Writing intros for so many installments is hard. Gives me more respect for the Watcher, who thought up over a hundred variations of, “I’m going to show you stuff that didn’t happen, based on stuff that didn’t actually happen anyway.”

75) WHAT IF THE AVENGERS LOST OPERATION: GALACTIC STORM?

Issue: Volume 2, #55-56
Writer: Len Kaminksi
Artist: Craig Brasfield
Spider-Man death: Yes
Background: Galactic Storm was based on the war that was brewing between the Kree and the Shi’ar. Earth was going to be their battleground and the Avengers made an attempt to stop it. Their plea for peace got them in trouble and the team split up based on different ideas of how to handle the Kree. Captain America and others were taken prisoner by Kree rulers Ael-Dan and Dar-Ben. In regular continuity, the Shi’ar killer Deathbird appeared and assassinated the Kree men, but here, Captain America senses her and prevents their deaths. He finds that this one heroic gesture leads to unfortunate consequences.

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That hiatus was long enough. Let’s get back to business.

80) WHAT IF DAZZLER HAD BECOME THE HERALD OF GALACTUS? /WHAT IF IRON MAN WAS TRAPPED IN THE TIME OF KING ARTHUR?

Issue: Volume 1, #33
Writer: Dan Fingeroth, Steven Grant
Artist: Mike Vosburg, Don Perlin
Spider-Man death: Yes
Background: Two stories here, neither have much to do with the other. First, there was a time when Terrax, Galactus’ then-herald, schemed behind his master’s back and ended up in a black hole for his troubles. Because Dazzler was a bit overpowered at the time, she was chosen to bring him out of the black hole to stand trial. Galactus decided that Terrax had learned his lesson from the black hole and reinstated him. So what if he wasn’t so forgiving? As for the other story, there was a storyline where Dr. Doom and Iron Man ended up in Camelot via time travel. After a little adventure, the two banded together to return themselves to the correct point in history. Here, Doom is more of a bastard and really isn’t bright if you think about it.

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You can find the list, plus covers, over at Newsarama.

My commentary on the interesting books lies after the jump, and I’ve included the solicit text for them, too!
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So remember when I said that Marvel would announce its upcoming What If issues long before I’d have this finished? Looks like I was right.

This year the five stories are all based on major events, most of them recent:

– Spider-Man: The Other. Here, Spider-Man’s spidery side takes over. Why he’s wearing the symbiote on the cover, I don’t know.
– Avengers Disassembled. So what would have happened had they not realized Scarlet Witch was behind it when they did?
– Wolverine: Enemy of the State. He’s still under Hydra’s conditioning and he needs to be stopped now more than ever.
– X-Men: Deadly Genesis. No explanation yet, but I haven’t even read Deadly Genesis in the first place.
– Age of Apocalypse. Oh man, I hope they mean the one from the 90’s and not the new one.

Speaking of What Ifs based on Marvel events…

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Man, that is a dated reference. How many of you remember “Gotta be da shoes?” Oh Spike Lee, what are you doing now? This is what Buffy and Matrix references are going to be like five years from now.

I honestly believe that if you were to put Gambit and Wolverine together as a duo, you’d have an unstoppable engine of destruction that would burn through everything in its way.

Add Jubilee and I would read this book. You could have Rogue and Yet Another of Wolverine’s Ex-girlfriends guest star every couple of issues for some good old fashioned soap opera drama.

I would call it “Gambit and Wolverine Make Fools of the Marvel Universe: Featuring Jubilee.” It will sell millions.

Speaking of selling, here’s what I’m picking up from the comic shop today, assuming that everything makes it in. My commentary is in paratheses.

52 WEEK #14 (I’m hooked, what can I say. They’re screwing with the heroes in a way that makes for good reading.)
ANNIHILATION #1 (the lead-in miniseries were quite good, so definitely getting this.)
BEYOND #2 (OF 6) (Sleeper hit, you mark my words. The first issue was excellent.)
FIRESTORM THE NUCLEAR MAN #28 (One of DC’s best titles, hands down.)
MAN CALLED KEV #2 (OF 5)
MARVEL ZOMBIES HC
WOLVERINE ORIGINS #5 (Pretty interesting story so far, and I hear Jubes is going to be in an upcoming issue!)
ULTIMATE GALACTUS BOOK 3 EXTINCTION TP (Gotta complete the set, and I loved the art.)

