A couple years ago, when Marvel was releasing their miniseries/event Siege, my excitement was off the charts. Ever since Avengers Disassembled, Secret War and the Sentry, Marvel – with Brian Michael Bendis at the helm – had been putting together one big arc of events tagged together. Siege was going to be the big finale to it all and it was doing a great job. Not only were they coming off an entertaining status quo with the whole Dark Reign thing, but the miniseries was hitting all the right notes. It was four issues, had less tie-ins than normal and set up a great big bad in the Void. After the third issue, I couldn’t wait for the conclusion.

Then Siege #4 was a huge wet fart of a comic that took away my enthusiasm like nobody’s business. My excitement for this years-long epic went up in smoke and I’ve lost any interest in Marvel’s event stories.

Last night, I went to the midnight showing of Avengers. I thought it was absolutely wonderful. I had a complete blast and while there are some definite flaws (why did the bad guys die all at once, exactly?), I’m more than ready to see it again. More than anything else, there reached a point where I had to step back from everything and realize that it was more than just a fun movie. I had to step back and remark, “I can’t believe they actually pulled it off.”

Seriously. Can we take a second to look at how absolutely miraculous it is that things turned out as they did?

The Avengers always had this weird spot in Marvel lore in that they were considered a major deal, but lacked the mainstream star power. Of the main three Marvel superhero teams, they were the least memorable to the average man on the street. There’s a reason why Spider-Man and Wolverine were inserted into the lineup. If anything, that made them perfect fodder for Marvel Studios. They had fanboy recognition and lots of history to mine, showing that there were existing stories that proved that they are viable characters. Yet at the same time, there would be a public unaware of who these guys were and they’d get drawn in by the hype, seeing the non-Hulk guys as something fresh and new.

I recall how cautiously optimistic I was about Iron Man ever since seeing the very first picture of the armor as designed by Adi Granov, the man known for illustrating the hell out of Iron Man’s armor in Iron Man: Extremis. The early photo of Robert Downey Jr. with the glowing chest looked perfect and from all accounts, he was genuinely excited to be playing the role. I even recall an interview where director Jon Favreau claimed that he had read every single issue of Iron Man to get his head in the game.

With the then-upcoming Incredible Hulk coming out, there was a rumor on the internet that both movies would share the same scene. Like some event would occur and we’d see the incident from Tony Stark and Bruce Banner’s point of view, respectively. I even made a joke about this in the first page of Ultimate Edit way back when. There were definite rumblings that they were building towards something big. It didn’t happen, but it wasn’t too far off.

Part of me was afraid. Comic movies are incredibly easy to screw up. I’ve seen Dr. Doom look tame. I’ve seen Galactus as a cloud. I’ve seen a movie studio that refused Sentinels in an X-Men movie. I’ve seen Juggernaut with cheesy rubber abs. I’ve seen Daredevil and Superman Returns and Spider-Man 3. I wanted so much for Iron Man to be what it should be.

Other than removing a subplot because of the US Air Force throwing a hissy fit, that’s what we got. Iron Man was the movie comic fans have been wanting to see. Thing is, it wasn’t JUST a good movie. After the credits, Nick Fury appeared and told Stark that he wasn’t alone in the superhero game (though as far as SHIELD knows, he is, which is weird in retrospect) and introduces the Avengers Initiative. And some people go, “HOLY SHIT.”

It continues weeks later when Incredible Hulk comes out and we have a scene at the very end where Tony Stark tells Thunderbolt Ross that they’re putting a team together. Not to mention that there are definite callbacks to Captain America existing in that movie’s continuity. Marvel Studios was planning on not only doing a bunch of movies in a shared universe, but funneling it into a gigantic team-up.

