Before we get into the proceedings this evening: I was poking around on the internet once a couple weeks back, maybe the first weekend after San Diego Comic-con 2010, and saw something terrible. It was a drawing of a topless woman, legs spread, sitting in a, what, a meat locker? A restaurant? I don’t know, but everything around her was filled with poked out eyeballs, severed heads, butchered bodies, and entrails. The woman in question was rendered like a copy of a copy of a copy of Jim Lee’s sexier ladies. Simply put: it was gross on several levels, and it was supposed to advertise a comic book. I’m all for liking whatever you like, man, but the way this juxtaposed creepy sex and lazy gore just really got under my skin. I’m as interested in the way that sex and death interact and coexist as any other English major, but c’mon. Consider this series a bit of counter-programming. There are several artists who are crazy talented at drawing women, and I want to show off some of my favorites or ones who are particularly good at one aspect. I’ll be doing a few this week, and I think it’ll be weekly beyond that.

And if you like that other stuff… more power to you, man. Whatever floats your Flying Dutchman staffed with half-naked zombie girls, you know? You’re still gross, though, B. Sorry.

Cameron Stewart: Twitter, blog, Comic Art Community gallery, webcomic
Books: Apocalipstix, Batman and Robin 2: Batman vs. Robin
Why? Stewart’s style is one that appeals to me in part because he knows how to pay attention to the little details and has a good sense of comedy. I love the cover to Catwoman 20 because of the way that Holly’s lip is being pulled by the back of her hand. The real boots on cs-Robinchair.jpg are fantastic. The relaxed posture in cs-girlfridays7.jpg is great. The cliche says that every picture is worth a thousand words, and it’s clear that Stewart’s girls have a story behind them. You can intuit personality at a glance.

-6th Sense’s 4a.m. Instrumental for the theme music
-Oh snap, comics reviews!
–Batman & Robin #8? Good stuff! Cameron Stewart drew a great fight scene, Grant Morrison writes a fun Batwoman (“I have to die.”) and the British stuff is pretty fun.
-Esther wants Damian to disappear, though. That sucks.
–Amazing Spider-Man #620? Pretty good, with a great Mysterio bit and amazing art from Marcos Martin and Javier Pulido.
–Secret Six #18? Blackest Night crossover, Amanda Waller runs things, and Deadshot shoots dudes.
-Fact: I cannot say “Deadshot” without saying “Deathstroke” first.
-Fact: Deadshot’s miniseries from a while back ruled.
–Jormungand volume 2 from Viz features a child soldier who goes into two separate suicidal rages in this volume, a wacky arms dealer, and the hijinx they get into. David likes it because he probably has a gun fetish. Good stuff!
-See you, space cowboy!

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When I noticed that last week was so dry in terms of releases, I got the idea of doing “This Year in Panels”, especially since I’ve only covered a fraction of 2009. I suggested the idea to hermanos, who wasn’t a fan because he can’t remember enough of 2009 to come up with a collection of panels. Thanks a lot, pot.

Instead, he suggested we do a lovefest gallery for our favorite covers of the year. I’m easy. Let’s do it.

20th Century Boys v.4
Naoki Urasawa

100 Bullets #100
Dave Johnson

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Not Cam’ron, Mindy Owens‘s favorite rapper. I’m talking about Cameron Stewart, artist of Seaguy, Catwoman, Guardian, and a host of other books you should be checking for.

I recently found out that he has a blog, the Cameron Stewartwork Blog according to the header!

Stewart is one of my favorite artists. I first saw his work on Seaguy, most likely, and then Catwoman, 7 Soldiers: Guardian, and The Other Side. He does Sin Titulo weekly. It’s a part of the Transmission X network, one of the more interesting webcomics collectives out there. TX Comics also includes Luz, which is about peak oil, kind of.

Anyway, I really dig his style. He’s cartoony, expressive, and flexible in a way that I can admire. Beyond being drawn by the same dude, Seaguy, Sin Titulo, Other Side, and Catwoman don’t look like the same book. It’s like he’s always trying to switch up his style. As near as I can tell, it’s paying off. I’m just hoping that ST is going to end up collected at some point so I can throw some money at him.

Anyway, he’s got a blog he posts artwork on. He’s talked about Wall-E and a few other summer movies. He did a sketch of Black Cat that I would straight up kill for. (I wish he did commissions.) He also has a feature called Girl Fridays.

Girl Fridays is a series where Stewart draws a cute girl a week. It’s an exercise in style (both art and fashion), design, and color. It’s interesting to look at, and it’s Cam Stewart drawing cute girls. Who could hate that?

I think my first Cameron Stewart book was Seaguy. I’m pretty sure it was, anyway– I didn’t become a Brubaker/Stewart Catwoman fan until they were nearly off the book. I’m a little fuzzy on that point, though, I might be wrong.

Either way, the man is crazy good. Every book he’s ever done looks 2008% rock solid. He’s got a fun and expressive cartoony style. Lately, I’ve been enjoying the man’s ongoing webcomic at Transmission-X, Sin Titulo. Link to the first page here, as that previous link takes you to the latest comic. Whoops, should have warned you I guess!

Anyway, the comic is really good. Stewart has a pretty smooth writing voice and the story is really engaging, though I’m not sure where it’s headed. Plus, I can get my Cam Stewart fix once a week this way. That’s good stuff.

