The What If issue where Storm became the Phoenix was a piece of crap, but I still respect it for one reason. It’s the only What If appearance I can recall of this guy:

Though considering his series started around the same time What If ended, it’s not so surprising.

25) WHAT IF THE NEW FANTASTIC FOUR HAD REMAINED A TEAM?

Issue: Volume 2, #78
Writer: Chuck Dixon
Artist: Enrique Alcatena
Spider-Man death: No
Background: Early in the 90’s, a fake Invisible Woman convinced Spider-Man, Wolverine, The Hulk and Ghost Rider that the Fantastic Four had died and that they needed to fill in for a bit. This led to a story involving Skrulls, monsters and Moleman that ended with the revelation that the real Fantastic Four were really alive. The fake Invisible Woman, a Skrull with limited psychic powers, tried to blast the Fantastic Four with some kind of power ring, but nothing happened. Reed had stolen the ring before she could use it. In this reality, the Skrull lady fires a second before Reed can successfully make the steal.

We begin with Wolverine, Spider-Man and Hulk mourning at the funeral and discussing how badly they screwed up. Ghost Rider appears (which Logan appreciates, since he needs to light his cigar) and says that the loss of the Fantastic Four creates a void. They should stay a team and try and fill that void in order to redeem their failure.

Read the rest of this entry �

No, seriously. This can’t just be me.

I love outlines. I think that they’re an awesome storytelling trick. I am not a huge Superman fan, but one way to get me interested in a scene featuring him is to put him in all black with only his glowing red eyes or chest emblem visible. The chest emblem makes no sense on a lighting level, yes. I know. I was going to go to art school before I realized that I was good at words, not pictures.

But, isn’t it cool?

This spread is from Ed McGuinness, JLA Classified #2, I believe. The JLA are out in our world, the real world, and have been trying to maintain the status quo. They get info from the new Squire that things have gone bad on DC-Earth. What does the JLA do?

They use a boom tube to get back to their universe.

I love it.

I don’t know why Aquaman is back there, though. You can tell that Ed McG had an awesome scene in mind until he realized, “Oh, wait… Aquaman has to be in here, too! :argh:”

I am still crazy-go-nuts swamped with work. I’ll deliver you guys some content by the weekend, I promise. Tomorrow, all things being equal, we’ll have a guest article, or perhaps a guest reprint up from my old buddy Mark Poa. Stay tuned, true believers!

This article is dedicated to all the Human Torch and Sub-Mariner fans out there. Why? Because anyone else is probably going to be bored out of their skulls.

30) WHAT IF…? STARRING SECRET WARS: 25 YEARS LATER

Issue: Volume 2, #114
Writer: Jay Faerber
Artist: Gregg Schigiel
Spider-Man death: Yes
Background: The all-powerful Beyonder brought a group of heroes and a group of villains onto a planet he created to battle for his amusement. The storyline is known for introducing the Venom symbiote, putting She-Hulk in the Fantastic Four and for one of the funniest movies on YouTube. Dr. Doom, using his own genius, found a way to steal the power of Galactus and challenge the Beyonder. He then stole the Beyonder’s power too, but things went to Hell and he ended up back to his usual ugly self. So if Galactus is powerful enough to challenge the Beyonder, why didn’t he? And what if the fight between the two ended with both of them dying? Toss in Reed Richards’ death for flavor.

The story begins on the 18 birthday of Balder Blake, otherwise known as Bravado (son of Thor and the Enchantress). As he does every year, he tries to lift Mjolnir, his father’s hammer. He still can’t lift it, despite the support of his friends Crusader (daughter of Captain America and Rogue) and Mustang (son of Hawkeye and She-Hulk). They return to his house to find a surprise party waiting for him. It’s there that we meet his other friends Torrent (daughter of Wolverine and Storm) and Firefly (son of Human Torch and Wasp). As the story goes, the Secret Wars lasted for about five more years with many casualties until the two sides decided to call a truce. Now, for the most part, they and their children live in harmony.

There’s also Symbiote Spider-Man. He acts a bit creepy, talking in “we speak” that Venom was so famous for. Plus he’s a bit anti-social. Curious…

Read the rest of this entry �

“I am not what I was before,” the silence says. “I am anger, I am madness, I am the spider. And God help you if you get in my way.”

This is gonna be a long one. Get a sandwich, come back, get reading.