Each movie featured more and more references to other movies. Iron Man 2 showed a half-finished version of Captain America’s shield, introduced Black Widow and ended with a shot of Agent Coulson finding Thor’s hammer in the middle of a desert. Though if anything, Iron Man 2 gave me pause. Not just because it was the weakest of the Avenger movies, but also because they went out of their way to point out that Stark was only going to be an Avenger in a minor capacity. Like they were sitting us down to explain that Robert Downey Jr. was going to only get a couple scenes in Avengers because he’s a busy dude, so don’t get your hopes up.

Thor and Captain America were both extremely solid in my opinion and brought everything to a head. The end of Cap’s movie showed a teaser trailer for Avengers and the hype continued.

The trailers honestly didn’t do much for me. Plus I still felt a little apprehensive. A movie with so many characters? I don’t want another Spider-Man 3. Plus the Avengers haven’t been known to be used especially well in other medias. Back in the 90’s, they gave us that bewildering Avengers cartoon that decided that Captain America, Thor and Iron Man weren’t worth talking about, so they went with Tigra, Wonder Man and the like instead. Then a few years ago, Marvel started releasing animated movies such as Invincible Iron Man and Ultimate Avengers and those sucked on ice. ESPECIALLY Invincible Iron Man. Try that animated turd and be amazed by how unwatchable it is.

And so I saw Avengers. And it ruled. My fears — including the idea of Tony Stark being a glorified cameo — were unfounded. It gave me the opposite reaction of Siege #4. I want to see it again after watching all the others over again on DVD. I want to read about the next installments of Iron Man, Captain America and Thor’s movies and where they lead to next. I want to hear about new characters being brought out of the ether. I want more.

I can’t believe they pulled it off. DC Comics and Warner Brothers briefly tried and immediately tripped over their own feet before they could make a single step. Marvel simply got their shit together and while there were so many reasons for things to fall apart, they pulled off one hell of an impressive project.

It’s movie history is what it is. Bravo.

Also, whoever came up with the idea of the final post-credits scene deserves a statue in his or her honor.

Hey there, my Letterites. It was a pretty good week, giving us a fantastic Flash issue (I’m really loving the designs of these new rogues), Eric Powell alternating between funny and whiny as well as FF giving us the best final page in a long time.

The last page of Goon really had me scratching my head. The whole thing, like the issue, was Powell being annoyed at the hold of Marvel/DC superhero comics have over the industry. Nothing wrong with that. It’s just that his main point was how the comic industry needs its own Harry Potter.

If Harry Potter were a Dark Horse comic instead of a novel, it would be struggling to sell ten thousand, just because it’s not in a Marvel or DC superhero universe. Where’s our Harry Potter? Where’s our megahit that comes out of nowhere and draws people into comic shops? Why are we denying ourselves the possibility of that?

When reading this, I felt like meekly holding my hand up while saying, “…Walking Dead?”

Speaking of superhero tripe, I’m not going to be reading Avengers vs. X-Men, but I am reading Avengers vs. X-Men Versus. Why? Because I’m weird and I want to experience the Polly-O String Cheese of comic event tie-ins without any context for the sake of seeing how it comes off.

This week, Jody and Space Jawa have my back. Remember, you can help out too. If there’s a series you’re reading that you want represented, you can always toss me a couple panels. Email link’s on the right.

All-Star Western #8
Justin Gray, Jimmy Palmiotti, Moritat and Patrick Scherberger

Aquaman #8
Geoff Johns and Ivan Reis

Avengers vs. X-Men Versus #1 (Gavin’s pick)
Jason Aaron, Adam Kubert, Kathryn Immonen and Stuart Immonen

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Kids these days with their video games don’t know how good they have it. They have fully-realized stories right off the gate, treated to enough exposition and neat-looking cutscenes to paint a picture of what their game is all about. Guys like me and our Nintendo Entertainment Systems only got two paragraphs in the second page of the instruction manual and an ending. And if you were renting the game? Chances are you had to make a guess at what was going on.

