I mourn this image, not for the loss of Timothy Leary, but for the loss of Vaudeville Silver Surfer. You’d think that with Keith Giffen writing Annihilation, we’d see him make a comeback.

40) WHAT IF… STARRING SABRETOOTH: SCREAMS IN THE NIGHT!

Issue: Volume 2, #87
Writer: Dan Abnett
Artist: Frank Teran
Spider-Man death: No
Background: Sabretooth was, for a time, a captive in the X-Mansion with Xavier hoping he could mentally fix what’s wrong with him. One time, when most of the team was out on a mission, a power failure in the mansion allowed Sabretooth to escape. He didn’t get too far, though. When he went after Jubilee, Bishop went up against him and knocked him out with a powerful blast. Our story here begins with Jubilee crying over the shredded-up body of Bishop. Uh oh.

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This is a longer one than usual. I just had to rank two two-parters so closely together, didn’t I.

45) WHAT IF THE AMAZING SPIDER-MAN HAD NOT MARRIED MARY JANE?/WHAT IF THE AMAZING SPIDER-MAN HAD MARRIED THE BLACK CAT?

Issue: Volume 2, #20-21
Writer: Danny Fingeroth
Artist: Jim Valentino
Spider-Man death: No
Background: Peter Parker had proposed to Mary Jane. It was a battle with a Spider Slayer involving them both that convinced Mary Jane to say yes. That’s all well and good for her, but how would things have turned out if that adventure didn’t go so smoothly? In this reality, the Spider Slayer strangles Mary Jane a bit longer than normal and although she’s rescued, she is still injured. Peter keeps having flashbacks to Gwen’s death and can’t bear to see the same thing happen to someone like Mary Jane. For her own protection, he leaves her at the alter.

Look at that last panel. Man. I will never, ever forgive John Byrne for turning Sandman evil again. But enough of that.

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Here it is, the halfway point. If my taste is to be trusted, this should be getting better, so read on.

50) WHAT IF… STARRING QUICKSILVER: THE QUICK AND THE DEAD

Issue: Volume 2, #96
Writer: Chris Wozniak
Artist: Chris Wozniak
Spider-Man death: No
Background: We all know that Magneto is the father of Quicksilver and Scarlet Witch, but even before that he had another daughter named Anya. Since the village Magnus and his family stayed in resented them and believed witchery was afoot, they set fire to their house and ended up killing Anya. Magneto tore his neighbors apart and left. His pregnant wife couldn’t take being with him and ran off. This issue talks about what would have happened if Magneto could’ve saved his daughter. The clincher? Anya was human!

Magneto’s stance against humanity stays more or less the same, but he has this need to shelter his family from bloodshed, even if he’s the one doing the slaughtering. Magneto’s wife soon gives birth to twins and Magneto is happier. Not only are they mutants, but he has a son to pass on his legacy. The years pass and we see that Anya gets the short end of the stick. She’s normal. She isn’t special.

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Before we hit the halfway point, things are about to get pretty freaking dark. Insert your own Luke Cage/Falcon/War Machine joke here.

55) WHAT IF THE SILVER SURFER HAD NOT ESCAPED EARTH?

Issue: Volume 2, #22
Writer: Ron Marz
Artist: Ron Lim
Spider-Man death: No
Background: After turning on Galactus, Silver Surfer was punished by being forced to stay within Earth’s atmosphere. Whenever he tried to fly off, an invisible barrier would bounce him back in. Eventually, a powerful being named the Champion came to Earth and helped destroy the barrier, permitting the Surfer to travel the universe and experience more adventures. In this reality, the Champion never does come to Earth.

Surfer rams into the force field again and again, still annoyed. The Fantastic Four show up, explaining that they haven’t figured out an answer to what’s holding him back, scientifically. They ask the Surfer to join their team, since it’ll give him a home, something to do and having him around would help Reed’s research into how he could break through the barrier. The Surfer thinks about it and takes them up on the offer.

I don’t have to tell you that they dominated. We get a two-page spread that shows the Surfer aiding the other four in punking out Annihilus, Dr. Doom, the Frightful Four, and others. It’s like God Mode in comic book form. Plus we get this amusing image:

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Today I bought the Essential Luke Cage, which has his first 27 issues. Sadly, Mr. Fish shows up in issue #29. DAMN IT!

Anyway, the article.

60) WHAT IF THE KINGPIN OWNED DAREDEVIL?

