(This is a rewritten message board post from Something Awful’s Batman’s Shameful Secret. It was good, so I dragged it from the depths and rewrote it.)

“Why I Like All-Star Batman & Robin the Boy Wonder”
by little david brothers, age 22

Both All-Star Superman and All-Star Batman & Robin the Boy Wonder are takes on classic heroes that feature full creative freedom. It’s a chance for these guys to tell the Bats/Supes story they wanted to tell and how they wanted.

The Miller/Lee Batman is different from the Loeb/Sale, Loeb/Lee, Azzarello/Risso, Brubaker/McDaniel, Dixon/Grummett Batman, but it is still recognizably Batman. It’s Batman spun for self-conscious comedy. It’s a guy in a batsuit who isn’t crazy, I don’t think, but would like for people to think that he’s crazy, so he acts crazy. “I ate rats BY CHOICE SO HE BETTER EAT RATS TOO!” That’s hilarious. He’s trying so hard to be a hardcase that everyone around him, or at least Alfred (who’s known him for years and is probably tired of his self-important crap) to Dick Grayson (who has known him for maybe six hours and sees right through his self-important crap) knows that he’s putting on a show. Grayson mentions the fact that he can tell that Bats is putting on an Eastwood. Batman is a ridiculous concept when you think too hard about it, but it’s also an awesome one that much of America (even the non-comics reading folks) have loved since childhood, and that’s what I get from this book. “Batman is a crazy idea, pure empowerment fantasy… but doesn’t it rock?”

(“how cool is that?”)

Plus, you know, giant robot dinosaurs, and I am certain that Bruce Wayne also has a giant robot saddle when he has to hop on and ride around Gotham. “C’MON, CRIMINALS! SIC SEMPER TYRANNOSAURUS YOU COWARDS!” (Robin only gets a robot velociraptor on a leash.)

All-Star Supes is just as “stupid.” Superman overdoses on solar radiation, so he’s dying, but he’s also gifted with tremendous strength at the same time. Modern day interpretation? It’s about the fear of death and what makes a man human. However, it’s also every stupid Silver Age story in one. it’s got Superman robots, chess pieces shaped like Superman’s friends, the Fortress of Solitude with the intergalactic zoo, Superman making dresses, future Supermen, keys that probably weigh enough to punch right through the Earth and out the other side, technobabble, journeys to the center of the Earth to visit the Dino-czar, Cat grant eyeing up people’s crotches, Lois Lane with powers… it’s the same thing as All-Star Bats. “Here are all these crazy impossible ideas… robo-dinosaurs, journeys to the center of the Earth… aren’t they wonderful?!”

Then again, this may just be me. I read these books and it’s like I’m reading comics back when I was ten years old and Jim Lee was the biggest guy in comics. The All-Star books are big, stupid, and loud. I’ve enjoyed every issue of both All-Star books greatly, not in the least because Miller, Lee, Morrison, and Quitely are four of my most favorite creators. They’re fun titles that I enjoy reading, and would like to see them collected in extremely handsome hardcovers five years from now when they finally put out issue 12 of both series.

I also like Dark Knight Strikes Again. Once I find time (that’s a ha-ha, good buddy) I may do a few entries on some of my favorite Miller work that’s not DKR (DKSA, 300, The Big Fat Kill). It’s all a matter of time.

Here’s another angle by one Geoff Klock, wherein the author uses fancy words like “grotesque.”

Glyphs: The Language of the Black Comics Community

I’ve got this site hooked up on my RSS feed, and it’s a great resource if you’re looking for info on black-related comics.

Sorry I’ve been away so much. Being a “video games journalist” takes a lot of time out of my day. Posts soon, I promise! I’ll have plenty of stuff to talk about, for sure!

I did some behind the scenes work on 4ldotnet. I upgraded to WordPress 2.0.3, brought the site back from catastrophic failure once or twice when I hit a wrong key, and I also switched out the random banner script for a better one.

You probably won’t notice any of these differences, but they count. I also added a few (fifteen?) banners into the mix. Gavok did them up, I made them suitable for posting, and so I posted them. You can tell the new ones because they have an exclamation point on them. I think that this one is my favorite, though.

I also added an exclamation point to the site name. I can’t really tell you why, but it just feels right. Plus, it’s my site, so shut up, that’s why.

We’re still here! We are all just very, very busy. I’m going to give you some love soon.

Direct link to the Superman Returns trailer.

Are you excited? I know I am. This looks to be quite excellent. Kevin Spacey and Routh look to be well cast, too.

I don’t even really like Superman usually and I’m excited!