The Mega Man games always had the barest of plots with just enough to make the sequels different in some way to what came before them. It got to the point where it would be, “The villain is this guy Dr. Cossack… oh, wait. It’s just Dr. Wily,” followed by, “The villain is Proto Man… oh, wait. It’s just Dr. Wily,” and so on. Just an excuse to keep giving us more of the same addicting gameplay. The endings were pretty dull until the SNES days with Mega Man X and Mega Man 7. The latter of which had the crazy-ass moment where Mega Man downright threatened to murder Dr. Wily on the spot.

While the later games introduced more story and cutscenes and even alternate futures and realities, the original games remained pretty barren. That is, until they released Mega Man: Powered Up in 2006, a PSP game that recreated the first game with new graphics, included a couple new characters (one of which being pretty racist-looking), gave everything a personality overhaul and allowed you to play through alternate versions of the game where the different boss characters switch places with Mega Man’s role and act as protagonists. While it crapped the bed in terms of sales, the ideas from it would be reused in the current Mega Man series released by Archie with Ian Flynn on words and Ben Bates on art. It’s a great comic and my only wish is that I’d be able to send it back in time to my ten-year-old self.

The series has finished its first year with twelve issues and three story arcs. The first covers the story of Mega Man 1, the second introduces Time Man and Oil Man from Powered Up (they fix the Oil Man controversy by putting a scarf over his mouth) and the third goes through the plot of Mega Man 2. The gist of the origin is that in the future, Dr. Light and his friend Dr. Wily have created a bunch of “Robot Masters” to help perform duties that will help out the human race and make the world a better, safer place. Due to Wily’s checkered past and notoriety in the public eye, Light insists that he stays out of sight for the press conference and the lack of limelight drives Wily over the edge. He rewires the six Robot Masters to do his bidding, has them attack the general public and plans some world domination. The only robots left unaffected are Rock and Roll, two housekeeping robots of Light’s who Wily felt were under his notice. With great reluctance, Rock volunteers to have himself turned into a battle-ready robot so he can bring his brothers back home and prevent Wily’s plot to take over the world.

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Sunday was my first time ever performing on stage as I ended my Improv 101 class at the Upright Citizens Brigade Training Center. Ultimately, I think I did decent for a first-timer in an entry class and luckily it was filmed. After hours upon hours of figuring out editing software and almost getting it right, I’ve uploaded the 45 minutes of show into four segments.

The class was of 16 students. One dropped out and one sadly had a family emergency, so we were split into two groups of seven. The plan is to get a suggestion from the audience, do a monologue, do a handful of skits based on the ideas of that monologue, do another monologue and so on. Of the nine skits my group did, I’m in five, plus I did a monologue at one point. I’ll do some commentary on my stuff after the fold.

What a day! Today is when I got to take part in my Improv 101 graduation performance, which apparently came off pretty well. I can’t speak for myself too well, since that was my first time performing on stage and being up there was just a gigantic blur. Had a strong turnout, though, including a visit by Chris Eckert.

I’m in there somewhere. I might possibly be the black woman, but I can’t say for sure. I’ll talk more about my experiences at UCB in the coming days, as well as hopefully have something from YouTube to show for it.

Lot of contributors this week. David has my back, apparent from all the manga, but I also have Was Taters, Space Jawa, Jody (also nice enough to check out the show) and luis. With all the comics read by all of us, the most gripping question asked is, “Why does Scarlet Witch write ‘DREAM JOURNAL’ in the middle of her dream journal?”

Amazing Spider-Man #684
Dan Slott and Humberto

Avengers Prelude: Fury’s Big Week #4
Christopher Yost, Eric Pearson, Agustin Padilla, Don Ho and Wellinton Alves

Avengers vs. X-Men #2
Jason Aaron, Brian Michael Bendis, Ed Brubaker, Jonathan Hickman, Matt Fraction and John Romita Jr.

