights into the Iron Fist lineage and manages to pull off the “long, lost X” angle very well. It nails Danny Rand as a character almost as well as David Aja is nailing the art. There’s a nine-grid in the latest issue, #4 I believe, of Danny flitting around the building that is just a perfect comics page.

Talking about Fraction dovetails into Casanova. I haven’t read the entire series, due to me missing out on two or three issues of the seven issue series, but what I’ve read, I have loved. It’s another nigh-perfect comic, from the words to the art to the back matter. Casanova Quinn is both a sympathetic and alien protagonist, but I love him nonetheless. Casanova, the book, is pure id on the surface, but there’s a scary intelligence working underneath. It’s whip-smart and clever. It wants to fool you even while beckoning to you. It’s passionate, and that may sound a little corny but it’s absolutely true. You can feel the emotion coming off this book. But then, you check out the back matter and you realize that with the things he says and the feel the book gives off that you’re reading an amazing book. It isn’t just id or ego, it is Fraction himself in those pages. There’s an amount of “This is cool, so we’ll do it,” but 90% of that book is about or mirrors Fraction, just like The Invisibles mirrored Morrison.

Kyle Baker’s Nat Turner cannot be praised enough. I’ve got volume one and I’m ordering volume two asap. It’s a tale I remember hearing rarely in school, and then it was always painted as something to skip over in class and unimportant. I’m rather fond of the story myself, and Baker has definitely done it justice.

This is going to sound dumb, but I really like Jimmie Robinson’s Bomb Queen. I picked up the first trade (Woman of Mass Destruction) the other day. On the one hand, its gratuitous nudity, language, and violence are exactly what’s wrong with comics today. On the other, this kind of winking-at-the-reader lowbrow humor just pushes all the right buttons. Jimmie Robinson’s official position is that it is parody, and I can see that at work, too. It’s charming, in a smutty, violent, lewd kind of way. Maybe charming is the wrong word?

Anyway, Bomb Queen tickles that same funny bone that Garth Ennis’s humor work does. Adventures in the Rifle Brigade, for example, is a completely non-serious book with really, really dirty jokes. There’s a bad joke in there about America still being a colony of England is funny just because of the earnest way that Hugo “Khyber” Darcy delivers the line. Plus, it’s a story about the most bungling bunch of soldiers this side of Beetle Bailey going after Hitler’s missing testicle, so how “mature” can it be?

The Authority: Kev cycle of four miniseries is another good example, and it blends a message into all the jokes about poop and people with hideous and/or hilarious facial deformities. How do you find the strength to march to the beat of your own drum? How do you become a better person than what you are? Kev, More Kev, The Magnificent Kevin, and A Man Called Kev almost all explore this while doing Ennis’s usual “Superheroes are jerks” and “guns are awesome” stuff. The first three minis are collected in two trades. Hopefully A Man Called Kev will hit soon, as it’s easily the best of the lot.

Speaking of Ennis, though, I finally own my most favorite of his stories. It even beats out Punisher MAX, which is quite a feat. It’s 303, the book he did out of Avatar with Jacen Burrows. It is about one man, empires, wars, costs of wars, and what it means to be a man. It is, of course, in Ennis’s He-Man, War is Interesting, Guns are Awesome, Mind the Gore, Luv mode. Quite a lot of people die. The story has a point, though, as one man begins a trek for, if not revenge, honor, armed with his 303 Lee-Enfield rifle. 303 says a lot about war and the effect it has on later generations. It talks about how history chews up and spits out people. I should stop now, as I kind of want to do a dedicated post to this book later on this week. Suffice to say that it is one of Ennis’s best works. If you’re an X-Men fan, it’s everything Wolverine ever said about duty and honor but failed to deliver on. It’s played completely straight, too. No jokes, no maimings, just drama. Well done.

I’m slowly making my way through Sequart.com’s Modern Master: Grant Morrison: The Early Years. It covers Zenith through Doom Patrol, I believe, and it is pretty fascinating. I already knew a lot of it, but it’s neat to see someone else’s perspective on the same things. I’m making my way through the Animal Man section at the moment. Lit-crit applied to comics is so cool in such a nerdy way!

