So some of you might be wondering about the Wrestlemania Countdown and how I never got around to posting the top 3. I really wanted to get that done in time, but 11 straight days of writing plus coming down with a cold led to some nasty fatigue and I lost my writing momentum. I’ll get to it, but sometime in the next few days, albeit when nobody cares because Wrestlemania 26 already happened.

In other news, I stumbled across this the other day. It’s a well-known fact that the videogame Teenage Mutant Ninja Turtles: Turtles in Time has one of the all-time greatest soundtracks. A guy by the name of MasDaMind decided to merge the tracks from that game with other pieces of music to create Teenage Mashup Ninja Turtles IV: Turtles In Time Tribute.

Some work better than others, but I personally dig “Got Yourself Sewer Surfin'”.

Scott Pilgrim vs the World trailer here.

I didn’t see an embeddable, but if I come across one, I’ll post it!

I am like 99.9% sure that the KO sound comes from Capcom’s Street Fighter Alpha 3. Watch this video and fast-forward to 1:40:

BAM EXCLUSIVE COMICS JOURNALISM RIGHT THERE BABY!

-Over at ComicsAlliance, I’ve got a pretty good idea on what major Marvel comic Charlie Huston’s gonna be writing later this year.

While “Deathlok” is currently being serialized, Huston doesn’t have any announced work coming out of Marvel’s stables. Until now, that is, as he spilled the beans on a few projects on his site on Thursday. Longtime readers will know that he’s written a year’s worth of stories on a major Marvel series which should debut this fall, but he also revealed that he’s doing a two issue story “about a guy who never misses [his] mark.”

-And at Tucker’s spot, I talk a little bit about How to Make It In America and Archer.

How to Make It In America is, at least theoretically, about Ben Epstein and Cam Calderon getting off their butts and making something of themselves. Now that they’re pushing 30, they’re gonna strike it rich, or at least solvent, by creating a new line of jeans. Along the way, they’ll have to negotiate with Cam’s menacing cousin Rene, played by an aging but still talented Luis Guzman, coordinate with one of Ben’s rich friends, and fight against everyone who is telling them that they can’t do their thing. And then, in the end, they’ll win. They’ll stick to their guns, believe in each other, and their jeans will be the talk of New York City.

-Archer’s last episode for a while aired last Thursday, and whooo. It was something else. Vile, obscene, disturbing, hilarious.

-David Welsh on the appeal of One Piece:

One observation that really caught my ear was about Oda’s world building and his willingness to plant tiny, seemingly irrelevant narrative seeds that come to full flower later, sometimes much later. Natsuki Takaya did this all the time in Fruits Basket (Tokyopop), turning seemingly oblique observations and sideways glances from volume two into searing heartbreak in, say, volume nine. It’s quite a skill, that kind of callback work, and it displays a great deal of confidence on the part of the creator that they’ll be able to tell their story according to plan.

-Esther writes about five ways you probably wouldn’t die in a vacuum at io9, and it is good:

Because a vacuum does not carry sound very well, you would not be able to hear the many, many alveoli in your lungs pop like bubble wrap under a child’s fingers, but don’t tell me that you wouldn’t imagine it.

-Judd Winick and Sami Basri are taking over Power Girl as of issue 13. Coincidentally, I have three extra dollars to spend a month now.

-Dave Johnson talks about his first cover for Abe Sapien: The Abyssal Plain.

-I haven’t talked about BPRD on here at all, I don’t think, but please believe that it has better than every single comic put out by mainline Marvel or DC for the past four or five years. Maybe All-Star Superman stacks up, maybe.

-Cheryl Lynn has a line on the hottest new t-shirt of the spring.

–Treme, the new show from David Simon and others, is gonna be a problem.

I’ve tripped and fallen across half a dozen links this morning about censorship and labeling and adult material and so on. I figure that’s a sign, so I’m throwing these out for you to check out. Keep in mind that various links may or may not be nsfw.

-Steve Bissette has been doing a great series of retrospectives on a comics controversy from 1986/1987. I came across it via a link to Colleen Doran’s blog, where she discusses her role in the controversy. Bissette has several (prologue, 1, 2, 3, 4) posts up currently, all of which are worth reading. Bissette’s got a really engaging style of writing and does a pretty good job of collating all this data. It’s a fun history lesson.

-Molly Crabapple’s new book, Scarlett Takes Manhattan, is not being carried by Barnes & Noble for being “too pornographic.” Amazon’s got it, though.

-There’s an amendment to a child porn law in Japan being proposed right now that’ll “restrict sexually provocative, “visual depictions” of characters who sound or appear to be 18 years old or younger.” My understanding is that it is broadly worded, poorly researched, and unconstitutional. Yoshitoshi ABe has a particularly interesting opposition to the amendment, and a few dozen manga creators and publishers on Twitter have vocalized their opposition.

