I can’t think of a more fitting mixing of properties than Robocop and Terminator. Both 80’s movies are perfect opposing sides to the same coin. Robocop is a robot on the outside with a human on the inside. Terminator is a human on the outside with a robot on the inside. Robocop is about the extreme dangers of mankind. Terminator is about the extreme dangers of technology. Robocop is a machine bent on protecting humans. Terminators are machines bent on destroying humans. Robocop’s theme rings of optimistic victory. Terminator’s theme rings of impending doom. Robocop saved Sting from the clutches of the Four Horsemen. The Terminator failed to save us from Axl Rose. You get the idea.

There have been two comics about the two sides clashing via two different companies with two decades in-between. One of them is exceptionally good. The other one is not. The first one is by pre-insanity Frank Miller with Walt Simonson on art. That should spell it out pretty easily, I’d say.

The four-part series Robocop vs. the Terminator was released in late 1992 by Dark Horse. It’s released a year after Terminator 2 and just months before Robocop 3, which also has Miller’s name on it… whether he wants it to or not. Interestingly enough, Robocop vs. the Terminator has virtually nothing to do with Terminator 2 despite the movie’s immense popularity. Going further, this isn’t even a traditional crossover in the sense that none of the Terminator cast appear at all. The most we get is references to the adult John Connor. There’s no sign of him, his mother, his father or even the T-1000. The most we get is a T-800 that may or may not have the same appearance as the one from the movies. Though he does steal a blind man’s shades, so I guess it’s supposed to be an Arnold-bot.

It’s a unique mixing of properties where it’s simply Robocop and his world interacting with the world of the Terminator. Not the characters, but the concepts.

Several decades into the future, the war with Skynet is all but finished. The last remaining humans are overwhelmed by the machines and the last survivor is a tough-as-nails female soldier with a bowl-cut named Flo. She uses the diversion of her comrades’ deaths to find out for sure what caused Judgment Day to happen.

Uh oh.

With more robots on their way to get her, Flo drops trou and runs into a time machine. She goes back in time to not-so-distant-future Detroit, where she’s almost run over by a cab driver. Strangely, nobody bats an eye to the fact that she’s nude and instead her inability to look where she’s going (by teleporting in front of a moving car) causes the driver to pull out his gun. Many onlookers get ready for the showdown by taking out their own pieces, but Flo disarms the cabbie and steals his gun. Everyone backs off and goes on with the rest of their day. The thing that really gets Flo about all of this is the very sacrilegious idea that man would threaten man with violence. Then again, Skynet hasn’t happened yet.

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