100 Bullets, Loveless, and Tales of the Unexpected are all obvious favorites, too. Loveless is building suspense, and genuine suspense at that, something that is rarely seen in comics. Things are heating up to a fever pitch, and Atticus, Ruth, and Wes are going to go from knee-deep in it to neck-deep in blood in only a few short issues. I can feel it. The Dr. 13 special in Tales is in a book that features Dave Lapham and Brian Azzarello both writing, which was sure to get my attention, but it’s so much better than I expected. I’d never heard of any of these characters before, save for Dr. 13, but he’s written a story that is both continuity porn and its polar opposite. I don’t have to know anything about these guys, since everything I need to know is there. Frankly, I thought he was making people up for the first few parts. I, Vampire? Infectious Lass? Seriously?

On a more sour note, Incredible Hulk‘s Planet Hulk is starting to lose me, I fear, which does not bode well for World War Hulk. I just kind of stopped caring about what happens to that planet. I’ll be mighty glad when these events are over and done with, but I do hope that WWH at least delivers on its premise.

What’re you into?

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Deadshot’s Tophat and Other Beginnings: Bl to Bu

January 12th, 2007 Posted by Gavok

BLADE

Tomb of Dracula #10 (1973)

“They call me… Blade! Blade the Black Agent X!”

Times change, don’t they? The story that introduces Blade doesn’t so much go into his background, other than his hobby of offing vampires. He takes care of some of Dracula’s henchmen early on and then fights the big bad on a cruise ship. When Dracula has things won, one of his mind-controlled lady victims comes to jump his bones. This distracts Dracula enough that Blade can get back up. Dracula makes the decision to leave, though the boat will explode in moments. Blade tosses everyone off the boat and makes it to safety himself, knowing that he and Dracula will fight again one day.

BLINK

Uncanny X-Men #317 (1994)

Before Blink was well-known for her role in Age of Apocalypse and Exiles, she showed up in regular 616 continuity as part of the Phalanx Covenant. Along with members of Generation X, she finds herself captured by the Phalanx.

When attacked by a being named Harvest, Blink uses her power to teleport him away while tearing him apart. Other than that, she follows the others as they attempt to escape, knowing that the Phalanx was unable to find a way to dampen their powers.

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Like unto a thing of iron…

December 29th, 2006 Posted by david brothers

The new banners are in effect! We’ve got around 53 in rotation right now. New ones, old ones, ones with NFL Superpro in them. I like the new look and the logo is clean.

Let me review a couple things before I get into the meat of it, though.

Black Panther 23: This book has gotten better and better thanks in no small part to Civil War. One problem: Koi Turnbull’s art is completely inappropriate for the book. He reminds me a lot of Larry Stroman, from old school X-Factor and Tribes, I think it was called. The characters are big and chunky in general, and Panther in the sewer? I thought it was a new character. The surprise Soviet guest star had a cool scene with some interesting storytelling, but the storytelling in the rest of the book was just kind of soso, particularly in the last confrontation between Panther and an old friend. It’s decent, not good, solely due to iffy art.

Loveless 14: Obviously, I’m an Azz fan and this book is staying true to form. Daniel Zezelj provides appropriately moody art as we find out exactly why Ruth and Wes hates Blackwater so much. It is extremely harsh and pretty chilling.
The Union army, after raping Ruth, drag her into the city and talk trash. The top dog humiliates her in the city square and not one person lifts a finger, though they’re all watching. That’s heinous.
Azz is playing with time on this one, too. It takes place during July 17, 15, and 10, with July 10 featuring a not-so-surprise in terms of a death. The requisite flashback also pulls the present day (or past day, rather) person looking at their own past. it’s a technique I like quite a bit. One thing that’s certain is that Blackwater and her citizens deserve the hell that’s coming. Harsh book, but earns its A.

Okay. This next bit isn’t quite a review, more like a ramble.

I like Iron Fist. I like Luke Cage. I like Iron Fist and Luke Cage because it’s a merge of two of my favorite genres of film: blaxploitation and kung fu. The Heroes for Hire is one of my favorite duos and a great gimmick, I think. The slumming rich kid and the slum kid who wants to get rich.

The Immortal Iron Fist captures what I love about the duo and makes it work. The series gets better with its second issue as we get another glimpse of an old Iron Fist protecting what’s hers, the Iron Fist from the previous issue using the Fist in a new and intriguing way (these are not the droids you are looking for), and some wonderful Heroes for Hire interplay. Also, John Severin (yes!) does art on a wonderful flashback with tremendous payoff.

The idea of an Iron Fist lineage is one of those “Why didn’t I think of that?!” ideas. It’s so blindingly obvious and perfect that you cannot help but wonder why no one has done it before. A big part of kung fu movies (and actual kung fu, I assume) is passing down what you know. Kung fu is your techniques, your style, and your heritage. Having there be previous Iron Fists gives Danny Rand something to both live up to and pass on.