This is a pretty light week for me. Only six monthlies. I’m thinking of getting the X-Statix Presents: Dead Girl TP, if only for the awesome art. It had a good story, too, so it may be worth the 14 bones.

Next week is going to be serious business for me. I’m getting Batman Animated, Absolute Dark Knight, and Absolute Hush. I love behind the scenes stuff, so Batman Animated is a shoe-in. Frank Miller and Jim Lee are consistently in my personal top five artists list, so their work in Absolute format at 37% off is a steal. I didn’t much like the story in Hush, but I cannot argue with Lee’s artwork, as if my complete and utter infatuation with early ’90s X-Men didn’t tell you that. I even desperately want this book, X-Men/Ghost Rider: Brood Trouble in the Big Easy. I will eventually own every Jim Lee X-trade. I think I’m only short two right now.

(I think I need an intervention, but these books are such a simple pleasure. There’s a great bit where Gambit, Psylocke, and Jubes are tied up on Mojoworld. Mojo is blah blah blogging about how he wants to record X-Men fighting other X-Men. “As if ya don’t get enough footage o’ that?!” Jubilee responds. “Jubilation,” says Psylocke. Jubilee mutters, “why does everyone say my name like it means “shut up?”. How can you not love that? More later.)

I absolutely (see what I did there?) love Dark Knight Returns and Dark Knight Strikes Again (a better love letter to the silver age than anything alex ross has come up with), so Absolute Dark Knight is tops.

Also in that top 5 list are Quitely, Romita Jr, Bagley, Romita Sr, Sienkiewicz, David Mack, Tom Grummett, Mike Wieringo, and a bunch of others. As an English major, I am incapable of counting properly.

What’re you getting? This week’s list is located here.

When it comes to doing countdowns of the best What If issue, I’m not the first. A couple years ago, Wizard magazine had their own top ten list. Here is their version:

10) What If Captain America Were Revived Today? (volume 1)
9) What If the Beast Continued to Mutate?
8) What If the X-Men Lost Inferno?
7) What If the Fantastic Four Had Not Gained Their Superpowers?
6) What If Pheonix Had Not Died? (volume 1)
5) Humor issue (volume 1)
4) What If Daredevil Killed the Kingpin?
3) What If the Hulk Went Berserk?
2) What If Conan the Barbarian Were Stranded in the 20th Century?
1) What If the Alien Costume Had Possessed Spider-Man?

Does this list coincide with my list? Not very much. Only two of those issues make it into my top ten. Three of them aren’t even on my list in the first place (I already talked about why #7 sucked). One of them is in this article.

Back to the real list. Read the rest of this entry �

If I’m posting on this here comics blahblahblog, I try to ensure that we’re working with snark-free waters. Not these Snark Free Waters, but similar in spirit nonetheless. Personally, I feel that comics are too awesome to waste sniping at each other and the creators. If I have a grievance, I’ll air it out professionally, courteously, and in a coherent manner. If I can at all help it, you’ll never hear the words “(author) is a hack” come out of my mouth. 99% of the time that word is thrown around, it’s completely untrue, and there’s really a better way to say “I don’t like this guy’s work.”

So, in the spirit of the idea that comics are freaking awesome and we’re all freaking awesome for reading them, even you in the back with the bad haircut, I’m going to present to you a Cool Comics Love-In. It’s a snapshot of what I like in comics right now, be they single issues, series, or other, and you better like it, too, or else I’ll and hopefully you’ll dig it as well. Let’s see if I can do these three or four at a time, once or twice a week okay?
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I finally finished it. 176 issues of What If and I’ve finished reading them. My list of the 100 best is put together and the series of articles will commence.

But first… let’s just take another look at some of the issues that won’t be on the list. Some of the really bad ones.

Before I start, I’ve been asked about the clichés included with the series. In the last article, I mentioned the bit about Reed Richards being a borderline psychopath, but what else is there?

1) Spider-Man dies. A lot. Of course, this is to be expected. After all, he shows up in many, many issues. It’s the law of averages in effect here.