Even moreso than the X-Men and Fantastic Four, Spidey is Marvel’s flagship character. He’s their everyman. Reed Richards is a super genius who has enough game to woo Susan Storm and convince her, her brother, and Ben Grimm that stealing a spaceship to go into outer space is a good idea. The X-Men are a bunch of freaks and outcasts with perfect bodies, and nobody likes the Avengers.

Don’t even get me started on those freaking Avengers, all right?

Spidey is the guy that every relates to and loves. He’s probably the most human out of Marvel’s big characters. He’s had girl trouble, family drama, tragedy, and upswings. He’s led a real life and ended up marrying a wonderful girl. He’s easy to relate to. He’s the guy that we’re supposed to identify with when tough choices come up. His role in Civil War, at least outside of the main (crappy) miniseries, shows this. He is us. His set of experiences are pretty much universal, except for that whole crime-fighting thing. Let’s look at that. The crime-fighting, I mean.

Spidey is a jokester. He’s constantly cracking wise. It’s been pretty well-established that jokes are his way of both coping with the incredible danger he finds himself in every day and throwing villains off balance. I mean, seriously, I can barely stay calm when some jerk is telling me unfunny jokes, imagine if some guy were telling jokes and punching you. Disorienting for sure. The joking is coping because it allows him to maintain control of a sick situation. It takes his mind off the fact that Carnage is about to murder a schoolbus full of children. It lets him focus.

Spidey also believes in the innate goodness of man. I’m reminded of the scene in “Return of the Green Goblin” where he sits down and just has a heart-to-heart with Norman Osborn about his life, their relationship, and Gwen Stacy. He remarks that Norman can never win because Gwen will always be greater than he is. Her smile and her spirit will always overpower Norman’s hate and crazy. Norman killed her, but her memory defeats him. In his heart, Peter believes that almost everyone can be rehabilitated. Evil exists, but it has nothing at all on good. Good will win out in the end, because that is the way it is. That is the way it has to be. Right?

What happens, though, when you push him to the edge? Not in a battle, I mean. When battles get serious, Peter gets desperate. What happens when you make Peter Parker genuinely angry? What happens when he gets close to that breaking point, or possibly just past it?

What happens when the jokes stop?
Read the rest of this entry �

This is a longer one than usual. I just had to rank two two-parters so closely together, didn’t I.

45) WHAT IF THE AMAZING SPIDER-MAN HAD NOT MARRIED MARY JANE?/WHAT IF THE AMAZING SPIDER-MAN HAD MARRIED THE BLACK CAT?

Issue: Volume 2, #20-21
Writer: Danny Fingeroth
Artist: Jim Valentino
Spider-Man death: No
Background: Peter Parker had proposed to Mary Jane. It was a battle with a Spider Slayer involving them both that convinced Mary Jane to say yes. That’s all well and good for her, but how would things have turned out if that adventure didn’t go so smoothly? In this reality, the Spider Slayer strangles Mary Jane a bit longer than normal and although she’s rescued, she is still injured. Peter keeps having flashbacks to Gwen’s death and can’t bear to see the same thing happen to someone like Mary Jane. For her own protection, he leaves her at the alter.

Look at that last panel. Man. I will never, ever forgive John Byrne for turning Sandman evil again. But enough of that.

Read the rest of this entry �

It’s the weekend, so we’re going into silent running, so to speak, but I do have one thing for you.

Hulk vs Thing. Batman vs Captain America. Superman vs Foolkiller.

We love comics for the fights and the conjecture, right? Hulk vs Thing is passe now. What about the fights we never get to see? Who cares about Black Cat vs Catwoman when you can see Shang-chi vs Richard Dragon? Black Racer vs Death? Slapstick vs Plastic Man?

So, I present to you– “WWWIF: Who Would Win In a Fight?” Volume one–

Who would win in this battle of the wives of the most popular superheroes out there?

On the surface, this just seems like Party Girl vs Army Brat. Lois Lane grew up a tomboy, eager to please her father, last time I checked. It may all be different now that it’s ONE YEAR LATER. Her pops taught her how to fight, shoot guns, and generally gave her that foundation to become a hard-hitting, take-no-guff investigative reporter. She’ll run into warzones to get a scoop if she has to. She’s a rough gal by any means, and has even taken on Cadmus with only the help of Matrix Supergirl. It’s worth noting, though, that whenever she’s taken hostage, it’s usually by a giant monster or Titano or Bizarro or someone way out of her league with superstrength and all that. She may not be able to handle supervillains, but she can bust Luthor in the chops all day. She’s been depicted as close friends with Bruce Wayne/Batman, and I’m almost positive that she’s done some “Superhero’s Wife Self-Defense Training.”