I usually hate empty linkblogging, but I’m still organizing my thoughts. I figure I’ll have something tomorrow or the day after. I will say that I am generally anti-labeling/ratings- I don’t think that you can apply a system with an objective scale to something as subjective as art, be it written, drawn, painted, scrawled, filmed, or programmed.

Tucker Stone compares baby killing at Marvel vs toddler killing at DC:

We at Marvel have always worked to support the trend towards ultraviolence–our readers like it, we like it, and you’d have to be fucking terrified of money to put a leash on Mark Millar. But we’ve always tried to remember that, at the end of the day, we’re making a product, a bit of fun, and that if we take it too seriously, if we try to make some kind of philosophical statement about justice or heroism, we’re going to end up with a dour, boring slice of poorly written shit.

How do you like your brutish and child-like extreme violence? Do you like it to look deeply into your eyes, desperately asking if you get it? Do you understand what has to happen to make a good man do wrong? Do you see how he can’t stop killing, as if he’s developed a taste for blood? Did you see those bloody socks? Do you get it? This is horrible, do you finally understand the stakes?

Or do you like it to be off the cuff violent, an act done simply because That’s What Bad Guys Do, something borrowed from Crank 2 or the best of crime cinema? No message, and no meaning beyond, “Yeah, this guy? He’s a douchebag.”

There was a huge upset, over at scans_daily, about a week ago.  I know.  How could that happen?  But some of us like scans_daily, in part, because of the fights.  This fight, however, frustrated me, because I’ve seen it too often.

I’ve seen a few too many arguments like this, lately, where someone does something dumb and offensive and then shouts at everyone who bothers to tell them that it’s offensive.  Here are the arguments that they always, always, without fail, make.

1.  But I didn’t know it was offensive.

2.  But I didn’t mean it to be offensive.

3.  But you should have been nicer to me when you explained what was wrong.

Number two has its variations (it was supposed to be funny, it was supposed to be satire, it’s not really important anyway), but number three?  Number three is the catchall.

People who invoke number three will use any excuse in the book to make it work.  They will use the excuse of politeness (there are certain ways we do things), and morality (don’t ever sink to their level!), and location (this isn’t the place for it), and loyalty (but I’m really on your side), and they love using practicality (You shouldn’t have to explain this but otherwise how will they learn?  However will they learn?).

I hate all of those arguments, because all of them – every single thing I’ve listed above – boil down to this assumption:

You have consider my feelings, and I don’t have to consider yours.

That’s what every single person who ever makes those arguments is saying.  That’s all they’re saying. 

And when the original offender himself comes on in the second page to thank the people who ‘defended’ him, and not the people who acquiesced to the demands of all the idiots, waded thigh-deep into the bog, and educated him? 

Man, I’m glad I can’t comment on that site since they moved to dreamwidth.  Trying to get through to him would have been one hell of a waste of a few days.

I did a thing on Grant Morrison and Sean Murphy’s Joe the Barbarian at Comics Alliance.

It’s a brief over on storytelling in Grant Morrison books. An excerpt:

Reality and fiction feed off of each other in many of Morrison’s works, existing in a state where one is entirely dependent upon the other. Sometimes, they two realities are one and the same. Sometimes, the lines between the two of them are just a little blurred. “Joe the Barbarian” falls firmly into that latter group. Joe himself says that he is a stereotype, just like the bullies who torture him at his father’s gravesite. On at least some level, he’s aware of the fact that everything is a story.

If you didn’t buy Joe the Barbarian this week… you made a mistake. It was only a dollar. Go back to your comic shop and pick it up.

-I usually say “I don’t really read autobio comics,” but that’s pretty much a lie, I’ve realized. Erika Moen’s DAR: A Super Girly Top Secret Comic Diary is fascinating to me. She ended it yesterweek, and I’ve had it open in a tab ever since, hopping around from strip to strip. It’s really strong and very entertaining. It’s also a little baffling to me, as well. Moen is able to share things on a level I’m completely incapable of duplicating. It’s not that I’m emotionally cold (hey lay-deez, how YOU dooooooin’), it’s just that she’s open in a way that’s both foreign and appealing. It’s good reading, and her farewell strip is a beast. Plus, the series of strips about the guy who pooped on her bathroom floor was funny.