Let’s run some dates down, all right?
Superman: 1938
Batman: 1939
Wonder Woman: 1941
Flash: 1940 (or 1956)
Captain America: 1941
Spider-Man: 1962
Fantastic Four: 1961
Punisher: 1974
Blade: 1973
X-Men: 1963

Notice a pattern, here?

Most of your famous comics are what, at least thirty years old now? Here are some sales figures for March 2006. How many books in the top 100 are not spin-offs, revamps, or the continuing saga of an ancient property? We have The Sentry #7 coming in at #64, Cyberforce #1 at #83, Spawn #154 at #86, and Y the Last Man #43 at #93

Wait. Runaways. Issue #14 charted at #98.

Let me tell you a little bit about Runaways.
Read the rest of this entry �

Batman should be dark.

“But David!” I hear you saying. “You hate dark, angsty Batman! He’s been horribly done in the past few years!”

This is true, but hear me out.
Read the rest of this entry �

Well, it’s like this.

I love Spider-Man. I could give you five different reasons why your favorite hero is completely inferior to your Friendly Neighborhood Notaninsect. Your Superman is nothing. Behold, I teach you the Spider.

This is the Spider-Spotlight. Once a week or so, I’m going to headline a few of my very favorite Spider-artists, Spider-writers, and Spider-stories. Originally, this was just going to be an art feature, but comics are a visual medium, too, so the art and the words go hand in hand. I’ll do my level best to keep spoilers at a minimum, just in case i convince you to go out and pick up these books.

Don’t take this as a Best Of… list. It’s just some stuff I think is pretty awesome and that you should think is awesome, too, or else Slappy the Spider-Fairy is going to come down and eat your soul.

First up? Paul Jenkins and Humberto Ramos. Read the rest of this entry �

I love Marvel. I have ever since the beginning. I still own the first two comics I ever read. Amazing Spider-Man numbers 316 and 317, the second story involving Venom, I believe. It was a David Michelinie/Todd McFarlane joint. FOOM, Merry Marvel Marching Society, Marvel Zombie, you name it, I was it in an unofficial way because I was little and had no money. This stands to this day. Most of the DC books I read are published by Wildstorm.

There’s a lot of things I like about Marvel (Spider-Man). High on that list (after Spider-Man) is their trade policy. Is there a miniseries coming up soon that you want to check out, but you’d rather read it all in one chunk for better enjoyment? Grab the trade that’s gonna hit somewhere between one month and three months after the last issue ships. This is somewhere between two and two billion times better than DC’s trade program, which is “You’ll get the trade when we remember to actually print it.” Identity Crisis, for example, had a year-long wait and was released twice in floppy form before we finally got a trade. Common sense would tell you to strike while the iron is relatively hot and push that trade out there. Marvel does what DC don’t (that pun works a lot better with Sega and Nintendo, I think), though, so it’s all good.
Read the rest of this entry �

You can scope info on the Religion of Comic Book Characters here.

Batman (Bruce Wayne) – Catholic

Superman (Clark Kent/Kal-El) – raised Protestant (in some versions prior to 1986, he worshipped Kryptonian god Rao, which was explicitly addressed beginning in mid-1980s)

Spider-Man (Peter Parker) – Protestant

Wonder Woman (Princess Diana aka Diana Prince) – Greco-Roman classical religion

Captain Marvel (Billy Batson, published by Fawcett, then DC) – Greco-Roman classical religion

Daredevil (Matt Murdock) – Catholic

Captain America (Steve Rogers) – Protestant

Elektra (Elektra Natchios) – Greek Orthodox (clearly depicted at the funeral of her father in the 2004 movie; according to some sources she is depicted as Catholic in the comics)

Very interesting stuff. Links courtesy of The BEAT.

Bruce Wayne isn’t Batman’s mask, despite what some noted writers and fans would have you believe. Bruce Wayne is Bruce Wayne. Batman is simply a convenient tool that Bruce Wayne uses to help assauge his guilt over his parents’ murder.

There’s a couple of varying stories on what happened the night they were killed, but two things are certain: the movie was Bruce’s idea (Year One and the Loeb & Sale books) and he said three words to them that he can never, ever take back: “I hate you” (Azzarello and Risso’s Broken City).

The combination of the two are what helps to drive his crusade. He’s atoning for his sin against his parents by way of making sure that it will never, ever happen to anyone else. It’s a crusade that he cannot win, and he knows it, but refuses to admit it. He isn’t patching up wounds with chewing gum, he’s out there to stamp out all crime. He isn’t going to stop until he’s done.

If you look at a lot of scenes where Bruce takes off his cowl, you’ll notice that he’s either showing his human side (usually to his sidekicks) or getting down to serious business (JLA: World War III). That’s the true Bruce Wayne right there.

Batman is a weapon. Bruce Wayne is the man who wields it.

4thletter is back. Watch this space.