Mary Jane, on the other hand, turned into a flighty party girl after growing up under a physically absusive dad. She turned popular, approached serious things as if they were jokes, and made every girl in school into an enemy when she became the girl that every guy wanted. How many of you know popular girls who never got into fights? That’s right, I’m willing to bet that MJ is a scrapper. I’m sure that she knows how to acquit herself in a one-on-one match, and she probably fights dirty, too. It’s hard to knock someone out. It’s easy to make them bleed so much they can’t see. She’s also gotten personal close-combat training from Captain Freaking America. That has to count for something. She’s been kidnapped by every villain ever, so I’m sure that she’s learned how to look for weaknesses before going in for the kill. She may not be able to handle a slavering monster like Venom, but she’s no shrinking violet, either. She’s also got webshooter bracelets and can use them like Spider-Man, even though technically you need superstrength to be able to swing around. For the purposes of this battle, we’re going to assume that she can’t swing, but she can climb and make nets and such.

This seems pretty evenly matched. Rough’n’ready tomboy vs Super-hero trained model. Assuming no weapons, this would probably be a pretty even match. Lois Lane has experience, but she’s also got to be pushing 40 by now. Mary Jane is somewhere between 27-30. I will say that Kate Bosworth is an adorable Lois Lane, but she’s adorable because she looks to be roughly twee and a haff yeaws old.

MJ’s got the advantage of a younger age, but they both are probably in around the same shape. I might give MJ the edge in shape, because she’s a stage actress now, and that isn’t easy work. Evenly matched, I’d say, but Lois would probably win unless MJ put her down early. MJ is young and brash and could make a stupid mistake and get hit with some savate or whatever they teach in the Army now. On the other hand, I think that MJ would go for that early win with a shot to the face, followed by a headbutt or kidney punch.

One problem: Lois Lane falls into superpowers like other people stub their toes. It’s entirely possible that, during the fight, Lois will get hit by kryptonite or Superman will cough on her, or something will happen, and she’ll end up as Superwoman again. If that happens, MJ is toast. Considering the sheer ruthlessness that Superwoman displays fighting Lana Lang for Superman, she’d laser MJ’s head off and be done with it.

So, basically, all things being equal: either could win. They’re too evenly matched. But, if Lois lucks into powers, as much as it pains me to say it, advantage Lois.

Agree? Disagree? Show your work. Who do you want to see next? I’m thinking maybe Iceman vs Ice (Iceman wins ’cause Ice is dead! Hurrr!) or maybe Guy Gardner vs Wolverine. Perhaps Kyle Rayner vs Noh-varr. I’m taking suggestions, though!

Just a few quick bullets on what I’m thinking about in the world of comics right about now.

– This week’s 52 was good. Lobo’s reintroduction was great, and his origin, completely with pompadour, was a good look, too.

– I have a new issue of Kabuki to read. I’m positively giddy. I may wait until tomorrow to read the latest issue of the best non-monthly series ever.

– All-Star Superman, by The King of All-Comics and Frank Quitely, delivered. Lex Luthor’s eyebrow and sheer arrogance come through perfectly and hilariously.

– Mike Carey’s first issue of Ultimate Fantastic Four? Way better than Millar’s entire year, of which I read approximately the first three months. It’s that good.

– Black Panther’s World Tour has started up, and it’s going to be a doozy. Doom gets what’s coming two different ways. Next month is the Inhumans, I cannot wait for that.

– The Boys 02 is the second issue in a row to feature, er, doggy-style. Pun possibly intended. This is one of the most mean-spirited books I’ve read, but we get some good character insights in Billy Butcher and friends. I’m definitely interested, and Robertson’s art? It’s great.

– Have you guys seen Chris Bachalo’s cover to X-Men 190? It’s incredible. The scene it depicts happens a little different in the comics, but that’s water under the bridge. There’s precious little Rogue in this book, but her old costume is lovely and her new assertiveness fits a character who’s been a mainline X-Man for years now. She isn’t just “Sugah sugah mope mope mope.” She’s a fighter. Carey is doing a bang-up job on this series. This guy is remarkably good in the Marvel U. His Hellblazer was good, but Lucifer never grabbed me. His Marvel stuff, though… too good. Loving it.

