I have been fairly quiet in the past few weeks, haven’t I? I’ve got good reasons for it, I swear. In fact, I’ve got three good reasons– Heavenly Sword, Folklore, and SOCOM: Tactical Strike.

No, I didn’t pull a Joe Mad. I wrote the strategy guides for those games. This may come as a surprise, but writing strategy guides, among other responsibilities, tends to suck all the drive out of writing for fun! Plus, I’ve felt like sleeping for a week and man is it hard to write when you’re passed out.

I’ve got some breathing room, now, and my new project (secret!) involves very little writing, so I plan to come back in full force. I need to talk about why Frank Miller really hasn’t fallen off, why Jack Kirby’s New Gods saga has quickly turned into one of my most favorite story arcs (and I’m not even done with it!), and tons of other things. I figure I should talk about black people and comics, too, I guess. Is that my shtick yet?

We’ll see how it goes, but don’t call it a comeback! Actual words next time, I promise.

BLACK PANTHER #34
Written by REGINALD HUDLIN
Penciled by FRANCIS PORTELA
Cover by SALVADOR LARROCA
“GANGSTA LEAN,” PART 3
It’s clobberin’ time—in the arena and in the streets, between the Gangsters and Panthers, and between the Fantastic Four and the elusive, malicious Golden Frogs!
32 PGS./Rated T+ …$2.99

Full solicits here.

Diamond in the back, sunroof top…

There is a great interview up at CBR featuring Grant Morrison, Tim Kring, Mike Mignola, and Johnathan Lethem. Go check it out.

Morrison said superheroes are representative of certain qualities and as such they need to be allegorical of other concepts in order to appeal to more adult readers. As an example, Morrison explained that when he was young he liked The Flash as drawn by Carmine Infantino simply because his bright yellow boots looked so cool due to their “awesome huge treads.” Now that Morrison is older, boot design isn’t enough to make the character appeal to him. Now Morrison likes The Flash because he feels he is representative of urban living and urban culture due to his speed. Morrison explained that lives of superheroes are huge cosmic version of the way human beings live, and that if they were not based in the lives of ordinary humans, they may not have an appeal.

I love that man so much.

Has he totally lost it, or has he, like Alan Moore, looked upon the legacy of his ’80s work and run screaming in the other direction?

Alan Moore has spent the past 15 years reinventing himself to be Grant Morrison. Has Miller spent the past few years doing something similar?

Bear these two quotes in mind when you answer:

I’ve seen all these characters of my childhood fall into disarray. They’ve become neither fish nor fowl. Those of us who wanted to test the boundaries of what a superhero comic book could do, unfortunately broke those boundaries and the results have not all been very good. We pushed against the old walls, and they fell-but nothing much has been built to replace them. And now the roof is leaking and the sewer’s backing up. So I’m taking this romp through the material again and showing just how spiffy this stuff is. I’m doing it without cynicism and giving my best. I’m also having a very good time.

What I want to bring back to superheroes with this project is a sense of play. Things have gotten so dreary. The heroes have gotten so ugly that even their muscles have muscles. The elegance of Gil Kane is gone. You don’t see the sheer joy of Green Lantern’s power ring. The magic of somebody like the Flash-somebody who’s able to move so fast that you can’t see him move-is gone. There’s no sense of the basic wish that any of these characters have.

I think anyone who’s working on a superhero comic should be obliged to write down in one sentence what the central wish is of the character. Every story has to play to that theme. “Adolescent power fantasies” isn’t just a tired cliché; it’s too broad, too crude. There’s more than that to these characters, the good ones, anyway. As it is, I don’t know who these characters are anymore. I don’t know why they do what they do. Why Green Lantern became a drunk driver when he can fly always loses me. And I’m told they turned him into a mass murderer as well. The fun’s gone out of it. I want to try my hand at bringing it back.

The Isotope signing for JH Williams III went off great! I had a great time, hung with some great people, and got to babble at JHW3 for a while. He’s got some great stuff coming up and a few surprises in store. The next two years or so should be a great couple of years for fans of the guy.

He had a ton of art on sale, including pretty much all of his Batman work. A few friends brought a couple spreads, but I had to hold off since I should be “responsible.” I did, however, find some stuff that I’m going to buy later on. He had some sketches for fascist-themed X-Men, including an awesome one of Jubilee that I want. He also had a great Guardian 7 Soldiers design sketch.

The creme de la creme was this cover. I saw it in his sketchbook while I was leafing through and was like “No, no way does he still have this one for sale.”

Guess what! He did. So, I’m going to buy it. I loved The Crew, I loved those covers, and I love Kasper Cole as the White Tiger.

All in all, it was a great night. I’ll post the flickr link when the pics go up.

Any 4l readers in the Bay Area? JHW3 is coming through the Isotope this weekend. Come through for drinks, cool people, and one of the best artists that ever did it.

If you’re lucky, you might even be able to buy a dope page or two.

Geoff Klock is one of my favorite bloggers, and his three part dissection of JLA Classified is a good read. One, Two, and Three.

JLA:C 1-3 are his most favorite superhero comics of all time… and I’d be hard pressed to disagree with him. They’re pure, outlandish, and fun superheroics.

Go give it a read.

I’ve written 25+ pages this weekend, and I should really put in some more work before I duck out this evening for a meeting, but I’ve got to share something.

I took a break from writing a little while ago and picked up my copy of Percy “MF Grimm” Carey and Ronald Wimberly’s Sentences. It’s an autobio comic out of Vertigo, if you hadn’t heard. Grimm is a rapper who’s been around for a good while.

I don’t know if I could do it just right now, but I want to review this book. I’ve only seen a few reviews online for it, none of which are from the comics press or blogosphere. It deserves the attention.

You see, Sentences: The Life of MF Grimm is one of the best books I’ve read this year and my official front-runner for Book of the Year. It’s completely awesome.

Review coming as soon as I can block out some free time. The only thing I’ve got to say right now is “Buy this book.”

NEWSARAMA.COM: JLA WEDDING SPECIAL #1 PREVIEW

Dwayne McDuffie’s first page is twice as good as Meltzer’s full run.

I’m psyched.

COMICON.com: McNAMARA’S QUEST FOR CONTINUITY

My buddy Jason McNamara’s been interviewed by Jen Contino over at The Pulse.

THE PULSE: What influenced you the most in coming up with the world her dreams occupy? How’d you design this pharmaceutical police state?

McNAMARA: The dreams are the downside of wish fulfillment. Got a crush on some dude? Bam, now you’re pregnant. Hate everyone in your hometown? Super, now they’re all dead. Feel bad? Too bad it’s your fault.

As for the pharmaceutical stuff, I approached it by marrying the marketing of awful food to inappropriate medication. That gives you stuff like Low carb morning after pills, the abortion patch, sweet and sour anti depressants, circumcisions while you wait!

The physical design is all Tony. When he read the script he just knew what it was supposed to look like. I put a couple suggestions in the script and he, as usual, ignored them. My favorite image is a park bench that has been fenced off. That page can always make us laugh.

Go check it out. Jason Mac is great, and I’m not just saying this because he’ll kill me if I don’t.