Create, Consume, Recycle 06/13/11
June 13th, 2011 Posted by david brothers-A quick preview of Adam Warren and Emily Warren’s Empowered: Ten Questions for the Maidman, a one-shot released last week that was pretty dope.
–Graphicly just redesigned their site, and I took a quick look at what works.
-This is the remix: I took this post about X-Men First Class and turned it into this post, inviting dozens of comments from idiots about race. That sorta thing is sorta why I hate writing about race for a mass audience, because sucker ducks always got something to say. Whatever though. I’m gonna go sleep on this pile of money.
Four pages from Mike Mignola, Duncan Fegredo, and Dave Stewart’s Hellboy: The Fury, a series that’s going to be positively apocalyptic and more worthy of your attention than pretty much any other ongoing comic:
There’s something incredibly pure about Hellboy these days. Mignola and company have been pumping out quick series or one-shots that do a lot with a little. With The Fury, we’ve got three issues that can go in any direction, save for maybe the death of Hellboy. Then again, we’ve already seen him maimed, so that might not even be off the table.
This intro is enormously effective. It brings to mind a ton of things. I look at it and see a boxer’s long walk to the ring. It’s the stranger riding into town while strangers grip their pistols and spit. It’s Deebo walking up and everyone in the hood going silent. It’s the beginning of the big war conference in any movie ever, where warriors bang shields and monsters roar at the moon. Lightning strikes either as a show of approval or as an omen of disaster.
“Now I am become Death,” the witches say as they look on their handiwork. “The destroyer of worlds.” They’re not as powerful as they thought they were, and now they’re wracked with doubt and guilt. Then they spot a lone figure walking out of nowhere, and begin creating stories about him to suit their purpose.
“It’s Odin out wandering the world.” Wise and all-seeing, Hellboy is the all-father in human form. Wikipedia tells me that Odin is “related to ōðr, meaning ‘fury, excitation,’ besides ‘mind,’ or ‘poetry.'” There you have the title of the series and the tone. The Fury is the epic poem of Hellboy’s life. Hellboy’s stuck in a Homeric tale, and he’s almost at the end of his run.
“He carries a hammer. Thor then.” He’s the thunder and the lightning, destruction and health, a terrifying protector. A hammer is used to build and destroy. Sometimes that’s the same thing. The myth parallels Hellboy’s journey, too. Thor battles Jormungand, the Midgard Serpent.
Hellboy is every god, every hero, every messiah, and not in some stupid Joseph Campbell sort of way, either. He’s fighting something that is the ultimate evil, so it stands to reason that he has to be the ultimate good. The only thing that matters is beating her.
This is the eschaton in progress, where evil breathes in before pulling the trigger and heroes stride down off the mountain, glorious in demeanor and unafraid of death.
It’s Mignola synthesizing all of his interests, from myths to ghost stories to Jack Kirby comics, and creating something fearsome.
More than anything, though, this has what a lot of theoretically exciting cape comics lack. This is exciting. It builds tension. This is how you do the slow walk.
Funny coincidence. Marvel’s Fear Itself, courtesy of Matt Fraction, Stuart Immonen, Wade Von Grawbadger, and Laura Martin, features the Asgardian host battling an ancient evils. I picked up the first issue and found it overwritten by far, though the art was nice. It had a bunch of people telling you why something’s scary or dangerous instead of that thing putting the fear of God in your heart. What little tension there is isn’t earned at all.
Fear Itself didn’t feel effortless like this does. The Fury is a snowball rolling down a steep hill, and the weight of the past few years does it wonders, but the difference is still striking. Maybe that’s unfair. I don’t think so, though.
There’s a gang of Hellboy available digitally. Read ’em in order, or check out The Island and the Third Wish, Makoma, or Buster Oakley Gets His Wish. I like those a lot, especially Makoma and Buster. Corben and Nowlan are beasts. Nobody should be able to draw cows as cool as Nowlan does.