Well, here’s something I never knew about.

Santa Inoue’s Tokyo Tribes is in the same kind of lane as Samurai Champloo, though it’s a rap and Japanese culture mash-up that takes place in the modern day, rather than a hazy past. I picked up the first volume years ago and liked it well enough, but didn’t pick up the rest, for some reason. Lots of references to Anthony Hamilton in that book, too, which I dug. Inoue’s not hopping on a cheap bandwagon.

Anyway, DJ Muro produced the entirely too expensive import soundtrack CD, and this song here, which I’ve had on a Ghostface Killah compilation for a couple years but never listened to, is on that soundtrack. It was weird to hear Ghostface shouting out “Musashi no kuni” and Trife talking about Tokyo Tribes. But, you know, hip-hop is worldwide.

This is a big week for rap. Jay-Z’s The Blueprint 3 drops this week, but the album of the week for me, the big deal, is Raekwon’s Only Built 4 Cuban Linx… Pt II.

The first Cuban Linx, the legendary Purple Tape, is one of the best albums to come out of the Wu-Tang Clan, and one of the best rap albums, period. It took crack rap and kicked it over onto its ear, redefining it for a generation. The Clipse, Young Jeezy, and even Jay-Z have been working from Raekwon’s blueprint, which is itself borrowed more from Godfather and Hong Kong action flicks than from Scarface.

Cuban Linx II leaked last week, as usual, and I copped it. For me, it’s album of the year contender. It’s only real competition, I’m thinking, is Mos Def’s The Ecstatic and maybe Heltah Skeltah’s D.I.R.T. (Da Incredible Rap Team), though that last one is purely personal taste. OBC4L2 is exactly what I’d been missing: hardbody New York rap of the grimiest variety. The producers come through with a lot of RZA-style, or maybe post-RZA, production, including J Dilla on the incredible House of Flying Daggers joint with Ghostface, Deck, and Meth. New Wu is a Rae/Ghost/Meth cut that bangs, too. It’s a classic Wu cut, like Ice Cream or 4th Chamber. We even get some Detox-era Dr. Dre on a Busta Rhymes feature, and every single guest star goes in. Ghostface is on seven of the twenty-two tracks, another nod to the classic Purple Tape. RAGU: Rae And Ghost United.

And really, that’s what this record is: it’s a Wu-Tang album. Not a collection of songs, not a gang of singles and a bunch of filler. It’s an album. There was thought put into the sequence. Opening the album with a Poppa Wu introduction and ending it with Kiss the Ring is the sort of thing that means something. Poppa Wu is classic, and Kiss the Ring is kind of like Jay-Z’s Blueprint 3: a victory lap.

The difference between Rae and Jay, though, is that Rae won the race. Jay’s just talking like he did.