Well, it’s been four months of lead-up. When the first part of the countdown came out, Lynxara asked about why I’d do a top 100 list for a series of books that only have 175 issues. Especially when I count two-parters as one entry. Truth be told, this isn’t like ranking the best issues of Nightwing or Mighty Thor. Most comic series have cohesion and you usually have an idea of what to expect in each issue. Writers, artists and story remain the same for months and sometimes years at a time.

What If, on the other hand, is different. What If is the ultimate comic book box of chocolates. Writers, artists, stories, ideas and tones change from issue to issue. Many stories are good. Many are bad. But almost every one of them is interesting in its own way. I could have easily have done a top 20 or top 50 list and be done long ago, but there’s too much fun we’d be missing out on. No jive-talking Incredible Hulk, or Matt Murdock crying over Wilson Fisk’s death bed, or Kraven the Hunter eating Peter Parker’s face.

Now let’s get in our Quinjet and take us down to #1.

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I don’t have a lot of time at the moment (so go read Gavok’s What-If countdown, it’s great) but I do want to give you guys a heads-up!

Your local B Dalton or Barnes & Noble bookstore may have a sweet deal for you lurking around. They released a bunch of the Marvel Masterworks series in softcover format a couple years ago at 12.95 a piece.

I dropped by my local B Dalton today (and a tip of the hat here to the awesome manager there, her ladyship Shonda Wilson) and they had marked the books down to five dollars. I got 45 (or so) issues of early Marvel comics today for 25 bucks. Well, less, because I am technically an employee, but still!

Five dollars, people.

Here’s some ISBNs to make it easy on you.
The Amazing Spider-Man vol 1 (collecting ASM 1-10): 0-7607-3793-2
The Amazing Spider-Man vol 2 (collecting ASM 11-19): 0-7607-4957-4
The Amazing Spider-Man vol 3 (collecting ASM 20-30 & Annual 1): 0-7607-5565-5
Uncanny X-Men vol 1 (collecting The X-Men 94-100 & Giant-Size X-Men 1): 0-7607-4958-2
Uncanny X-Men vol 2 (collecting The X-Men 101-110): 0-7607-5566-3

Links go to the BN.com website, where the books are listed at full price. I don’t think that this is just a local deal, so give your local B&N or B Dalton a call and see if they can’t order one of these for you. I’m talking 30 issues of Lee/Ditko Spidey and the very beginning of Claremont on X-Men here.

I also bought Daredevil HC v6, wrapping up the Bendis/Maleev run in glorious hardcover format, Black Widow: The Things They Say About Her, Black Widow by Grayson/Rucka/Jones/Hampton, Gambit v2 by Layman/Jeanty, War Stories v2 by Ennis, and Daredevil: Means & Ends by David Lapham. Lads and ladies, I think I may have a problem. An addiction.

However: Comics :toot:!

Jesus, we’re actually at the top ten. And some of you haven’t even lost interest yet. I’m proud.

What If: Avengers Disassembled came out the other day. You might be wondering if I would have placed it on this list if it came out several months back. The answer is no. No, I can’t really get behind an issue that tries to retcon a major story into something that makes even less sense. Having written this paragraph, I realize the John Byrne jokes write themselves.

Before I start this, one more call for anyone interested in drawing fake covers for the countdown finale. Come on, you know you want to.

10) WHAT IF THE FANTASTIC FOUR’S SECOND CHILD HAD LIVED?

Issue: Volume 2, #30
Writer: Jim Valentino, Ron Marz
Artist: Dale Eaglesham, Rurik Tyler
Spider-Man death: No
Background: In-between having Franklin and Valeria, there was another time Sue was pregnant with Reed’s kid. Unfortunately, there were radiation-related complications due to the team’s recent venture into the Negative Zone. Reed went to Doctor Otto Octavius – supervillain Doc Ock and the biggest expert on radiation – for help. Ock went berserk for a bit and the two had it out on the rooftops of New York City. Reed calmed Ock down and he agreed to help out. Unfortunately, they were half an hour late. Sue had a miscarriage. So let’s say Ock didn’t freak out and made it just in time? We have two stories here on two different sides of the spectrum.

The first story is best described as a horror story. Franklin wakes up from a horrible vision of the future where his father is dead. His parents just think he had a simple nightmare and leave it at that, but Franklin already knows that there’s a monster living inside his mother. Over time, Sue’s pregnancy takes a horrible toll on her. She gets weaker by the day and almost skeletal, soon losing her invisibility powers. When she gives birth to her child, she dies in the process. Reed names the baby Sue in order to deal with the loss of his wife.