– Mythos: Hulk by Paul Jenkins and Paolo Rivera is a four dollar bundle of joy. The Mythos series (right now just Hulk and X-Men) is a retelling of Marvel origins. They are updated for the modern era and boiled down to their essences. Rick Jones isn’t dared by friends to go onto the testing site, he’s an intern who isn’t paying attention. That sort of thing. They’re good stuff, and Rivera’s art is a treat. Highly recommended, and I hope they collect all of them into a handsome hardcover down the line.

– I read Wonder Woman 02. I’m done with the series. I realized that the moment I saw Wonder Woman start to do that stupid spinning thing from the TV show. No sir I do not like it. The Dodson’s art is great, as always, but Heinberg leaves me flat. Not quite Young Avengers flat, but flat. It wasn’t just the spinning what done it, either. It’s a book that seems to be trying very hard to get me to care, but does a poor job of closing the deal. Giganta is smart and tall… okay? Donna Troy is Wonder Woman and sucks at her job… okay? Wonder Woman is sneaking around and hiding… why bother? It’s weird. My favorite portrayals of Wonder Woman have been in the Morrison/Waid/Kelly JLA era. Doug Mahnke drew the absolute best WW ever. The wet hair look was way better than the usual comic book poofy hair. He drew her lean, but powerful, and his Angry Wonder Woman was something to behold. So, uh, now that I own the first 90 or so issues of JLA in trade form, I guess I’ll go read those when I want to read about Wondy.

– Someone explain this image to me. Is this from the new issue of Teen Titans? I found it linked off SomethingAwful’s BSS forum and it… bleh. Johns, what are you doing, man? That first row, save for Aquagirl and Speedy is worthless, and I like Speedy despite Judd Winick’s handling of her. The second row has Beast Boy and Offspring and they’re cool, but the rest of that row is worthless, too. I realize I’m prejudging here, but Little Barda is too much. DC just needs to leave the Fourth World alone. Give it to Morrison and a good artist and just keep it out of anyone else’s hands. It’s cool to see Mas y Menos and Captain Marvel Jr, but again, the rest of the characters? Bleh. On the bottom row, I think that the two Daughters are interesting ideas, if pushing the gimmick a bit, and I like Ravager, and that leaves Osiris. If Osiris turns out to be Isis’s brother, he’s got the most poorly thought-out code name ever. It takes a lot for me to read Titans. Introducing a bunch of no-names and go-nowheres isn’t really drawing me in. The series hasn’t really grabbed me since Titans Tomorrow, to be quite honest. Maybe it’ll pick up, but I basically have read Teen Titans for two years of my life. I can do without it. It’s turned into the JSA, in that it’s a book about a team full of characters who should be guest-stars at best.

– To be quite fair, Whedon’s Astonishing X-Men is boring me, too. Ha ha, Wolverine, yes, but the rest of the book is cute references up the wazoo and SHOCK REVEALS. It’s very pretty, but I’m not even remotely interested in the story. It feels like it’s treading water, with Neat Callback Scene (Kitty Pryde in the sewer last issue made me roll my eyes hard) to Neat Action scene with no meat inbetween.

– Just to complete the custom combo, I found Serenity boring and Firefly decent to middling at best.

– Cameron Stewart is awesome. You all know this, yes? His upcoming book about Vietnam looks like the bee’s knees. However! He and his Royal Academy of Illustration and Design cronies are having a draw-off, and Harley Quinn was the pick for today. Harl is probably my favorite bat-villain, so go check it out. I kind of like Cam’s, since it’s classic Bruce Timm style, but all of them are good. Go look!

– Oh man, I’m totally going to pitch DC Joker Loves Harley Quinn and do it in the Spider-Man Loves Mary Jane style, but with more mayhem. Yes.

– Here’s an interview with Georges Jeanty, artist of The American Way. He’s a great talent, and TAW is totally a sleeper hit. It gets better and better. It’s telling a great tale of superheroics in the 1960s and actually deals realistically with race. I’m loving it, and 4l member Thomas Wilde likes it, too. He doesn’t like anything but Barb Wire, Vampirella, and other bad comics, so him liking a good book is astonishing. I’m kidding! He doesn’t actually like any of those books. However, if he doesn’t write for the blog, I’ll tell everyone that he does and then kill him while he sits in shame.