Issue: Volume 2, #73
Writer: D.G. Chichester
Artist: Tom Grindberg
Spider-Man death: No
Background: The Fixer had Jack Murdock killed for refusing to take a dive during his big fight. Matt Murdock was already training under the martial arts master Stick, and with his drive for justice, one day became Daredevil. Years later, he would become the mortal enemy of Wilson Fisk, the Kingpin. Here, Kingpin hears about the Fixer/Murdock incident and how young Matt has been seen with Stick. This interests him and he decides that this boy might be worth looking at.

We see young Matt Murdock on the day after his father’s death, unaware but suspicious of why he hasn’t seen him yet. It’s a day in the life as we see him deal with bullies and briefly talk to Stick. Policemen show up and bring him to the morgue to identify his father. As Matt is leaving, Kingpin’s assistant arrives and gives him a card (then realizing his obvious mistake, since the words are in print) telling him to meet Wilson Fisk at spice warehouse near a pier. Matt recognizes the name and goes even colder.

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Just so the other Marvel alternate universes don’t feel left out, here are some quick reviews for a couple of them.

Punisher Kills the Marvel Universe: Fun, if it’s one of your first Garth Ennis stories. If not, you’ll be rolling your eyes.
Earth X: Strangely, I haven’t read it yet. One day.
Marvel Ruins: Depressing, hard to look at and pointless. A lot like the Steel movie.
The Last Avengers Story: You know why Kingdom Come worked? It knew who the Big 3 of the Justice League were and centered it on them. A brief cameo by Captain America, a vague explanation of Thor’s death as a flashback aside and absolutely no mention of Iron Man fails this comic. For shame, Peter David. For shame. Nobody cares about Henry Pym but you.

Now let’s get to what you came here for.

65) WHAT IF THE SILVER SURFER POSSESSED THE INFINITY GAUNTLET?

Issue: Volume 2, #49
Writer: Ron Marz
Artist: Scott Clark and Kevin West
Spider-Man death: Technically, yes
Background:Thanos had reached his goal and wielded the power of God himself through the Infinity Gauntlet. He fought the remainder of Earth’s greatest heroes with only a fraction of his full power, yet he still killed them off easily. The battle was all a plan by Adam Warlock in hopes to distract Thanos so the Silver Surfer could fly by and grab the Gauntlet off Thanos’ hand. He missed. Then a lot of stupid stuff happened. So if he did grab it, it would kind of have to make for a better story, right?

With a successful steal, the Silver Surfer stands before the depowered Thanos and Captain America. Adam Warlock (I keep trying to type “Adam Strange” when I bring him up) pops in to thank the Surfer and asks for the Gauntlet. The Silver Surfer refuses, as only the Silver Surfer can be trusted with such power. He takes the omnipotence, claiming it to be a burden that needs to be carried. First he undoes all of Thanos’ destruction. Earth is set back the way it was and all the heroes are resurrected. Terraxia is destroyed since she was never meant to exist.

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It’s the weekend, so we’re going into silent running, so to speak, but I do have one thing for you.

Hulk vs Thing. Batman vs Captain America. Superman vs Foolkiller.

We love comics for the fights and the conjecture, right? Hulk vs Thing is passe now. What about the fights we never get to see? Who cares about Black Cat vs Catwoman when you can see Shang-chi vs Richard Dragon? Black Racer vs Death? Slapstick vs Plastic Man?

So, I present to you– “WWWIF: Who Would Win In a Fight?” Volume one–

Who would win in this battle of the wives of the most popular superheroes out there?

On the surface, this just seems like Party Girl vs Army Brat. Lois Lane grew up a tomboy, eager to please her father, last time I checked. It may all be different now that it’s ONE YEAR LATER. Her pops taught her how to fight, shoot guns, and generally gave her that foundation to become a hard-hitting, take-no-guff investigative reporter. She’ll run into warzones to get a scoop if she has to. She’s a rough gal by any means, and has even taken on Cadmus with only the help of Matrix Supergirl. It’s worth noting, though, that whenever she’s taken hostage, it’s usually by a giant monster or Titano or Bizarro or someone way out of her league with superstrength and all that. She may not be able to handle supervillains, but she can bust Luthor in the chops all day. She’s been depicted as close friends with Bruce Wayne/Batman, and I’m almost positive that she’s done some “Superhero’s Wife Self-Defense Training.”