It’s funny, but I haven’t thought about Seaguy in a long while. In a very real way, Grant Morrison’s Seaguy and JLA Classified #1 were the reasons why I started blogging about comics around this time in 2005. My first comics blog was Guerilla Grodd (shut up it was clever back then). My first post was on JLA Classified #1. A few posts later, I posted the first of two explorations of Seaguy, with an imaginary third rounding out the trilogy. I really want to rewrite these. It’s been a while since I have really dug my teeth into a subject, not to mention reread Seaguy. I feel like I could bring a lot more to the table now.

Speaking of blogging in 2005, one of my favorite sites was Fanboy Rampage. It was a linkdump of all the best (worst) comics fans had to offer and run by one Graeme McMillan. I don’t think I’m exaggerating when I say it was probably my favorite comics blog back in the day. Imagine my surprise when I move to SF this year and the guys are like “Hey, do you know Graeme?”

So, yeah, Graeme McMillan is cool people and I’m pretty pleased to call him buddy. He’s got a fun interview with Tom Spurgeon over at the Comics Reporter. Give it a look, all right?

Man, do you guys remember when comics blogging was all The Beat, Journalista, a little Warren Ellis (“The Bendis Board is full of rape-os”), Fanboy Rampage, Neilalien, and ADD? I feel like I’m leaving people out, but it’s late and my memory is bad. Casey and Fraction on the Basement Tapes, Augie on The Pipeline… Three years, man. Wow.

Controversial opinions–

–Have you ever wished for the death of a comics creator, be it an EiC, writer, or artist? Maybe an editor or colorist if you’re really into funnybooks? If you can answer yes, you probably suck as a person. It’s just comics, man. Chill out.

–The “comics fans are shut-ins/creepy nerds/worthless man-boys/fat/neckbearded/stunted” stereotype needs to be lost, stat. It doesn’t matter whether you’re explaining why comics are sexist, poorly written, racist, or whatever– lose it. It ain’t true, man. I know a bunch of people who read comics. I don’t know any shut-in creepos. Let those dudes do their own press– we don’t need to do it for them. Real recognizes real and they need to be invisible.

–Have you ever used the word “overrated” in a review? If you did, I probably didn’t finish reading what you wrote. Overrated is a stupid word that has no place in a review. It basically means “This is popular and I don’t like it so I’m going to diss everyone else’s opinion in an effort to make myself look smart(er).” You might as well be saying “as if” as far as I’m concerned.

–Seriously though– it’s just comics. It’ll be okay. Go read Kraven’s Last Hunt or Batman: Year One or Flex Mentallo or Casanova or something you haven’t read yet that’s generally well-regarded if comics right now are making you mad. If it’s getting your blood pressure up, back up off it. It ain’t worth it. It’ll come around.

–I’ve been listening to Lupe Fiasco, T.I., and Juelz Santana pretty much exclusively for the better part of a week now. It’s a weird mix of maybe 16 hours of music (9 of T.I., 5 of Lupe, and 2 of Juelz). T.I. for the south (deuces up, a-towns down), Lupe ’cause he’s a nerd, and Juelz because he’s sick at storytelling. “Gone” is dope.

Youtubes, which are probably nsfw if only for lyrics and the fact that they’re youtubes:
Lupe Fiasco: I Gotcha, Dumb It Down, The Cool (Music only)
T.I.: Big Things Poppin’, Hurt, U Don’t Know Me
Juelz: Oh Yes, Dipset Anthem, Gone (Music Only)

Man, I love that sample on Oh Yes. “Wait a minute mister mista mista mista”

You can find the list, plus covers, over at Newsarama.

My commentary on the interesting books lies after the jump, and I’ve included the solicit text for them, too!
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“What people often forget, of course, is that Magneto, unlike the lovely Sir Ian McKellen, is a mad old terrorist twat. No matter how he justifies his stupid, brutal behaviour, or how anyone else tries to justify it, in the end he’s just an old bastard with daft, old ideas based on violence and coercion. I really wanted to make that clear at this time.”
–Grant Morrison

I’m not usually one to complain about comics companies “destroying” characters. In fact, I think it’s kind the kind of stupid invective that gives comic fans such a negative fanboy image. “Destroying” is a loaded term, and there’s much, much better ways to express your feelings on the matter. This may be my attempt at that, or my attempt at putting my foot in my mouth. U DECIDE.

I do think, however, that comics companies can make/allow some fairly terrible narrative choices. Turning Xorn into some kind of Jerry Springer-esque twin brother was one. Actually, every time Xorn has been mentioned outside of Morrison’s New X-Men has been a mistake, I think. Identity Crisis left a bad taste in my mouth, despite Rags Morales’s excellent art. I liked the scene where Batman and Robin are trying to get to Tim Drake’s house before his dad dies. That was powerful, but the death of Jack Drake? Bleh. He was a cool dude. Mark Millar turning the New Warriors into patsies? Bah, Doom says.

So basically what I’m saying is, not everything comics companies do is great. Big surprise, huh? I once read a comment Keith Giffen made about the death of Blue Beetle. He said he wasn’t mad about it, and that his only feelings on the matter were “I would’ve done it differently.” I think that’s all any fan can really say. “I would’ve done it differently.” Mark Waid once said something like “Comics is the only industry where 90% of your audience thinks that they can do it better than you.” It’s true.

Long, rambling introductions aside, DC screwed the pooch on the Batbooks when they made the main man overly angry, right? Well, what about the satellite titles? Catwoman went from a must-read book to “Peace out, homey!” all in the space of one issue for me. Batgirl has renounced her title and is pretty much a villain now.

I am okay with one of these things, but I do not like the other. Let us begin, then.
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