Just last week, Rick Remender’s infamous Franken-Castle story arc had come to a close. Never have I seen a more divisive reaction to the character’s developments in all his history. At least with his whole Punishment Spectre-lite run, just about everyone hated it. I thought the whole Frankenstein concept was interesting and fun and I’ve seen many agree with me, but I’ve seen just as many hate it with the fury of a million Nick Furys. My local comic shop for months had a bulletin board with nothing up it other than Punisher #11 with a sign over it saying, “DISGRACE!” I kept forgetting to lovingly lick the covers of whatever Punisher issue I was buying while at the register.

Since Matt Fraction took up the character in Punisher: War Journal, Frank Castle has become more and more involved in the greater Marvel Universe. Outside of Jigsaw being killed off (and then being replaced with another guy taking up the mantle several issues later), not much carried over into Rick Remender’s Punisher run other than his latest injection into the superhero scene. The problem was that the Dark Reign banner put Frank’s writing in a corner. With Osborn and Hood in charge of things, he obviously had to be itching to take care of them, but even as the protagonist, he can’t. There’s far too much plot armor to work through. So how does one write a story about Frank Castle being completely impotent as an unstoppable vigilante?

The first ten issues of Punisher and the one Annual take their time to get to something super-strong. Don’t get me wrong, it’s a fun bunch of issues, but the first five-issue arc is so closely melted into the second five-issue arc that there doesn’t appear to be much more than wheels spinning in place. There is one piece of interest in all this in the introduction of supporting character Henry Russo. Henry is a young hacker who tracks down Frank and makes himself the third man to take the role of Punisher’s tech-savvy sidekick. I really like Henry and want to see more from him. Thankfully, he’s gotten play in other stories like Deapdool: Suicide Kings and Anti-Venom: New Ways to Live.

Yes, yes. I’ll get to the next We Care a Lot soon. I promise.

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This week gave us the final issue of Marvel Zombies 3, written by Fred Van Lente with art by Kev Walker. Despite the history of the series, I still have to say… this is totally worth reading.

I’m not joking. It’s actually really fun.

The first Marvel Zombies was decent. Not great, but it was a good enough read just because Kirkman had so many toys to play with. He had an entire universe to desecrate as he saw fit. Marvel Zombies: Dead Days was a boring disaster of a prequel that barely answered any of the questions brought up in Marvel Zombies. Marvel Zombies vs. Army of Darkness was better than it had any right to be. And Marvel Zombies 2? Oy.

With Marvel Zombies 2, Kirkman had done away with all of his unending potential, replaced with five issues of writing himself into a corner. I enjoy Kirkman’s work, so I stuck with it just to see where it was leading, but the ending was underwhelming as hell. Finally, even I was done with the series.

Thomas Wilde suggested I give Marvel Zombies 3 a shot based on the first issue. I’m glad I took him up on that. They’ve moved in a very different direction that brings back the potential for fun and over-the-top stories of mayhem. How? By bringing it into Marvel 616.

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Halloween was just a couple days ago, but I still feel the need to post this from one of today’s stories.

The Spider-Man and Captain America costumes are sort of okay, but that Wolverine kid’s got the height accuracy.

We’ve seen Venom deal with Spider-Man a couple times, then cross paths with the Punisher and at some point help put an end to Carnage’s plot to destroy New York City. Now what?

Well… more crossovers, I’m afraid. First off is The Madness, a 3-parter by Ann Nocenti (words) and Kelley Jones (art). In on-going terms, this would be Venom #10-12, ending off his first year as an anti-hero.

The Madness centers around two very strong concepts that appeal to me, but unfortunately they’re bogged down by ridiculousness. The first idea is Venom vs. Juggernaut. That’s just my character bias.

Then there’s the idea of more Parker-to-Brock escalation. In that last story, Pyre was to Venom as Venom was to Spider-Man. Same concept here. Spider-Man’s a pretty sane guy, so the idea of a sentient costume added to his person messed with his head and forced him to take action. Brock, on the other hand, was totally cool with it. So this story goes to the next step. Instead of Venom being made of two beings, he’s suddenly made of three. This third being, while granting extra strength, is so extreme that even Eddie Brock needs to take notice.

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