Welp. Thirty more to go. Let’s do this!

30) Submissive Blind Al
Deadpool #15-17 (1998)
Writer: Joe Kelly

Deadpool’s relationship with Blind Al is completely weird, but it goes from being wacky on the outside to disturbing on the inside. Despite being Deadpool’s prisoner and a victim of plenty of abuse, we see the Wade/Al dynamic as little more than slapstick. It’s shown to be so cartoony that we aren’t even supposed to care that Deadpool – for whatever impaired reason – has an old woman held in his house against her will.

The seriousness doesn’t truly show itself until Deadpool’s breakdown, which as some of you can figure, is going to be popping up later on the list. The short of it is that Deadpool did some horrible stuff to Blind Al and we got a better scope of the dark history of their relationship. After a couple issues, Deadpool gets over what he’s done and tries to sweep it under the rug, much like he handles many of his mistakes, but Blind Al won’t let him.

Deadpool comes home from his latest meeting with LL&L, high off of his good guy potential, only to find that Al has cooked and cleaned. She closes the door to her room, saying nothing more than, “Good night… master.” Deadpool remembers how much of a tool he’s been.

He tries what he can to get a rise out of her and maybe get her to joke around like they used to, but all she does is act completely submissive to everything he says. She acts like his servant and refers to him as the master and herself as the prisoner. He knows he has to apologize, but like the Fonz, he just can’t bring himself to saying he was wrong.

Jayce Russel also loved this whole bit.

The entire situation with Blind Al is just full of awesome bits, but issue #17, the scene that starts with, “Will you shut up and talk back to me already?!,” and the two pages that follow of Blind Al beginning her elaborate plan to attack Deadpool with kindness kills my ass. The neatly hung Deadpool outfits, the alphabetized ammunition, the grating way she drops “master” in constantly, they’re all the slap in the face that Pool spent the whole series working his way towards. I honestly might prefer Al to DP, and this is one of those moments that explain it. The way an old blind lady gets under the skin of one of the world’s best mercenaries is well-written, amusing and, maybe most of all, kinda tugs at the heart. She obviously thinks somewhat fondly of Deadpool, or she’d not bother with trying to save him, and watching him stubbornly trudge past all hope for redemption until almost the bitter end? Now that’s a motherfucker.

When Deadpool receives Montgomery’s predictions on the future, he’s seemingly inspired to do the right thing. Al hears Deadpool hammering on a wall and finds that he’s been boarding up the Box – the room he’d use to torture Al – and that he genuinely is sorry for what he’s put her through lately. She snaps out of her ruse and embraces him, saying that this is a good start towards forgiveness. Deadpool tries to grant her freedom from this life he’s forced her into, but he’s cut off when Ajax teleports him away.

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(I should probably first mention RIP Bea Arthur because… well, you know. It’s on-topic)

Wade Wilson. Deadpool. The Merc with a Mouth. The Deathstroke the Terminator knockoff. Cable’s reluctant sidekick. The would-be mutant. The febrile-minded man who has to deal with outrageous moral quandaries. The man who shot Liberty Valance. The… you get the point. These days are pretty lucrative for the yellow-bubbled anti-hero of Marvel. The character, who as of this writing has been around for 19 years, has gone through many twist and turns in his fictional existence. Enough that I can write up 70 of his best moments. Why 70? Because it’s a week-long series and ten per day is a round enough number on its own.

First appearing in New Mutants #98, created by the team of Fabian Nicieza and Rob Liefeld, Deadpool would follow the cast as the series became X-Force. There, his character, though with attempts at humor, was mostly pretty bland. His appearances usually involved him talking about how great the mysterious Mr. Tolliver was paying him followed by Wade beating the crap out of his girlfriend Copycat. So yeah, not very fun.

Then he got his own miniseries. It wasn’t all that great, though the ending showed that he wasn’t a total piece of shit. Then he got another miniseries and it was better. Then he finally got his own on-going series, which had a great run by Joe Kelly. Once he left, it went for about two and a half years of different writers that made the whole thing seem like a big step down. Luckily, prior to being cancelled at #69, Deadpool’s final issues were a huge breath of fresh air and put some life back into the character… except for the fact that they killed him off.