As experience has taught us throughout this countdown, this isn’t going to end well at all.

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It’s a good time for a new What If article. Not only does What If: Avengers Disassembled come out this Wednesday, but Halloween’s right around the corner. What If and Halloween go together hand-in-hand. On Halloween, children dress up as their favorite superheroes. In What If, Frank Castle dresses up as Captain America. On Halloween, the theme is horror and gore. In What If, characters die by the dozen if you ask them politely. Halloween is represented by a bald kid with a big head, whining about how all he got from trick-or-treating was a rock. What If is represented by a bald guy with a big head, telling us about times when Ben Grimm didn’t get covered in rocks.

Okay, this is going too far. Let’s get to the article.

15) WHAT IF NOVA HAD BEEN FOUR OTHER PEOPLE?

Issue: Volume 1, #15
Writer: Marv Wolfman
Artist: Simonson Wiacek, Infantino Springer, Andru Giacoi and Perez Palmer
Spider-Man death: Yes
Background: The Green Lant—I mean, Nova got his powers when the previous Nova Rhomann Dey was mortally wounded while around Earth’s atmosphere. He transferred his powers and spot in the Nova Corps to a human at random. That human turned out to be Richard Rider, who continues to fight as Nova to this very day as the main hero of Annihilation. So if he was randomly picked, that opens up a lot of possibilities.

The first story begins with a mugger killing a man and running off in a panic. The victim’s wife, Helen Taylor, screams a vow that she’s going to find this guy and kill him. Months pass and Helen stands at her husband’s grave, sad that the police are no use and there’s nothing she can really do to help him. Only a miracle can set things right.

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Sorry about that. Real life schedule sort of held me back for a bit. But I’m getting back into the swing of things and we’re almost done with this. Just a reminder for the artist types reading this, I could use your help.

20) WHAT IF THE PUNISHER BECAME AN AGENT OF S.H.I.E.L.D.?

Issue: Volume 2, #57
Writer: Chuck Dixon
Artist: Mike Harris
Spider-Man death: No
Background: There’s no exact turning point here. Frank Castle has always been on the run of the law. Every once and a while, he gets caught. In this story, while in prison, Frank meets Nick Fury. Nick has kept an eye on Frank and wants him to lead a SHIELD strike force. No more going after the petty dealers. Now he’ll be going after the top drug lords with weaponry Frank’s never imagined using. With a choice between that or spending the rest of his life in prison, Frank makes the right decision.

Wouldn’t you know it, Frank Castle has never had so much fun. With his hand-picked troops behind him, Frank goes after high profile villains he never thought he’d ever get a chance to go up against. We see as he and his boys go after the Yellow Claw and bomb his drug crop into oblivion. He actually seems far less cynical now, feeling that he’s actually in a war he can win.

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So right now, The Top 100 What If Countdown is winding down. It’s almost obligatory that by the time this is over, I’m going to have to make some kind of epilogue post that includes my own ideas for what could make for decent What If issues. I mean, I’ve read every issue of that thing and spent 3 months so far talking about how many times the Phoenix has gone crazy and blown up the universe. You have to trust me to have some insight here.

Anyway, there have to be some readers out there who are either artists, or know an artist who needs something to do. While writing my own 1-2 paragraph What If concept summaries could possibly be amusing, it would be even better if I can toss in some actual cover images for these made-up issues. Like, for example, the first cover of Power Man and Iron Fist, only Iron Fist running replaced with Spider-Man swinging and Jameson tossed into the background collage. Something like that.

So if there is anyone curious and possibly willing to do a cover or two, email me at jaguartooth (at) gmail dot com.

The What If issue where Storm became the Phoenix was a piece of crap, but I still respect it for one reason. It’s the only What If appearance I can recall of this guy:

Though considering his series started around the same time What If ended, it’s not so surprising.

25) WHAT IF THE NEW FANTASTIC FOUR HAD REMAINED A TEAM?

Issue: Volume 2, #78
Writer: Chuck Dixon
Artist: Enrique Alcatena
Spider-Man death: No
Background: Early in the 90’s, a fake Invisible Woman convinced Spider-Man, Wolverine, The Hulk and Ghost Rider that the Fantastic Four had died and that they needed to fill in for a bit. This led to a story involving Skrulls, monsters and Moleman that ended with the revelation that the real Fantastic Four were really alive. The fake Invisible Woman, a Skrull with limited psychic powers, tried to blast the Fantastic Four with some kind of power ring, but nothing happened. Reed had stolen the ring before she could use it. In this reality, the Skrull lady fires a second before Reed can successfully make the steal.