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Sorry for the extended break. Last time, I finished off Kurt Busiek’s knockout run on Thunderbolts, ending at #33. While Mark Bagley stays on board for a little while longer, the new writer is Fabian Nicieza. Nicieza is a great writer (listen, he’s posted in previous comment sections, so he might be reading this. Follow my lead) that you can usually count on. His pro is his great grasp on making characters interesting. His con is his habit of making plots a little too confusing and complex at times. Like, I loved his Cable/Deadpool run, but he had a thing for introducing maguffins that needed three pages of exposition to set up. After those three pages, I’d come out cross-eyed. Odds suggest he ghost-wrote Inception. One of the great things here is that Nicieza simply picks up where Busiek left off, not choosing to kill the setup for his own specific take. It’s very seamless.

While they are still investigating the Beetle appearances that have popped up in the media, the Thunderbolts continue to try and make themselves look better in the public eye. Hawkeye publicly states that they’re going to bring in the Hulk, a statement that the others aren’t so pleased with. Luckily, he has a plan. He has Moonstone in street clothes confront Bruce Banner and try to talk him into turning himself in for the betterment of society. Banner doesn’t agree, refusing to give up his freedom so the Thunderbolts can gain brownie points and turns to leave. Unfortunately, this guy named Clay Brickford is in town and he has a tense history with Banner and the Hulk. Without thinking, he punches Banner, who transforms and skips the scene.

The team of Hawkeye, Moonstone, Songbird and Atlas more or less fight Hulk to a draw. They use teamwork to set up an attack meant to exhaust and knock him out, he lashes out in a way that takes them all out, jumps away, then collapses and turns into Banner. Hawkeye is partially buried under wreckage and when that Clay guy shows up to kill Banner, Hawkeye fires an arrow into Banner’s shoulder, knocks him off a ledge and onto the top of a moving truck, where he rides off to freedom. The team decides to regroup, accepting that they failed. Still, that isn’t the real story of the issue.

Jolt and Charcoal are forced to sit things out so they can go to school instead. After school, they hang out with their friends – the kids who have previously asked the Thunderbolts for help – and the cliffhanger shows someone watching them through a sniper rifle.

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Bit of a personal history lesson to start this off. Years back, I went to college at the Rochester Institute of Technology. By the end of it, I was in kind of a depressed rut. I lost interest in my degree a long time ago and the hardest classes I had to take part in had incredibly little to do with what I was working towards. This was right around the time when David asked me to start writing on this site and that helped me out mentally more than he’ll ever know, which is one of the many reasons why he’ll always have my friendship and loyalty.

Once I was done with RIT, I was in a bad spot where I had no prospects and no direction. A high school friend of mine, Roger, invited me and some others to check out ASSSSCAT in New York City at the UCB Theater. UCB (Upright Citizens Brigade) is an improv comedy organization that’s been in NYC for years with the main attraction being an improv show called ASSSSCAT, featuring the same people who spun UCB into its own Comedy Central skit show for three seasons. Otherwise known as “Amy Poehler and those other dudes” to your average Joe. I went to a couple of ASSSSCAT performances and even got to see Jack McBreyer there before he hit it big. It was a blast and it was brought to my attention that they had their own improv school. It was something I thought would be great for me, but in my current situation, it wasn’t viable by a long shot. I didn’t have a job and no way was I going to be able to take care of the cost of both the classes and the constant trips into the city (I live about an hour away).

Eventually, I got a job at Barnes and Noble. It was something I figured was going to be incredibly temporary, but I was surprised by how much I took to it. Something about the people and the atmosphere of the place washed away the funk from my latter days of RIT and I’ve stayed there ever since. It made me feel content for the first time in years and it’s always been good to me. Still, in the beginning, I didn’t feel financially comfortable enough to do the UCB thing. After a short while, the idea faded away, completely forgotten.

My brother Geremy never lost his faith in me and surprised me last Christmas by revealing that he had enrolled me in Improv 101 at the UCB Training Facility. I was overwhelmed that he never forgot and I agreed that it was definitely time to get my ass into gear. Every Tuesday, I’ve been hitting the city for eight sets of three-hour classes as taught by experienced improv comedian and eerily chill guy Tim Martin. Other than attending class, I’ve also been tasked with seeing at least two UCB improv shows, most of which are free for me, so that’s some homework I can get behind.

