I started 4thletter.net way way back on March 24, 2005. It was run off a blogger template back then, and I managed to make it to September 2005 before we realized that we had no time for it and shut it down. I reopened it that November and we’ve been going strong ever since.

Man, I really, really like some of those old posts. A lot of them need editing and my opinions have changed on some things, but it’s an interesting look at what I was into nearly two years ago. Shoot, I think I was even a Millar fan back then!

If I can salvage the images, I’ll post up the first four of my Top 15 Greatest Comic Stories. I did four and then found myself lacking for time. I also realized that a Top 15 is an awful idea because, holy crap, my tastes keep changing! I also have the first part of “101 of My Favorite Things,” an alteration of a comics meme that hit the net around 07/2005. That’ll probably kill my bandwidth dead, though, so I think I should retool it into another form that isn’t 100 images.

Also, Gavok made some Galactiac jokes or something. Those were the days, right?

Anyway, what follows is the first post from the old blog. It’s dated and pretty much obsolete, as far as these things go. “No more mutants” and “Gambit is a Horseman” pretty much killed it dead, not to mention the death of Sean “Me boyo” Cassidy.

Whatever, though. Here it is, in all its untouched glory. Don’t kill me.

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Well, it’s been four months of lead-up. When the first part of the countdown came out, Lynxara asked about why I’d do a top 100 list for a series of books that only have 175 issues. Especially when I count two-parters as one entry. Truth be told, this isn’t like ranking the best issues of Nightwing or Mighty Thor. Most comic series have cohesion and you usually have an idea of what to expect in each issue. Writers, artists and story remain the same for months and sometimes years at a time.

What If, on the other hand, is different. What If is the ultimate comic book box of chocolates. Writers, artists, stories, ideas and tones change from issue to issue. Many stories are good. Many are bad. But almost every one of them is interesting in its own way. I could have easily have done a top 20 or top 50 list and be done long ago, but there’s too much fun we’d be missing out on. No jive-talking Incredible Hulk, or Matt Murdock crying over Wilson Fisk’s death bed, or Kraven the Hunter eating Peter Parker’s face.

Now let’s get in our Quinjet and take us down to #1.

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Jesus, we’re actually at the top ten. And some of you haven’t even lost interest yet. I’m proud.

What If: Avengers Disassembled came out the other day. You might be wondering if I would have placed it on this list if it came out several months back. The answer is no. No, I can’t really get behind an issue that tries to retcon a major story into something that makes even less sense. Having written this paragraph, I realize the John Byrne jokes write themselves.

Before I start this, one more call for anyone interested in drawing fake covers for the countdown finale. Come on, you know you want to.

10) WHAT IF THE FANTASTIC FOUR’S SECOND CHILD HAD LIVED?

Issue: Volume 2, #30
Writer: Jim Valentino, Ron Marz
Artist: Dale Eaglesham, Rurik Tyler
Spider-Man death: No
Background: In-between having Franklin and Valeria, there was another time Sue was pregnant with Reed’s kid. Unfortunately, there were radiation-related complications due to the team’s recent venture into the Negative Zone. Reed went to Doctor Otto Octavius – supervillain Doc Ock and the biggest expert on radiation – for help. Ock went berserk for a bit and the two had it out on the rooftops of New York City. Reed calmed Ock down and he agreed to help out. Unfortunately, they were half an hour late. Sue had a miscarriage. So let’s say Ock didn’t freak out and made it just in time? We have two stories here on two different sides of the spectrum.

The first story is best described as a horror story. Franklin wakes up from a horrible vision of the future where his father is dead. His parents just think he had a simple nightmare and leave it at that, but Franklin already knows that there’s a monster living inside his mother. Over time, Sue’s pregnancy takes a horrible toll on her. She gets weaker by the day and almost skeletal, soon losing her invisibility powers. When she gives birth to her child, she dies in the process. Reed names the baby Sue in order to deal with the loss of his wife.