Mary Jane, on the other hand, turned into a flighty party girl after growing up under a physically absusive dad. She turned popular, approached serious things as if they were jokes, and made every girl in school into an enemy when she became the girl that every guy wanted. How many of you know popular girls who never got into fights? That’s right, I’m willing to bet that MJ is a scrapper. I’m sure that she knows how to acquit herself in a one-on-one match, and she probably fights dirty, too. It’s hard to knock someone out. It’s easy to make them bleed so much they can’t see. She’s also gotten personal close-combat training from Captain Freaking America. That has to count for something. She’s been kidnapped by every villain ever, so I’m sure that she’s learned how to look for weaknesses before going in for the kill. She may not be able to handle a slavering monster like Venom, but she’s no shrinking violet, either. She’s also got webshooter bracelets and can use them like Spider-Man, even though technically you need superstrength to be able to swing around. For the purposes of this battle, we’re going to assume that she can’t swing, but she can climb and make nets and such.

This seems pretty evenly matched. Rough’n’ready tomboy vs Super-hero trained model. Assuming no weapons, this would probably be a pretty even match. Lois Lane has experience, but she’s also got to be pushing 40 by now. Mary Jane is somewhere between 27-30. I will say that Kate Bosworth is an adorable Lois Lane, but she’s adorable because she looks to be roughly twee and a haff yeaws old.

MJ’s got the advantage of a younger age, but they both are probably in around the same shape. I might give MJ the edge in shape, because she’s a stage actress now, and that isn’t easy work. Evenly matched, I’d say, but Lois would probably win unless MJ put her down early. MJ is young and brash and could make a stupid mistake and get hit with some savate or whatever they teach in the Army now. On the other hand, I think that MJ would go for that early win with a shot to the face, followed by a headbutt or kidney punch.

One problem: Lois Lane falls into superpowers like other people stub their toes. It’s entirely possible that, during the fight, Lois will get hit by kryptonite or Superman will cough on her, or something will happen, and she’ll end up as Superwoman again. If that happens, MJ is toast. Considering the sheer ruthlessness that Superwoman displays fighting Lana Lang for Superman, she’d laser MJ’s head off and be done with it.

So, basically, all things being equal: either could win. They’re too evenly matched. But, if Lois lucks into powers, as much as it pains me to say it, advantage Lois.

Agree? Disagree? Show your work. Who do you want to see next? I’m thinking maybe Iceman vs Ice (Iceman wins ’cause Ice is dead! Hurrr!) or maybe Guy Gardner vs Wolverine. Perhaps Kyle Rayner vs Noh-varr. I’m taking suggestions, though!

What if I just got straight to the article itself for once?

70) WHAT IF DEATH’S HEAD I HAD LIVED?

Issue: Volume 2, #54
Writer: Simon Furman
Artist: Geoff Senior
Spider-Man death: No
Background: Oh, boy. Where to begin?

There’s a good chance you’re scratching your head, wondering who the hell Death’s Head I is and why he would deserve his own What If issue. First off, stop scratching your head. It’s a disgusting habit. Death’s Head I was a character from the 80’s created by Simon Furman and integrated into the Marvel UK Transformer comics. Death’s Head I was a charismatic and likeable bounty hunter, striking some of the same chords that Deadpool would years later. A robot from the future, Death’s Head I spoke through a voice box on his face, usually turning his statements into questions, like a French guy trying to speak English. Like for instance, he’d likely tell you, “Refer to me a freelance peacekeeping agent, yes?” He was weird like that. It was neat.

Death’s Head I mainly hung out in the year 2020, but had a tendency to time travel, usually leading to crossovers with guys like the Fantastic Four and She-Hulk. During the 90’s, Marvel decided to reboot his image. AIM had created Minion, a powerful robot with the ability to absorb the instincts, skills and knowledge of whoever he destroyed. He’s like an evil Megaman, except he looks like a blatant Predator rip-off. Minion was mainly created to destroy a mysterious threat named Charnal. I’m not savvy on the details here, but Minion ended up going up against Death’s Head I and Mr. Fantastic in our present. He killed Death’s Head I and absorbed his mental workings. It was too much for Minion to handle and parts of Death’s Head I’s personality caused Minion to override into something new. Now calling himself Death’s Head II, he and Marvel’s heroes fought the merging of villain Baron Strucker’s soul and the remains of Death’s Head I’s body. In other words, Charnal. Death’s Head II was victorious and went on to have some extreme 90’s adventures. Yay?

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Just a few quick bullets on what I’m thinking about in the world of comics right about now.

– This week’s 52 was good. Lobo’s reintroduction was great, and his origin, completely with pompadour, was a good look, too.

– I have a new issue of Kabuki to read. I’m positively giddy. I may wait until tomorrow to read the latest issue of the best non-monthly series ever.