I’ve been having the absolute time of my life and I’ve enjoyed learning alongside my other classmates (plus there’s a 4:1 female-to-male ratio, so giggity and all that). I’m already set to sign up for 201 and go as far with this as I possibly can, hoping to be all that I can be on the comedy front. With my time with 101 winding down, we have a big graduation performance thing coming up. The way it’ll work is that the class will split into two groups. Each group performs for about 20-25 minutes. Someone in the crowd says a word and someone in the group steps forward to tell a monologue about that word. Then once that’s done, skits happen off the cuff loosely based on the ideas from that story.

The show is on Sunday, April 22 at noon at the UCBeast Theater. I have friends and family planning to check it out, but if there are any readers out there in the area who have nothing going on that time of the day, by all means check it out. It’s only $5, so that’s not bad. Just keep in mind that there are two different UCB Theaters in NYC and this one is at the East Village. 153 East 3rd Street, to be exact.

If not, that’s cool too. I’m trying to have the thing filmed and put on YouTube. Unless we suck completely, in which I’ll just have the camera burned and buried at sea.

It’s time to prove to your friends (and readers) that you’re worth a damn. Sometimes that means dying (on stage). Sometimes that means killing a whole lot of people (with laughter).

Late update and I’m honestly kind of slumping over as I write this up. Today I took a trip to NYC and watched the Upright Citizens Brigade show ASSSSCAT, which had special appearances by Amy Poehler, Seth Meyers and Bobby Moynihan. Awesome time.

This week I’m helped out by Space Jawa, Jody and my old friend Gaijin Dan Mastriani. Nothing from David, but on the subject of my boss who hates it when I call him boss, he has a really fantastic Comics Alliance post that should be up any day now. I got to read it ahead of time and I suggest you check it out once it’s published. It takes his JMS post from the other day and turns it into the tip of the iceberg.

Avenging Spider-Man #6
Greg Rucka, Mark Waid and Marco Checchetto

Batman and Robin #8
Peter J. Tomasi and Patrick Gleason

Carnage USA #5
Zeb Wells and Clayton Crain

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The whole 4 Elements article concept is David’s baby. The four ties into the four in 4thletter and 4thletter comes from David’s name because he’s an egomaniac, an Eggo maniac and possibly a Lego maniac. You can also say that the four comes from there literally being four elements, but I’m pretty sure there are like a hundred of those things, so that’s definitely wrong.

This is David’s site and all, but Carnage USA is my comic. It’s a comic specifically made for ME. Me. Gavin Jasper. And since I’m Gavin, which starts with the seventh letter of the alphabet, that means I need to talk about the 7 Elements.

Carnage USA is the sequel to last year’s Carnage, both by Zeb Wells and Clayton Crain. Carnage was the story that returned Carnage from his grizzly death of being torn in half in space by the Sentry back in 2005. It acts as a loose sequel to the character’s most mainstream adventure Maximum Carnage while introducing yet another symbiote anti-hero in Scorn. By the end of the story, not only is Cletus Kasady alive and reunited with his blood-red costume, but he’s also on the loose and nobody knows where he’ll end up next. All we know is that he has something bad on the horizon.

The plot of Carnage USA has Cletus venture to Doverton, Colorado, where he goes to a slaughterhouse and kills the entire stock of cows. The symbiote grows off the meat and expands to the point that he’s able to infect and assimilate the entire town through plumbing. A handful of the Avengers (Spider-Man, Captain America, Wolverine, Hawkeye and Thing) are sent to go deal with it and find a town of frightened human puppets before Carnage takes them too. Spider-Man gets away and the government goes to plan B… while trying real hard not to move to the dire plan C, which is to blow the county to kingdom come.