As experience has taught us throughout this countdown, this isn’t going to end well at all.

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Civil War is really fucking stupid.

I think I could fix it.

Let’s see if you agree.

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Here it is, the halfway point. If my taste is to be trusted, this should be getting better, so read on.

50) WHAT IF… STARRING QUICKSILVER: THE QUICK AND THE DEAD

Issue: Volume 2, #96
Writer: Chris Wozniak
Artist: Chris Wozniak
Spider-Man death: No
Background: We all know that Magneto is the father of Quicksilver and Scarlet Witch, but even before that he had another daughter named Anya. Since the village Magnus and his family stayed in resented them and believed witchery was afoot, they set fire to their house and ended up killing Anya. Magneto tore his neighbors apart and left. His pregnant wife couldn’t take being with him and ran off. This issue talks about what would have happened if Magneto could’ve saved his daughter. The clincher? Anya was human!

Magneto’s stance against humanity stays more or less the same, but he has this need to shelter his family from bloodshed, even if he’s the one doing the slaughtering. Magneto’s wife soon gives birth to twins and Magneto is happier. Not only are they mutants, but he has a son to pass on his legacy. The years pass and we see that Anya gets the short end of the stick. She’s normal. She isn’t special.

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Today I bought the Essential Luke Cage, which has his first 27 issues. Sadly, Mr. Fish shows up in issue #29. DAMN IT!

Anyway, the article.

60) WHAT IF THE KINGPIN OWNED DAREDEVIL?

Issue: Volume 2, #73
Writer: D.G. Chichester
Artist: Tom Grindberg
Spider-Man death: No
Background: The Fixer had Jack Murdock killed for refusing to take a dive during his big fight. Matt Murdock was already training under the martial arts master Stick, and with his drive for justice, one day became Daredevil. Years later, he would become the mortal enemy of Wilson Fisk, the Kingpin. Here, Kingpin hears about the Fixer/Murdock incident and how young Matt has been seen with Stick. This interests him and he decides that this boy might be worth looking at.

We see young Matt Murdock on the day after his father’s death, unaware but suspicious of why he hasn’t seen him yet. It’s a day in the life as we see him deal with bullies and briefly talk to Stick. Policemen show up and bring him to the morgue to identify his father. As Matt is leaving, Kingpin’s assistant arrives and gives him a card (then realizing his obvious mistake, since the words are in print) telling him to meet Wilson Fisk at spice warehouse near a pier. Matt recognizes the name and goes even colder.

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That hiatus was long enough. Let’s get back to business.

80) WHAT IF DAZZLER HAD BECOME THE HERALD OF GALACTUS? /WHAT IF IRON MAN WAS TRAPPED IN THE TIME OF KING ARTHUR?

Issue: Volume 1, #33
Writer: Dan Fingeroth, Steven Grant
Artist: Mike Vosburg, Don Perlin
Spider-Man death: Yes
Background: Two stories here, neither have much to do with the other. First, there was a time when Terrax, Galactus’ then-herald, schemed behind his master’s back and ended up in a black hole for his troubles. Because Dazzler was a bit overpowered at the time, she was chosen to bring him out of the black hole to stand trial. Galactus decided that Terrax had learned his lesson from the black hole and reinstated him. So what if he wasn’t so forgiving? As for the other story, there was a storyline where Dr. Doom and Iron Man ended up in Camelot via time travel. After a little adventure, the two banded together to return themselves to the correct point in history. Here, Doom is more of a bastard and really isn’t bright if you think about it.

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So remember when I said that Marvel would announce its upcoming What If issues long before I’d have this finished? Looks like I was right.

This year the five stories are all based on major events, most of them recent:

– Spider-Man: The Other. Here, Spider-Man’s spidery side takes over. Why he’s wearing the symbiote on the cover, I don’t know.
– Avengers Disassembled. So what would have happened had they not realized Scarlet Witch was behind it when they did?
– Wolverine: Enemy of the State. He’s still under Hydra’s conditioning and he needs to be stopped now more than ever.
– X-Men: Deadly Genesis. No explanation yet, but I haven’t even read Deadly Genesis in the first place.
– Age of Apocalypse. Oh man, I hope they mean the one from the 90’s and not the new one.

