The next Comics from the 5th Dimention column should be up soon. The big drawback about writing for PopCultureShock rather than here is that you can’t have your stuff up instantly. Them’s the breaks.

I plan to one day write my own comic series. I’m currently trying to move my gears forward on that. That said, I still find myself thinking about what kind of DC or Marvel-owned series I would love to write if I had the chance. Stuff like an Eradicator on-going where he stations himself in Coast City as a way to make up for and investigate the human feeling of guilt he suffers from his failure to protect the city from Cyborg Superman and Mongul. Or a Juggernaut series where he’s on the run from SHIELD, all while showing the parallels of the Superhuman Registration Act and being the avatar slave of Cyttorak.

There’s one comic concept that came to me the other day. What If occasionally had sequels, most of them not very good. Having read so many issues and having some of them so nestled into my memory, the continuity nut in me always compares some issues to events that happened after the release date. Sometimes it’s just to laugh at the continuity screw-up, like how Alicia Masters in What If the X-Men Lost Inferno was really a Skrull and the writer didn’t know it yet. That revelation gums up her part in the story.

Sometimes I realize how much more interesting stories become when you toss in delayed retcons and new pieces of canon. For instance, there’s the issue What If the X-Men Had Died on Their First Mission, where the New X-Men team (Wolverine, Storm, etc.) go to Krakoa to save the original X-Men and they all die. Xavier beats himself up over it, Moira comforts him and eventually another X-Men team is created. It was a good story, but compare it to what we know now. Deadly Genesis showed the other X-Men team that died fighting Krakoa. When they failed, Moira was angry, so Xavier erased her memory of the events. Put the two stories together and it’s pretty fucked up. Xavier deserves to feel bad. His Krakoa mission would have cost him three X-Men teams, totaling at 17 mutants. Then you have Moira trying to keep him from being suicidal, not knowing what a bastard he really is because the son of a bitch removed it from her memory.

What would have happened when Vulcan came back to Earth, not only forgotten, but now without his brothers? Now that would be a sequel issue worth reading.

I think back to other What Ifs that lead to a new status quo and how vastly different things would have been if they continued the story and met up with the events that were destined to happen. I think a handful of them could make for a good limited series.

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How many comic characters have come up with recently revealed/brought back into play children?

Wolverine has Daken and X-23, kinda. Agent 13 is preggo with Cap’s baby. Namor had that son show up in his mini. Superman has Chris Kent. Batman has Damian. Hulk has Skaar or whatever. Corsair had Vulcan, though that’s kind of stretching the timeline a little. Punisher’s got a tyke.

That’s eight in, what, just under two years?

Anyway, Christos Gage is one of my new favorite writers. His Union Jack was the bomb, his House of M Avengers was mostly recap/revamp for Cage fans, but good, and so on. He’s got a couple books dropping soon. Iron Man Annual #1 and T-bolts: Breaking Points. Both are one-offs.

Tony Stark as James Bond + Bruce Wayne is a brilliant move, seriously. Why hasn’t anyone done this before? It’s totally Tony Stark. Danny Rand is Kung Fu Billionaire, Tony Stark should be Mecha James Bond. I want to pick up both books now. Gage generally does good.

But yeah, there’s something else in those previews that I noticed. Check out this image and think back a few months to the Mary Jane statue thing.

I laughed.

My question is– is this a knee-slapper with a knowing wink or a face-slapper with a mean glare? It’s kind of obviously presented as something that isn’t altogether kosher or positive… my money is on wink.

I like the Sentry. I think he’s a righteous dude. The thing about him is that he’s all about history. We know who he is and what he used to be. We know the legacy. Now his role in Marvel’s world is stagnant. He’s either there to show how powerful an opposing threat is, stepping out of sight to give the Avengers more of a challenge (“Oh, Patriot’s hurt? I’ll be back in a bit.”), or he’s yakking about the Void and their inner war. He’s currently taking his time to enter the fray in World War Hulk, but after that’s over and done with, who is he going to fight? The Void is the only part of his past that’s here to stay and we need some variety. His other villains were mostly Silver Age jokes that don’t deserve a push to the forefront.

The Sentry needs a real arch-nemesis.

Over the past couple of days, I had finally read through both Deadly Genesis and the Rise and Fall of the Shi’ar Empire. I recall hearing bad things about both of them as they were coming out, with the addendum that they make great reads in trades. Plus Brubaker is Brubaker and I really liked that What If from last year based on the big Deadly Genesis retcon.

As I read through Deadly Genesis, I grew to love Vulcan as a villain. Good, new comic characters – especially villains – are a hard find these days. I was happy to finally have somebody new who I could buy as a major threat. The more I read of him, the more I realized that he would make a fantastic enemy for the Sentry. While the Void is the Sentry’s anti-conscience and acts as his sinister shadow, Vulcan really comes off as the true Anti-Sentry.

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About now I’m in the middle of writing three different articles while planning to finally update the Table of Contents. It’s annoying, because I want to have something to post, but I end up being torn between all the different projects and nothing really gets done in time. It’s like I’m a monster that has to choose between the scientist that created him or the loving child that befriended him. Too much time looking back and forth and too little time getting results.

