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New Avengers Finale raised a lot of questions…

May 25th, 2010 Posted by david brothers


words by brian bendis, art by brian hitch or maybe stuart immonen, the credits aren’t clear

The biggest being what is going on with that baby. That kid is like five years old.

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“You Might Win Some…”

June 15th, 2009 Posted by david brothers

Remember Marvel’s plan to release Captain America #600 on a Monday due to mainstream press coverage? Here’s a reminder:

“REBORN #1, by Ed Brubaker and Bryan Hitch, will be receiving nationwide press on 6/15, possibly on par with the media coverage we received during Civil War.

However, this means that the solicit and covers for Reborn #1 cannot be shown before the FOC of 6/11. Marvel will do everything possible to ensure an overprint is on hand to counter huge anticipated demand, but the incentives below and qualifying for free variants will only be available for orders placed before FOC”

In essence, Marvel asked retailers to take a gamble. Open on Mondays, pay extra for shipping, and we will drive customers to your store by way of a big newspaper article. The NY Daily News ended up with the scoop. However, when I say scoop… I’m being sarcastic.

I’m going to put this behind a cut, because I’m sure someone, somewhere, is going to be upset that I’m about to spoil the least surprising reveal since Dick Grayson became Batman. Read the rest of this entry �

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Fantastic Four: The End

March 9th, 2007 Posted by david brothers

(Images have been added to the post! Scroll all the way down.)

Have you ever had something take you utterly by surprise that, in hindsight, is completely obvious?

That happened to me with Annihilation. I had no idea that Annihilus was the villain of Annihilation until the end of the Annihilation Special. No duh, right? I’m usually pretty good with picking out plot twists. I bet watching tv shows or movies with me sucks, since sometimes I just can’t help going “That guy’s the traitor, his wife is the hero in disguise, and that little one-liner about being good with explosives means he’s going to fake his death.”

But, I’ll still miss some completely obvious things.

So, pull up a chair and check this out. I’m probably going to spoil the ending of Fantastic Four: The End for you in the process. That’s still a few paragraphs down, though.

Just for clarity’s sake– FF: The End is the first of two (!) FF: The End projects. The upcoming one is being done by the team of Stan Lee and John Romita Jr. The one I’m talking about here, though, is the recently concluded FF: The End by Alan Davis and Mark Farmer. As usual, Farmer inks while Davis pencils and writes.

The last project I remember Davis and Farmer collaborating on is JLA: The Nail and JLA: Another Nail. They were Elseworlds tales about Superman being raised by Amish farmers, rather than the Kents, and the differences that brought out in the world. They weren’t perfect stories, as I seem to remember Jimmy Olsen somehow getting superpowers or something a little ridiculous like that, but they were great fun. JLA: Another Nail actually had the best Green Lantern ever. A deceased Mister Miracle escaped from death on Apokolips and into a GL ring which was worn by Big Barda.

A husband-and-wife Green Lantern. Awesome.

Davis has a lot of strengths. Costume design, for one. Another Nail is full of pretty sweet redesigns, and FF: The End is no different. He is kind of overly fond of raised collars, but he comes up with a cool in-story explanation for why so many Inhumans wear masks, so it evens out. Another is that he’s the original Bryan Hitch. Hitch used to be a Davis imitator, and his inker Paul Neary is well known for working with Alan Davis. Both of them have a great eye for detail and realism, which means that disaster scenes and low-key scenes both hit with appropriate impacts.

What I’m trying to say is that Alan Davis is an awesome artist. With FF: The End, he becomes a good writer, too.

FF: The End is set after the Mutant Wars, and after Reed Richards has finally put his mind toward improving the Earth to its fullest potential. He’s extended the lives of everyone on the planet exponentially. Lives are measured in the centuries now, which also provides a convenient reason for all your favorite heroes to show up still youthful, though Doc Strange missed out on the treatment. Crime is essentially gone, and there are heroes all over the solar system. The solar system itself has been quarantined, shut off from the Kree, Shi’ar, Skrulls, and most other Marvel space aliens. Marvel is finally a utopia.

That’s not to say that it’s been a bloodless advancement. The prologue shows that Franklin and Valeria Richards died in the FF’s final battle with Doctor Doom. We fast forward to twenty years after that, and the FF didn’t manage to stay together. Ben Grimm retired to Mars with Alicia Masters, his longtime girlfriend, and they have a handful of kids. Ben can turn from monster to man and back again, as well. Johnny Storm goes by John now, and he’s a bigshot hero in his own right. He’s extremely well-respected, to the point where he’s the top dog in the Avengers. His is the only new costume that I’m not really digging, but he thankfully gets some FF duds part-way through the series. Either way, the hothead has grown up into a true hero. Sue has buried herself in archaeological research and is hunting for various esoteric objects all over the Earth. She’s also sporting a boyish haircut that is pulled off amazingly well, and speaks to Davis’s sense for character design. Reed? Reed is alone on a satellite, cut off from human contact nine times out of ten, tinkering with his inventions and looking to keep pushing forward. Marvel’s First Family aren’t much of one any longer.
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