2) Kingpin dies. A super lot. What I said about Spider-Man doesn’t apply for Wilson Fisk. If he’s in the comic, there’s a 95% chance that he’s going to die. Then again, it’s a wonder why he’s still alive in regular continuity.

3) Loki is a puss. I can’t recall a single issue where Loki comes out a winner. Then again, there is a chance that he survived Marvel Zombies, so he has that going for him.

4) Hulk depressed! If the Incredible Hulk is the main character of a What If issue, the chances are very good that this isn’t going to end well. There are a couple exceptions.

Now to the crap. Read the rest of this entry �

“What people often forget, of course, is that Magneto, unlike the lovely Sir Ian McKellen, is a mad old terrorist twat. No matter how he justifies his stupid, brutal behaviour, or how anyone else tries to justify it, in the end he’s just an old bastard with daft, old ideas based on violence and coercion. I really wanted to make that clear at this time.”
–Grant Morrison

I’m not usually one to complain about comics companies “destroying” characters. In fact, I think it’s kind the kind of stupid invective that gives comic fans such a negative fanboy image. “Destroying” is a loaded term, and there’s much, much better ways to express your feelings on the matter. This may be my attempt at that, or my attempt at putting my foot in my mouth. U DECIDE.

I do think, however, that comics companies can make/allow some fairly terrible narrative choices. Turning Xorn into some kind of Jerry Springer-esque twin brother was one. Actually, every time Xorn has been mentioned outside of Morrison’s New X-Men has been a mistake, I think. Identity Crisis left a bad taste in my mouth, despite Rags Morales’s excellent art. I liked the scene where Batman and Robin are trying to get to Tim Drake’s house before his dad dies. That was powerful, but the death of Jack Drake? Bleh. He was a cool dude. Mark Millar turning the New Warriors into patsies? Bah, Doom says.

So basically what I’m saying is, not everything comics companies do is great. Big surprise, huh? I once read a comment Keith Giffen made about the death of Blue Beetle. He said he wasn’t mad about it, and that his only feelings on the matter were “I would’ve done it differently.” I think that’s all any fan can really say. “I would’ve done it differently.” Mark Waid once said something like “Comics is the only industry where 90% of your audience thinks that they can do it better than you.” It’s true.

Long, rambling introductions aside, DC screwed the pooch on the Batbooks when they made the main man overly angry, right? Well, what about the satellite titles? Catwoman went from a must-read book to “Peace out, homey!” all in the space of one issue for me. Batgirl has renounced her title and is pretty much a villain now.

I am okay with one of these things, but I do not like the other. Let us begin, then.
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So, anyone who spends any amount of time speaking to me tends to find out that I am very, very pro-black. There’s a song by dead prez that goes, “Thirty-one years ago I would’ve been a [Black] Panther.” This is so true in my case that I have actually gone back in time and helped found a chapter of the Black Panther Party in Brooklyn. I did this when I was a little older. Time travel is tricky, all right?

I was sitting here thinking, as us intellectual types are wont to do, and I’m not feeling the love, comics. You aren’t treating your black characters right. You call Jason Rusch, the new Firestorm, a token, an affirmative action quota kid, and all kinds of other nasty names. Bishop? Bishop had a perm. What kind of self-respecting, non-pimp black man wears a perm? Virgil “Static” Hawkins and his imprintmates at Milestone went the way of the dodo, despite being some of the best comics to come out of the ’90s. Static was the first Ultimate Spider-Man, if you get me. Don’t even get me started on the reaction to Captain America: Truth – Red, White, and Black, or the kind of glaring lack of writers of color at the big two.

It’s cool, though. Blacks in comics have come a long way. Luke Cage used to be a patently offensive stereotype, though he’s been pretty well gentrified now. Stepin Fetchits abounded during the early years of comics. Comics great Will Eisner even had his own little stereotypical black kid running around. Did we have it as bad as Chop-chop and Egg-fu? Well, yeah. Stereotypes, unless played very carefully, tend to be ugly, ugly things.

Anyway, this is all introduction to the meat of the matter. A lot of black heroes are wack, but there are some gems, too. For every Black Goliath there’s a Black Panther, dig? So check the list and let me know what you think. Read the rest of this entry �