What I’m meaning to say is that this here post is going to be really pointless. More so than usual.

As an introduction, let’s look at this quote from my interview with wrestler “Lightning” Mike Quackenbush:

“A certain type of personality and humor attracts a very specific demographic to CHIKARA, and in that way, we end up in bed with (figuratively speaking), and surrounded by, like-minded individuals. There are so many thematic similarities between pro-wrestling and comic books, that there is bound to be some level of crossover.”

This is very true. There are the obvious comparisons, like the concepts of heroes battling villains in a repeated contest of good vs. evil. Colorful costumes. Slick names, whether they be codenames or last names. Mantles are passed down. Bad guys turning to good guys. Good guys turning to bad guys. Characters with names like Sandman, Mysterio, Hercules, Nitro, Crossbones, Rorschach, the Punisher, etc.

But I got to thinking. There are a lot of similarities between comic books and professional wrestling that go unnoticed. Follow me.

In comics, one of the most entertaining guys is a talented man by the name of Morrison.

In wrestling, one of the most entertaining guys is also a talented man by the name of Morrison.

They both have connections to mind-blowing drugs, now that I think about it.

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From Newsarama:

Marvel recorded 48.42% of the Unit Market Share, nearly 20 percentage points above DC’s 28.57%. Both the size of the “spread” between publishers and DC’s percentage of share are perhaps both historic figures in the Diamond/single distributor era.

From a Dollar standpoint, Marvel’s 43.62% to DC’s 27.07% is comparable to May’s figures.

That’s Marvel up twenty percentage points in market share. This is not even remotely a good thing for DC, obviously. Five books in the top twenty? Countdown shedding a couple grand worth of readers a week? Not cool.

I hate on DC a lot, but it’s out of love, believe me. Or maybe like. Anyway– I want them to do better, because they’ve got a sick cast of characters. I love Charlie Huston, but what is Moon Knight, an eternal B-lister, doing selling more than Detective Comics, Wonder Woman, and Superman? What’s DC doing wrong?

DC can do a lot of right. Here’s one you might not of heard of. Son of Vulcan, a miniseries by Scott Beatty and Keron Grant. It’s a legacy book, or at least pretends to be one, so that’s DC’s niche right there. It’s got a kid hero, an older kid hero (who is in a retirement home), and a very colorful and entertaining cast. It’s the kind of world-building that DC just doesn’t do any more.

Scratch that– Blue Beetle, written by the excellent John Rogers (who also wrote the best movie of the summer featuring Robots in Disguise), does this kind of thing and it’s one of the greatest books DC has. That isn’t damning with faint praise, either– Blue Beetle is excellent. In fact, SoV is kind of a proto-Beetle in a lot of ways.

Son of Vulcan. Balls nasty. Six issues. Great comedy. World building. It’s what DC needs more of. Don’t believe me? Here’s a few pages. I want to talk more about the series later on, but I’m still pretty wiped after E3. I’d love to see more of this series, but I don’t think it fits in with NEW EARTH and COUNTDOWN TO EXILES OF NEW EARTH and KILL CHARACTERS IN LIMBO FOR CHEAP THRILLS, you know?

Me, I’m just waiting for Death of the Z-List DC Characters You’ve Never Heard Of mega-crossover.

Enjoy.

from issue one

from issue five

Let’s be honest here.

I would pay DC money if they let me write an Injustice Gangstas miniseries. Even a one-shot.

I feel kind of silly making this article since it was supposed to be done months ago. There are several things that kept me from finishing it, but I’m going to take the easy way out. All the time I usually use to write these What If articles was really used to pretend I was writing for Lost. I love writing Sam the Butcher’s dialogue the most.

Starting it off, here’s a series of sig images I made for the Batman’s Shameful Secret sub-forum at Something Awful. I guess they worked.

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Next Monday seemingly marks the end of one of the greatest eras in animation. For fourteen years, we’ve been given what people call the “Diniverse” (named after a guy who barely writes actual episodes anymore). It started back in 1992 with a primetime showing of Batman: the Animated Series and after all these years, it’s going to die out with the finale for the fifty-eighth spin-off, Justice League Unlimited.

Lord knows the Diniverse made its stamp on both the world of animation and the world of comics. Characters like Harley Quinn were introduced… as well as more forgettable folk like Livewire and Lockdown. The comic version of Supergirl started wearing the white t-shirt and tight skirt made popular by Superman: the Animated Series. John Stewart took Kyle Rayner’s place as the token Green Lantern on the Justice League roster. Batman Beyond showed up in the pages of Superman/Batman for no reason whatsoever.

There are obviously changes here and there over how certain characters are portrayed. Many consider the Kevin Conroy-voiced Batman to be the defining version of the character, compared to the close-minded, paranoid caricature he’s become in the comics. Sure, the Joker kills people here and there on the cartoons, but at no point would they ever have him cripple Batgirl and strip her naked in order to drive her father insane on Cartoon Network. In the comics, Green Lantern and Hawkgirl have never been an item, nor has a big chunk of the JLU roster been members of any Justice League roster. Hawk and Dove sucked in both mediums, so there is that. Read the rest of this entry �