– I’ve gotten a buttload of trades over the past couple weeks. X-Men: The Coming of Bishop, Birds of Prey: Sensei & Student, Starman: Sins of the Father, X-Men: Golgotha, some JLA v3 trades, Ghost Rider/Wolverine/Punisher: Hearts of Darkness, Spider-Man: The Assasin Nation Plot, The Punisher/Wolverine: African Saga (Carl Potts and Jim Lee! Whatever happened to Carl Potts?), and Monster volumes 3 and 4. Also Absolute Kingdom Come, though I don’t like Alex Ross’s art very much at all, but I love extra content in hardcover comics. I sometimes fear that I have bad taste in comics, but I love them too much to quit.

– So, summing up: Comics are great right now, Wonder Woman’s series is blah, Teen Titans is blah, but comics are still great, the internet is awesome, and I’ve got bad taste in comics. This ended up a lot longer than expected. It was supposed to be a short post!

– Peace!

You know what’s cool? Wolverine, that’s what.

He was overexposed in the ’90s, and up til now, yes, but listen. Gavok put it best when he said that Wolverine’s problem was never overexposure, but overimportance. Wolverine was suddenly a Big Deal, and well, that kind of sucks. I like my Wolverine to be the guy whose idea of a disguise is putting on an eyepatch, a cowboy hat, and demanding that people to call him Patch. It worked.

Do you know why it worked? It worked because it was obviously Wolverine, and he was obviously insane if he thought that people were going to believe that stupid disguise. So they played along and pretended that an eyepatch was as good of a disguise as a pair of eyeglasses and a slouch. Wolverine is crazy. Do you know what crazy people do when you point out that they are, in fact, crazy? They cut you up with foot long adamantium claws, that’s what!

I didn’t mind the issue of Wolverine where Nitro blew up all his skin and they grew back in something like two minutes. It was goofy and stupid, but it was pure Wolverine and pure pop comics. It was that crazy action I want to see Wolverine get into.

I’ll be honest. I hated Mark Millar’s Enemy of the State. His dialogue and characterization were off and poorly done. But… Millar had good ideas. I’m not so fond of Wolverine Beats Up The Marvel Universe/The Hand/Everything/Superman, but having him fight hordes of ninja is what Wolverine is all about. Johnny Romita’s art was on point even when Millar’s story left me flat.

Wolverine is a guy whose gimmick is six sharp claws, a bad attitude, and a crazy healing factor. Instead of running down the stairs with Frank Castle and Danny Ketch like a normal person, he’s going to SLIDE DOWN THE BANNISTER screaming about how he’s the best he is at what he does, and what he does is bannister-sliding, bub, don’t you ferget it! When he gets down to the bottom, he’s going to oh, I dunno, punch Cyclops in the stomach a few times, call Jubilee “kiddo” or something, then go off and cut something with his claws, all the while screaming about how he is the best he is at what he does, and what he does isn’t pretty/is calling Jubilee kiddo/is punching out Cyclops/eating Wheaties.

You know, this may be the reason why Marvel Comics won’t return my calls. I’d write Wolverine so well that they’d have to go back and retroactively fire anyone else who ever worked on him.

Wolverine rocks, so give the poor guy a chance. There is a reason why he became so popular during the ’90s. He’s a good character with a neat hook. The ’90s were rough on him, but they were rough on everyone.

What characters do you folks inexplicably like? We got any Shatterstar, Boom Boom, or USAgent fans in the house?

You can find the list, plus covers, over at Newsarama.

My commentary on the interesting books lies after the jump, and I’ve included the solicit text for them, too!
Read the rest of this entry �

Man, I totally didn’t have time to whip up that post I promised you yesterday. It’ll probably come later Saturday. I’ve been busy busy with both welcoming back a friend who just came back into town and some super top secret writing projects that I will be sure to share when I’m sure that I’m able to. Non-Disclosure Agreements make for great teases, but poor fun!

Believe me, though. I will definitely explain to you guys why not only does Jim Lee draw the definitive X-Men (he is to X-Men what McGuinness is to Superman and Romita Sr/Jr is to Spider-Man), but why the early 90s X-Men are some of my favorite X-books. The accompanying image is yet another bit of evidence that Gambit is awesome. He caught a bullet and tossed it back! It’s from X-Men #1.

Want to know something super-nerdy? I bought the X-Men: Mutant Genesis trade (it collects X-Men 1-7), and I realized that I practically studied these books way back when. Some of the coloring errors, like where color leaked into dialogue balloons here in this excerpt were fixed, but Beast is still blue from his feet to his teeth in that first big spread of the X-Men, and there are really only a handful of skintones: White, Asian, Black, and Stubbled. The cover has been recolored or retouched, too. I knew this from memory.

I love the X-Men.