I’ve talked about the differences between Marvel’s What If comics and DC’s Elseworlds comics before, but another major contrast has made itself apparent to me. They are both about taking a cool out-of-continuity concept and running with it as a full story. The problem with Elseworlds is that a lot of the time they get bogged down by either the need for familiarity (how many times has Kal-El become Superman when the entire idea of the story is that Kal-El is not Superman?) or the over-complication of the storyline.

Take JLA: Destiny for instance. The four-issue miniseries is based on a concept that is so full of promise that it could have carried the story itself. They could have just plugged it into the DC Universe and let loose a great story. Writer John Arcudi decided not to, seemingly going for more of an epic clusterfuck of a story. So this big twist in DC history is made into part of a bigger theme. It also becomes merely a subplot to the whole miniseries and this big shocker that should have been the selling point for the comic isn’t fully revealed to the reader until the third issue.

A couple years back, when I first read Destiny, I scoured online for reviews. I’m too lazy to check now, but all the reviews I found were for the first two issues only. Some didn’t make it past the first. Nobody knew what the point of the story was yet and had no indication that they were going to discover it in the final two issues, so everyone dropped it like a rock.

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The next Comics from the 5th Dimention column should be up soon. The big drawback about writing for PopCultureShock rather than here is that you can’t have your stuff up instantly. Them’s the breaks.

I plan to one day write my own comic series. I’m currently trying to move my gears forward on that. That said, I still find myself thinking about what kind of DC or Marvel-owned series I would love to write if I had the chance. Stuff like an Eradicator on-going where he stations himself in Coast City as a way to make up for and investigate the human feeling of guilt he suffers from his failure to protect the city from Cyborg Superman and Mongul. Or a Juggernaut series where he’s on the run from SHIELD, all while showing the parallels of the Superhuman Registration Act and being the avatar slave of Cyttorak.

There’s one comic concept that came to me the other day. What If occasionally had sequels, most of them not very good. Having read so many issues and having some of them so nestled into my memory, the continuity nut in me always compares some issues to events that happened after the release date. Sometimes it’s just to laugh at the continuity screw-up, like how Alicia Masters in What If the X-Men Lost Inferno was really a Skrull and the writer didn’t know it yet. That revelation gums up her part in the story.

Sometimes I realize how much more interesting stories become when you toss in delayed retcons and new pieces of canon. For instance, there’s the issue What If the X-Men Had Died on Their First Mission, where the New X-Men team (Wolverine, Storm, etc.) go to Krakoa to save the original X-Men and they all die. Xavier beats himself up over it, Moira comforts him and eventually another X-Men team is created. It was a good story, but compare it to what we know now. Deadly Genesis showed the other X-Men team that died fighting Krakoa. When they failed, Moira was angry, so Xavier erased her memory of the events. Put the two stories together and it’s pretty fucked up. Xavier deserves to feel bad. His Krakoa mission would have cost him three X-Men teams, totaling at 17 mutants. Then you have Moira trying to keep him from being suicidal, not knowing what a bastard he really is because the son of a bitch removed it from her memory.

What would have happened when Vulcan came back to Earth, not only forgotten, but now without his brothers? Now that would be a sequel issue worth reading.

I think back to other What Ifs that lead to a new status quo and how vastly different things would have been if they continued the story and met up with the events that were destined to happen. I think a handful of them could make for a good limited series.

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I don’t know if I’ve ever shared this here before, but it’s a tale from the halcyon days of yore–

No, wait, let me start over.

I don’t know if I’ve ever shared this story before. I might’ve told Gavin or Thomas, I think, but not the entire internet as a whole. Read on as I tell you the Origin of Hal Jordan. If you’ve read it before, pardon me.

When I was a kid, I liked comics. Marvel Comics, mostly, because Spider-Man was and is the bomb. DC Comics were wiggedy-wack, in the parlance of the day (Kris-Kross will make you…). I liked them in theory, but they were straight up Dad Comics. Stuffy old guys doing stuffy old guy things.

My real entry to the DCU was either Batman: Knightfall or the Death and Return of Superman. I’m not 100% sure which it was because it was a while back. Thing was, comics cost money and I was maybe ten years old at most. Ten year olds do not really have any way to make money and I had no access to the monstrous stash of coke that I’ve been peddling to make paper nowadays.

So, like a lot of other little kids, I traded comics with friends. X-Force #1 for that issue of Spidey were Juggernaut almost gets his eye poked out. An extra copy of X-Men #3 for the latest Venom appearance. And so on. I bought the comics that featured cool characters that I could afford.

I think I first saw news of Superman’s death on CNN. I don’t think I could’ve afforded all the crazy variant comics, so I grabbed the novelization later on. I loved it. Roger Stern did a bang-up job and it remains one of my most loved novels to this day. I bought the recent reissue and everything.

Later, I managed to acquire most of the single issues, or maybe it was a TPB. In fact, it was probably a TPB. I still have a well-worn first printing of the World Without A Superman, so let’s say TPB so I don’t have to stretch my memory.

I read Death of Superman. It was good. I read World Without A Superman. It was good. I read Reign of the Superman. It was goo– wait. Something’s not right. The Central City portion of the story has some new jack in the proceedings.

Who the heck is this nerd in the green tights with the magic ring? What is he doing in a story about Superman dying and coming back? I want to read about Superman in that awesome robot, not some jerk with fancy jewelry.

Oh, oh hold on. Is this that annoying guy from the Super Friends cartoons? The one who got less face time than Aquaman? Why would they put this guy in such an awesome story? This was so much better in the novel!

And that, ladies and gentlemen, was my introduction to Hal Jordan. I finished the series and promptly put him out of my mind until I picked up Morrison’s JLA close to a decade later.

This is probably why I don’t “get” him to this day. He’s just another generic Superman-styled hero in my mind. Gavok has a pretty awesome explanation on how he’s the second generation of the Superman archetype, but Hal himself? I don’t like him near as much as I like Kyle or John. I read the new GL series briefly, but I soon lost interest I think around the time when Mongul (Mongul II?) showed up?

There you go.