– All-Star Superman, by The King of All-Comics and Frank Quitely, delivered. Lex Luthor’s eyebrow and sheer arrogance come through perfectly and hilariously.

– Mike Carey’s first issue of Ultimate Fantastic Four? Way better than Millar’s entire year, of which I read approximately the first three months. It’s that good.

– Black Panther’s World Tour has started up, and it’s going to be a doozy. Doom gets what’s coming two different ways. Next month is the Inhumans, I cannot wait for that.

– The Boys 02 is the second issue in a row to feature, er, doggy-style. Pun possibly intended. This is one of the most mean-spirited books I’ve read, but we get some good character insights in Billy Butcher and friends. I’m definitely interested, and Robertson’s art? It’s great.

– Have you guys seen Chris Bachalo’s cover to X-Men 190? It’s incredible. The scene it depicts happens a little different in the comics, but that’s water under the bridge. There’s precious little Rogue in this book, but her old costume is lovely and her new assertiveness fits a character who’s been a mainline X-Man for years now. She isn’t just “Sugah sugah mope mope mope.” She’s a fighter. Carey is doing a bang-up job on this series. This guy is remarkably good in the Marvel U. His Hellblazer was good, but Lucifer never grabbed me. His Marvel stuff, though… too good. Loving it.

– Mythos: Hulk by Paul Jenkins and Paolo Rivera is a four dollar bundle of joy. The Mythos series (right now just Hulk and X-Men) is a retelling of Marvel origins. They are updated for the modern era and boiled down to their essences. Rick Jones isn’t dared by friends to go onto the testing site, he’s an intern who isn’t paying attention. That sort of thing. They’re good stuff, and Rivera’s art is a treat. Highly recommended, and I hope they collect all of them into a handsome hardcover down the line.

– I read Wonder Woman 02. I’m done with the series. I realized that the moment I saw Wonder Woman start to do that stupid spinning thing from the TV show. No sir I do not like it. The Dodson’s art is great, as always, but Heinberg leaves me flat. Not quite Young Avengers flat, but flat. It wasn’t just the spinning what done it, either. It’s a book that seems to be trying very hard to get me to care, but does a poor job of closing the deal. Giganta is smart and tall… okay? Donna Troy is Wonder Woman and sucks at her job… okay? Wonder Woman is sneaking around and hiding… why bother? It’s weird. My favorite portrayals of Wonder Woman have been in the Morrison/Waid/Kelly JLA era. Doug Mahnke drew the absolute best WW ever. The wet hair look was way better than the usual comic book poofy hair. He drew her lean, but powerful, and his Angry Wonder Woman was something to behold. So, uh, now that I own the first 90 or so issues of JLA in trade form, I guess I’ll go read those when I want to read about Wondy.

– Someone explain this image to me. Is this from the new issue of Teen Titans? I found it linked off SomethingAwful’s BSS forum and it… bleh. Johns, what are you doing, man? That first row, save for Aquagirl and Speedy is worthless, and I like Speedy despite Judd Winick’s handling of her. The second row has Beast Boy and Offspring and they’re cool, but the rest of that row is worthless, too. I realize I’m prejudging here, but Little Barda is too much. DC just needs to leave the Fourth World alone. Give it to Morrison and a good artist and just keep it out of anyone else’s hands. It’s cool to see Mas y Menos and Captain Marvel Jr, but again, the rest of the characters? Bleh. On the bottom row, I think that the two Daughters are interesting ideas, if pushing the gimmick a bit, and I like Ravager, and that leaves Osiris. If Osiris turns out to be Isis’s brother, he’s got the most poorly thought-out code name ever. It takes a lot for me to read Titans. Introducing a bunch of no-names and go-nowheres isn’t really drawing me in. The series hasn’t really grabbed me since Titans Tomorrow, to be quite honest. Maybe it’ll pick up, but I basically have read Teen Titans for two years of my life. I can do without it. It’s turned into the JSA, in that it’s a book about a team full of characters who should be guest-stars at best.

– To be quite fair, Whedon’s Astonishing X-Men is boring me, too. Ha ha, Wolverine, yes, but the rest of the book is cute references up the wazoo and SHOCK REVEALS. It’s very pretty, but I’m not even remotely interested in the story. It feels like it’s treading water, with Neat Callback Scene (Kitty Pryde in the sewer last issue made me roll my eyes hard) to Neat Action scene with no meat inbetween.

– Just to complete the custom combo, I found Serenity boring and Firefly decent to middling at best.