-Emi Lenox’s Emitown is also must-reading, for both similar and different reasons. What I like is that it’s almost like a highlight reel, or skimming someone’s diary. You never know if you’re gonna get a post about one subject or six. It’s a fifty-fifty draw- you’re getting either a single round or buckshot. The only surety is that you’re gonna get shot. Pardon the tortured gun metaphor, what I’m really trying to say is that the strip is entertaining and her art is great. Great emotional work and it never feels cluttered. Look at the faces in this one. I particularly like the bit where the cat laughs at her. Dope sense of humor at work there. She updates throughout the week.

-Julian Lytle’s Ants is more of a sitcom than a serial gag comedy strip. You dip in and out of watching these guys interact with (or talk about) current events, video games, music, whatever whatever. The slanguage is on point, and each strip is just a glimpse into the life of these guys. The latest is part of a series where the ants are riding on Asgard because they’re out of Eggos. Lemme tell you this: I can relate, because if EL Fudges end up shorted? I’m going out masked up, eyebrows down, and a whole bunch of guns on the backseat of the car. Julian updates on Thursdays.

–D-pi‘s Gratuitous Ninja has a few episodes out right now, and it’s shaping up to be pretty cool. It’s fresh, working in that same kind of cultural fusion lane as Jet Set Radio Future (sorry kids, I copped that on Xbox and missed it on Dreamcast) ran in. There’s a strong influence from video games, music, Japanese culture, and something I can’t quite put my finger on. I think Ron and I grew up on a lot of the same things, and it’s dope to see that on the page. Check it out on Wednesdays.

Geoff Klock has a bit on the Callahan/Nevett Splash Page I mentioned and briefly remarked on yesterday.

Between the ages of 15 and 20 I read all the X-Men books for five years — right after Claremont left: Age of Apocalypse, and Generation X and Onslaught, and Stryfe. Then I matured by moving beyond the brand and to the writers. I was in a new decade and the shift made sense. Suddenly I did not care who the hero was: I wanted Morrison's JLA, Miller's Batman and anything by Alan Moore. And I just couldn't invest in the X-Men like I used to.

Good reading. I’m going to have to move my response up a bit, I think, because suddenly it is relevant!

Related: Tucker and Jog totally made out on top of a pile of comic books.

Free things are awesome, yes? I think so, anyway. Here are some free things that you should check out and enjoy.

-Charlie Huston has more free books for you. This time, it’s the first Joe Pitt casebook, Already Dead. I recently finished the last book in this series, and overall I’m pretty pleased.

It’s available in several formats, all for free, so fire up the ebook reader and get to getting. It’s vampire fiction for people who like it bloody, pulpy, and vulgar, so hey. Get some.

-Takehiko Inoue, creator of Vagabond (my current obsession), has done two basketball manga: Slam Dunk and Real.

No, that isn’t true. He’s done three. Buzzer Beater is online-only, released during a time when people said “World Wide Web,” drawn left-to-right, and in (sometimes garish) computer color. It’s also free. Check the characters here, then click here to begin the first chapter.

It’s a weird basketball manga, and aliens are treated very matter of factly, but it’s pretty enjoyable. I read half of it in one burst and the other half in one sitting, so it’s also pretty gripping. It may have been my first sports manga, because I doubt that Hikaru no Go counts as sports. The story is incomplete, but ends on a note that could easily be a real ending, rather than a cliffhanger.

–Metal Gear Solid is almost definitely my favorite non-Madden game franchise. I love the way that Kojima came up with this amazing story and groundbreaking gameplay, and then wrapped it all up in bizarre plot twists, baffling storytelling decisions, and a thick film of “This is art, that is why this is happening, do you get it?”

And I mean, I love it all unironically and unconditionally. MGS horrifically flawed and amazingly self-indulgent, but it’s given me four games that were some of my favorite gameplay experiences.

That doesn’t mean I don’t have a sense of humor about it all, though. That sense of humor got a workout when a friend pointed me to livejournal user hiimdaisy and her Metal Gear Solid 3: Snake Eater strips. She’s gone through the whole series, so here are some links to posts that are simultaneously huge and hilarious:

MGS: one, two, three, four
MGS2: one, two, three, four
MGS3: one, two, three, four
MGS Portable Ops: one

There are ones for other games (incuding Persona 4!), so poke around the LJ a little bit. All are pretty much hilarious.

–Tim Callahan and Chad Nevett are back with their Splash Page. This time, the question is, “Are Mainstream Comics Increasingly Lame, or is it Just Us?” Parts one and two.

My answer? They’re increasingly lame. DC needed ugly plastic rings to move units and Marvel’s digging this heinous villain hole even deeper and wrecking believability in the process. When your Top Dog Villain kills sixty-thousand people just to get his way, you’re probably a little too extreme, possibly bordering on unbelievably dumb. But hey, keep sliding those colorforms around on the page. Rake in that money.