We begin with Wolverine, Spider-Man and Hulk mourning at the funeral and discussing how badly they screwed up. Ghost Rider appears (which Logan appreciates, since he needs to light his cigar) and says that the loss of the Fantastic Four creates a void. They should stay a team and try and fill that void in order to redeem their failure.

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This article is dedicated to all the Human Torch and Sub-Mariner fans out there. Why? Because anyone else is probably going to be bored out of their skulls.

30) WHAT IF…? STARRING SECRET WARS: 25 YEARS LATER

Issue: Volume 2, #114
Writer: Jay Faerber
Artist: Gregg Schigiel
Spider-Man death: Yes
Background: The all-powerful Beyonder brought a group of heroes and a group of villains onto a planet he created to battle for his amusement. The storyline is known for introducing the Venom symbiote, putting She-Hulk in the Fantastic Four and for one of the funniest movies on YouTube. Dr. Doom, using his own genius, found a way to steal the power of Galactus and challenge the Beyonder. He then stole the Beyonder’s power too, but things went to Hell and he ended up back to his usual ugly self. So if Galactus is powerful enough to challenge the Beyonder, why didn’t he? And what if the fight between the two ended with both of them dying? Toss in Reed Richards’ death for flavor.

The story begins on the 18 birthday of Balder Blake, otherwise known as Bravado (son of Thor and the Enchantress). As he does every year, he tries to lift Mjolnir, his father’s hammer. He still can’t lift it, despite the support of his friends Crusader (daughter of Captain America and Rogue) and Mustang (son of Hawkeye and She-Hulk). They return to his house to find a surprise party waiting for him. It’s there that we meet his other friends Torrent (daughter of Wolverine and Storm) and Firefly (son of Human Torch and Wasp). As the story goes, the Secret Wars lasted for about five more years with many casualties until the two sides decided to call a truce. Now, for the most part, they and their children live in harmony.

There’s also Symbiote Spider-Man. He acts a bit creepy, talking in “we speak” that Venom was so famous for. Plus he’s a bit anti-social. Curious…

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“I am not what I was before,” the silence says. “I am anger, I am madness, I am the spider. And God help you if you get in my way.”

This is gonna be a long one. Get a sandwich, come back, get reading.

Even moreso than the X-Men and Fantastic Four, Spidey is Marvel’s flagship character. He’s their everyman. Reed Richards is a super genius who has enough game to woo Susan Storm and convince her, her brother, and Ben Grimm that stealing a spaceship to go into outer space is a good idea. The X-Men are a bunch of freaks and outcasts with perfect bodies, and nobody likes the Avengers.

Don’t even get me started on those freaking Avengers, all right?

Spidey is the guy that every relates to and loves. He’s probably the most human out of Marvel’s big characters. He’s had girl trouble, family drama, tragedy, and upswings. He’s led a real life and ended up marrying a wonderful girl. He’s easy to relate to. He’s the guy that we’re supposed to identify with when tough choices come up. His role in Civil War, at least outside of the main (crappy) miniseries, shows this. He is us. His set of experiences are pretty much universal, except for that whole crime-fighting thing. Let’s look at that. The crime-fighting, I mean.

Spidey is a jokester. He’s constantly cracking wise. It’s been pretty well-established that jokes are his way of both coping with the incredible danger he finds himself in every day and throwing villains off balance. I mean, seriously, I can barely stay calm when some jerk is telling me unfunny jokes, imagine if some guy were telling jokes and punching you. Disorienting for sure. The joking is coping because it allows him to maintain control of a sick situation. It takes his mind off the fact that Carnage is about to murder a schoolbus full of children. It lets him focus.

Spidey also believes in the innate goodness of man. I’m reminded of the scene in “Return of the Green Goblin” where he sits down and just has a heart-to-heart with Norman Osborn about his life, their relationship, and Gwen Stacy. He remarks that Norman can never win because Gwen will always be greater than he is. Her smile and her spirit will always overpower Norman’s hate and crazy. Norman killed her, but her memory defeats him. In his heart, Peter believes that almost everyone can be rehabilitated. Evil exists, but it has nothing at all on good. Good will win out in the end, because that is the way it is. That is the way it has to be. Right?

What happens, though, when you push him to the edge? Not in a battle, I mean. When battles get serious, Peter gets desperate. What happens when you make Peter Parker genuinely angry? What happens when he gets close to that breaking point, or possibly just past it?

What happens when the jokes stop?
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Civil War is really fucking stupid.

I think I could fix it.

Let’s see if you agree.

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