This miniseries helps support the idea that in comics, there are no bad characters, but bad writers. For such a mainstream villain who got his own popular videogame back in the day, Carnage’s death was met with little backlash. For years he’s been seen as nothing more than 50% shallow Venom mixed with 50% shallow Joker. Nobody’s ever really tried to write something decent with him and whenever he got the spotlight with his own one-shot, it was usually a bunch of gory dreck that didn’t do anything for me.

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I love fighting games. I also love Mystery Science Theater 3000. Never have I really considered the idea of mixing the two.

A guy by the name of FutureDami decided that not only should such a thing exist, but he went the extra mile with it by making a gallery of “official” profile art for such a hypothetical video game. Rather than go with the obvious of Mike, Joel, the Bots and the Mads, FutureDami instead goes with the many, many bizarre characters our heroes have been forced to watch over the show’s ten seasons. Behold the world of Mystery Science Theater Beatdown!

Yes, who needs playable Mike and Joel when you have Trumpy, Torgo, the Phantom of Krankor, the Hobgoblins, the Beast of Yucca Flats and Mr. B Natural?

Each character piece also features a profile, including how they would fight had this game existed. Check it out. It’s a great who’s who/love letter.

PUMAMAN (Episode 903)

Professor Tony Farms could have gone his entire life without knowing he was THE PUMAMAN. Yes, he could sense danger. Sure, he could see in the dark. And he was vaguely aware that his hands were steel claws, after a series of broken nail-clippers and inexplicably ruined sofas.

But it was only when Tony was hurled out a window by Aztec priest Vidinio that he truly embraced his inner puma, making him technically some sort of 70s proto furry.

Pumaman is an aerial attacker, using the natural flying abilities of the puma(?) and feline grace to flail around and fall at a 45 degree angle. Most of his attacks involve him losing control of his pitch/yaw, crying and giving up, and simply slamming into his opponent with the force of a discarded dishrag.

PITCH (Episode 521)

Pitch is a part time devil working for Lucifer. After a brief stint lowering the productivity of bread delivery drivers, Pitch settled in to a decent routine of minor harassment. Working odd jobs for eternity in hell has given pitch a wide array or marginally useful skills.

In combat, Pitch is quite versatile, able to switch the position of his asbestos-tipped trident for various styles of fighting. He has three stances:

“Infernal” a fire based magical stance where Pitch uses his sulphurous combustion breath.

“Impenetrable” a guarded stance in which Pitch torments his opponents witch cheap ranged stabs and stuns.

“Ineffable” a forbidden hubris-based style that is inherently too overpowered, complex, and abstract to be adequately communicated.

DROPPO (Episode 321)

Droppo is lazy. I mean seriously lazy. The guy is such a bum, he can waste other people’s time simply from being in the same room. He is probably the laziest man on Mars. If there was a Martian DMV, he would work there. Part time.

He is equipped with pulse-phase anti-gravity boots, and a deadly q-ray pistol, but Droppo can hardly be assed to use them.

What, do you ask, is his advantage in combat? This: You can’t beat a guy who doesn’t give a crap. There is at this date, no known way to defeat Droppo.

NASTINKA (Episode 813)

Knowing his time was nearly at an end, the jovial Jack Frost adbicated his frozen throne and dominion over ice to pert young Nastinka.

She was, after all, the only person ever to recover from the bone chilling effect of his magic scepter. This weapon was susequently reclassified: “Will freeze to death anything it touches save for a few rare exceptions when true love and plot convenience is involved. Use as directed.”

Nastinka does not have a large health pool, and will shatter with a few punches. Good luck ever getting close enough to her, though. She will call down ferocious aoe snowstorms slowing opponents, and will slick the ground wherever she walks for several seconds causing enemies to slip and fall in a comedic manner.

She will smile in a pleasant innocent manner while you are entombed in a bitter cold casket, and wait patiently while all the blood in your veins turns to ice. Do not mess with Nastinka.

ZAP ROWSDOWER (Episode 910)

No description needed. Its ROWSDOWER.

(Drinking arm status: healed)

Awesome. Absolutely awesome.