(This, of course, means that when I get a job writing for Marvel in the future, I’m going to have Danielle Knight, prodigal daughter of Danny and Misty, take up the Iron Fist in a rocking adventure across the United States to reclaim her heritage.)

The best part of this is that, if Marvel is feeling really brave, we can get an Iron Fist miniseries or one-shot about one of these old Iron Fists, be it about Wu Ao-Shi, the Iron Fist of 1545 or whoever. Please Marvel!

Matt Fraction and Ed Brubaker are doing a ridiculous job with this book, and David Aja’s art is top notch. Very moody and it really fits. He does dopey Danny Rand (Helllloooo Nurse!) just as well as he does fight scenes, especially the aftermath of Randall’s scene. Danny’s father issues sound quite interesting, too.

Best new Marvel book in ages, I think. Brubaker is hitting on all cylinders with Daredevil, Criminal, and Cap, while Fraction is rocking the house with Casanova and Punisher War Journal. Two great tastes that go well together.

Oh, and Mike Carey and Humberto Ramos on X-Men is as smooth as butter. Lovely issue, lovely art.

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Iron Fist!

October 18th, 2006 Posted by david brothers

I am not supposed to be posting right now! I’ve got eight hours until a beast of a games deadline and holy crap am I not even close to being done!

Couple quick procrastinatory things, though.

ironfist003_cvr_col.jpg My secret shame is that I’m an Iron Fist fan. I love kung-fu movies. I used to own dubbed copies of nearly the entire Wu-Tang series, crap spinoffs and all. Putting Brubaker and Matt (Casanova) Fraction on a Danny Rand ongoing is icing on a cake… but when you give me covers like this? You guys are trying to make me fall in love. I love everything about it, from the awesome Iron Fist sweater (I would buy it) to the properly worn pants (off the hips is the only way to be) to the guns.

Guns! In an Iron Fist comic!

In other news, why are we not number one in a google search for Mary Jane Watson vs Lois Lane?

Do none of you remember “Who Would Win In A Fight? Mary Jane Watson vs Lois Lane?” I give you guys gold like this:

This seems pretty evenly matched. Rough’n’ready tomboy vs Super-hero trained model. Assuming no weapons, this would probably be a pretty even match. Lois Lane has experience, but she’s also got to be pushing 40 by now. Mary Jane is somewhere between 27-30. I will say that Kate Bosworth is an adorable Lois Lane, but she’s adorable because she looks to be roughly twee and a haff yeaws old.

and we’re only the fifth result on Google? We’re barely beating some nutball pervo’s story about Mary Jane and Lois getting into a catfight, which leads into frankly gross and violent sexual proceedings?

C’mon! Strike a blow for the power of not being a pervert!

Link that article, kids! Link it everywhere! We want to be number one! If we’re number one, then you’re number one! That doesn’t make any sense but believe it anyway!

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What If Countdown Crap: A Call for Artists

October 15th, 2006 Posted by Gavok

So right now, The Top 100 What If Countdown is winding down. It’s almost obligatory that by the time this is over, I’m going to have to make some kind of epilogue post that includes my own ideas for what could make for decent What If issues. I mean, I’ve read every issue of that thing and spent 3 months so far talking about how many times the Phoenix has gone crazy and blown up the universe. You have to trust me to have some insight here.

Anyway, there have to be some readers out there who are either artists, or know an artist who needs something to do. While writing my own 1-2 paragraph What If concept summaries could possibly be amusing, it would be even better if I can toss in some actual cover images for these made-up issues. Like, for example, the first cover of Power Man and Iron Fist, only Iron Fist running replaced with Spider-Man swinging and Jameson tossed into the background collage. Something like that.

So if there is anyone curious and possibly willing to do a cover or two, email me at jaguartooth (at) gmail dot com.

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What’s So Civil About War, Anyway

September 27th, 2006 Posted by Wanderer

Civil War is really fucking stupid.

I think I could fix it.

Let’s see if you agree.

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Space Ghostal: Old Times

July 25th, 2006 Posted by david brothers

So, funny thing. I’ve known Gavok and Thomas for probably a little over 6 years now, internet-style. I’ve met Thomas once at this year’s E3, what with us being Big Time Video Game Journalists and all. I’ve yet to meet Gavok, but I’m sure that’s going to eventually come down. Power Man and Iron Fist have to hang out sometime, right?