Speaking of What Ifs based on Marvel events…

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“What people often forget, of course, is that Magneto, unlike the lovely Sir Ian McKellen, is a mad old terrorist twat. No matter how he justifies his stupid, brutal behaviour, or how anyone else tries to justify it, in the end he’s just an old bastard with daft, old ideas based on violence and coercion. I really wanted to make that clear at this time.”
–Grant Morrison

I’m not usually one to complain about comics companies “destroying” characters. In fact, I think it’s kind the kind of stupid invective that gives comic fans such a negative fanboy image. “Destroying” is a loaded term, and there’s much, much better ways to express your feelings on the matter. This may be my attempt at that, or my attempt at putting my foot in my mouth. U DECIDE.

I do think, however, that comics companies can make/allow some fairly terrible narrative choices. Turning Xorn into some kind of Jerry Springer-esque twin brother was one. Actually, every time Xorn has been mentioned outside of Morrison’s New X-Men has been a mistake, I think. Identity Crisis left a bad taste in my mouth, despite Rags Morales’s excellent art. I liked the scene where Batman and Robin are trying to get to Tim Drake’s house before his dad dies. That was powerful, but the death of Jack Drake? Bleh. He was a cool dude. Mark Millar turning the New Warriors into patsies? Bah, Doom says.

So basically what I’m saying is, not everything comics companies do is great. Big surprise, huh? I once read a comment Keith Giffen made about the death of Blue Beetle. He said he wasn’t mad about it, and that his only feelings on the matter were “I would’ve done it differently.” I think that’s all any fan can really say. “I would’ve done it differently.” Mark Waid once said something like “Comics is the only industry where 90% of your audience thinks that they can do it better than you.” It’s true.

Long, rambling introductions aside, DC screwed the pooch on the Batbooks when they made the main man overly angry, right? Well, what about the satellite titles? Catwoman went from a must-read book to “Peace out, homey!” all in the space of one issue for me. Batgirl has renounced her title and is pretty much a villain now.

I am okay with one of these things, but I do not like the other. Let us begin, then.
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So, anyone who spends any amount of time speaking to me tends to find out that I am very, very pro-black. There’s a song by dead prez that goes, “Thirty-one years ago I would’ve been a [Black] Panther.” This is so true in my case that I have actually gone back in time and helped found a chapter of the Black Panther Party in Brooklyn. I did this when I was a little older. Time travel is tricky, all right?

I was sitting here thinking, as us intellectual types are wont to do, and I’m not feeling the love, comics. You aren’t treating your black characters right. You call Jason Rusch, the new Firestorm, a token, an affirmative action quota kid, and all kinds of other nasty names. Bishop? Bishop had a perm. What kind of self-respecting, non-pimp black man wears a perm? Virgil “Static” Hawkins and his imprintmates at Milestone went the way of the dodo, despite being some of the best comics to come out of the ’90s. Static was the first Ultimate Spider-Man, if you get me. Don’t even get me started on the reaction to Captain America: Truth – Red, White, and Black, or the kind of glaring lack of writers of color at the big two.

It’s cool, though. Blacks in comics have come a long way. Luke Cage used to be a patently offensive stereotype, though he’s been pretty well gentrified now. Stepin Fetchits abounded during the early years of comics. Comics great Will Eisner even had his own little stereotypical black kid running around. Did we have it as bad as Chop-chop and Egg-fu? Well, yeah. Stereotypes, unless played very carefully, tend to be ugly, ugly things.

Anyway, this is all introduction to the meat of the matter. A lot of black heroes are wack, but there are some gems, too. For every Black Goliath there’s a Black Panther, dig? So check the list and let me know what you think. Read the rest of this entry �