But then his Japanese Ben Reilly self got an on-going series, which ruled until the original creative team was kicked off. Then it eventually turned lousy and got itself cancelled. Thankfully, Marvel brought the original team back for three issues to both explain the mystery of the main character’s identity and bring Deadpool back from the dead. Hurray!

From there, Deadpool shared a comic with his blood enemy Cable. In a series that played the two off of each other brilliantly, it went on for a respectable run. Unfortunately, Cable joined the X-Men at one point and the series, though still very readable, had jumped the shark. Even worse, Cable “died”, thus making it all about just Deadpool again and robbing the magic of what made the series fun. But hey, 50 issues isn’t bad.

After a memorable stint in Wolverine Origins, Deadpool has returned to form in yet another solo series. Plus a recent one-shot. And a new miniseries. And a role in Messiah War. And a spot in the animated movie Hulk vs. Wolverine. And a Thunderbolts crossover. And a SECOND on-going series coming up in a few months.

Oh, and Ryan Reynolds is playing Wade Wilson in a movie that’s coming out, but apparently has little to do with what made people like the character in the first place. Like Movie Deadpool’s lack of mouth for one.

Now, then. Let’s get this countdown underway.

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from marvel’s New X-Men Vol. 7: Here Comes Tomorrow, words by grant morrison, art by marc silvestri

My Scott & Jean is accepting change. Opinions change, people change, stories change, characters change, and comics change. Gambit and Rogue had a “will they or won’t they?” relationship when I first started reading comics. Cannonball was on the verge of becoming a great leader. Iceman was learning just how powerful he really is. Scott and Jean were going through relationship troubles. And so on.

When things last that long, they stagnate.

New X-Men was the last great X-Men story. It told a tale that of drama, death, and revenge that, in the end, was solved by love. Jean Grey is basically the main character of Morrison’s New X-Men. Despite having grown apart from her husband after he went through some serious trauma, she loves him. She’s grown-up enough to let the relationship go without any drama or mess. She laughs, and tells her husband to live. It was easily the most mature thing to ever happen to that relationship, which has been fraught with Claremont-style fairy tale love and forced drama.

It’s over, let it be. It’s time for something new.

I’ve got no interest in Green Lantern: Rebirth, Flash: Rebirth, the return of Babs Gordon as Batgirl, Johnny Storm and Iceman being dialed back to being idiots because writers are too lazy or too infatuated with the first time they read them (whatever happened to that friendship, anyway?), Cyclops going back to being cold and aloof, the X-Men going from thriving minority to endangered species, or any of that crap. Leave 1985 in the past, because we have been there and done that.

Stories shouldn’t last forever.

As we last left our Ultimate heroes, Yellowjacket bit off the Blob’s head out of revenge and Wolverine found Nightcrawler lying amongst the poo-gas. Now we continue with the X-Men and see what Thor and Captain America are up to.

Those X-Men sure don’t give a shit about the millions of other people who died. Muties are so elitist. Yeah, I said it.

Thanks to ManiacClown for the usual assistance. I really only mention his name and bold it out out of habit these days. Maniac Clown, dudes.

Tomorrow we’ll get more Thor fun as well as Multiple Man.

Day Five!
Day Six!
Day Seven!

Yesterday’s installment featured what was essentially the Ultimate Super-Villain Team-Up getting taken down a peg. Speaking of villains, it’s time to reveal who’s behind the events of Ultimatum. It’s going to be a huge surprise if you ignore every single shred of hype for this godawful comic.

That’s enough for now. Maniac Clown and I will be back next time. Finch is good with deadlines, right? So it isn’t going to take nearly a year like the last time?

Once again, please give our iRiff take on Superman in Japoteurs a look. It’s only a dollar. Scratch that, it’s 99 cents! See? We’re trying to trick you into thinking that you’re paying for something that isn’t really a dollar when it kinda just is!

I think I’m doing this wrong.

Week 2!