Anyway, six years. It all started here at Indie Madnesse. Indie Madnesse was what you call one of those “improvisational fanfiction” sites. You write one round of a story, then someone else writes another, and so on. I started writing for Reforming Evil Can Be Tricky, created by Kim Kaphwan megafan James “Multimediocre Knight” Howard, and was terrible. Ask Thomas. He delights in pointing that out, but I figure that’s one of those “He’s prettier and smarter and slightly less morally corrupt than I am, so I must break him down.” However, stupidity knows no bounds, so I kept writing. I eventually got better, then “good,” and now I’m working on “great.” I learned to deal with deadlines, with total curveballs, and with completely retarded plotlines intended to trip you up. Come to think, if I ever make it as a comics writer, this was great practice.

Anyway.

One of the big things back in those halcyon days of yore, and yes I went there buddy, was Space Ghost. This was back before Adult Swim was a separate channel for Nielsen purposes. This was back when Adult Swim had swimming related lead-ins and lead-outs and Space Ghost: Coast 2 Coast was the funniest thing out. I don’t know what it was, but 99% of that series was concentrated hilarium. There’s an archive of its transcripts at Snard.com, if you want a refresher.

A few of these episodes went above and beyond the call of duty with the funny. Flipmode, featuring Busta Rhymes, was one. Knifin’ Around, with Thom Yorke (of Radiohead) and Bjork (of… Bjork?), was another. Batmantis? Believe it.

Bear with me, I have a point.

At Something Awful dot com, there’re these forums. These forums have a subform known as Batman’s Shameful Secret. I’m not sure if they’re currently public, but if you want to scope it out, head to http://forums.somethingawful.com and check it out. There’s a thread on this subforum about Ruining the Moment. Take a deadly serious scene from a comic… and ruin it. Often, this results in pure comedy.

So. All of this was just to basically say “This post is so in-jokey that it has its own gravitational field.” It’s got history, baby.

First came this. I’m coming down off a bad couple of weeks, and I needed a distraction. I also couldn’t get the intro to Busta Rhymes’s song “Gimme Some More” out of my mind. So I did this.

Some discussion followed on Let’s Ruin the Moment Some More. It was well received, and then I realized, holy crap! Space Ghost has his own series that was made all adult and mature and whatnot. I enjoyed it, but it was hard to reconcile the comic series and Coast 2 Coast. So… let’s ruin it.

Gavok had me covered with a quickness with two quick shots. Relevant script if you need a primer.

Oh, this is good, right? Then he hits again with these two (reference one and reference two:

What’s that? One more? Have some Knifin’ Around.

Now, he’s put out a strong showing, so how can I resist? I gotta get back in the game. Scripts: Curling Flower Space and Knifin’ Around you’ve already seen.

Sometimes, the old jokes are the best. If you’ve got any memory of the show at all, hopefully this tickled your something-or-other. If not… get with it, man. Go watch some episodes. It’s out on DVD, even.

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Comics vs. Cartoons: A Look at Diniverse Designs

February 14th, 2006 Posted by Gavok

Next Monday seemingly marks the end of one of the greatest eras in animation. For fourteen years, we’ve been given what people call the “Diniverse” (named after a guy who barely writes actual episodes anymore). It started back in 1992 with a primetime showing of Batman: the Animated Series and after all these years, it’s going to die out with the finale for the fifty-eighth spin-off, Justice League Unlimited.

Lord knows the Diniverse made its stamp on both the world of animation and the world of comics. Characters like Harley Quinn were introduced… as well as more forgettable folk like Livewire and Lockdown. The comic version of Supergirl started wearing the white t-shirt and tight skirt made popular by Superman: the Animated Series. John Stewart took Kyle Rayner’s place as the token Green Lantern on the Justice League roster. Batman Beyond showed up in the pages of Superman/Batman for no reason whatsoever.

There are obviously changes here and there over how certain characters are portrayed. Many consider the Kevin Conroy-voiced Batman to be the defining version of the character, compared to the close-minded, paranoid caricature he’s become in the comics. Sure, the Joker kills people here and there on the cartoons, but at no point would they ever have him cripple Batgirl and strip her naked in order to drive her father insane on Cartoon Network. In the comics, Green Lantern and Hawkgirl have never been an item, nor has a big chunk of the JLU roster been members of any Justice League roster. Hawk and Dove sucked in both mediums, so there is that. Read the rest of this entry �

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