– Cameron Stewart is awesome. You all know this, yes? His upcoming book about Vietnam looks like the bee’s knees. However! He and his Royal Academy of Illustration and Design cronies are having a draw-off, and Harley Quinn was the pick for today. Harl is probably my favorite bat-villain, so go check it out. I kind of like Cam’s, since it’s classic Bruce Timm style, but all of them are good. Go look!

– Oh man, I’m totally going to pitch DC Joker Loves Harley Quinn and do it in the Spider-Man Loves Mary Jane style, but with more mayhem. Yes.

– Here’s an interview with Georges Jeanty, artist of The American Way. He’s a great talent, and TAW is totally a sleeper hit. It gets better and better. It’s telling a great tale of superheroics in the 1960s and actually deals realistically with race. I’m loving it, and 4l member Thomas Wilde likes it, too. He doesn’t like anything but Barb Wire, Vampirella, and other bad comics, so him liking a good book is astonishing. I’m kidding! He doesn’t actually like any of those books. However, if he doesn’t write for the blog, I’ll tell everyone that he does and then kill him while he sits in shame.

– I’ve gotten a buttload of trades over the past couple weeks. X-Men: The Coming of Bishop, Birds of Prey: Sensei & Student, Starman: Sins of the Father, X-Men: Golgotha, some JLA v3 trades, Ghost Rider/Wolverine/Punisher: Hearts of Darkness, Spider-Man: The Assasin Nation Plot, The Punisher/Wolverine: African Saga (Carl Potts and Jim Lee! Whatever happened to Carl Potts?), and Monster volumes 3 and 4. Also Absolute Kingdom Come, though I don’t like Alex Ross’s art very much at all, but I love extra content in hardcover comics. I sometimes fear that I have bad taste in comics, but I love them too much to quit.

– So, summing up: Comics are great right now, Wonder Woman’s series is blah, Teen Titans is blah, but comics are still great, the internet is awesome, and I’ve got bad taste in comics. This ended up a lot longer than expected. It was supposed to be a short post!

– Peace!

You know what’s cool? Wolverine, that’s what.

He was overexposed in the ’90s, and up til now, yes, but listen. Gavok put it best when he said that Wolverine’s problem was never overexposure, but overimportance. Wolverine was suddenly a Big Deal, and well, that kind of sucks. I like my Wolverine to be the guy whose idea of a disguise is putting on an eyepatch, a cowboy hat, and demanding that people to call him Patch. It worked.

Do you know why it worked? It worked because it was obviously Wolverine, and he was obviously insane if he thought that people were going to believe that stupid disguise. So they played along and pretended that an eyepatch was as good of a disguise as a pair of eyeglasses and a slouch. Wolverine is crazy. Do you know what crazy people do when you point out that they are, in fact, crazy? They cut you up with foot long adamantium claws, that’s what!

I didn’t mind the issue of Wolverine where Nitro blew up all his skin and they grew back in something like two minutes. It was goofy and stupid, but it was pure Wolverine and pure pop comics. It was that crazy action I want to see Wolverine get into.

I’ll be honest. I hated Mark Millar’s Enemy of the State. His dialogue and characterization were off and poorly done. But… Millar had good ideas. I’m not so fond of Wolverine Beats Up The Marvel Universe/The Hand/Everything/Superman, but having him fight hordes of ninja is what Wolverine is all about. Johnny Romita’s art was on point even when Millar’s story left me flat.

Wolverine is a guy whose gimmick is six sharp claws, a bad attitude, and a crazy healing factor. Instead of running down the stairs with Frank Castle and Danny Ketch like a normal person, he’s going to SLIDE DOWN THE BANNISTER screaming about how he’s the best he is at what he does, and what he does is bannister-sliding, bub, don’t you ferget it! When he gets down to the bottom, he’s going to oh, I dunno, punch Cyclops in the stomach a few times, call Jubilee “kiddo” or something, then go off and cut something with his claws, all the while screaming about how he is the best he is at what he does, and what he does isn’t pretty/is calling Jubilee kiddo/is punching out Cyclops/eating Wheaties.

You know, this may be the reason why Marvel Comics won’t return my calls. I’d write Wolverine so well that they’d have to go back and retroactively fire anyone else who ever worked on him.

Wolverine rocks, so give the poor guy a chance. There is a reason why he became so popular during the ’90s. He’s a good character with a neat hook. The ’90s were rough on him, but they were rough on everyone.

What characters do you folks inexplicably like? We got any Shatterstar, Boom Boom, or USAgent fans in the house?