When I was little… my father was famous. He was the greatest samurai in the empire, and he was the Shogun’s decapitator. He cut off the heads of a hundred and thirty-one lords.

It was a bad time for the empire.

The Shogun just stayed inside his castle and he never came out. People said his brain was infected by devils. My father would come home and he would forget about the killings. He wasn’t scared of the Shogun, but the Shogun was scared of him. Maybe that was the problem.

Then, one night, the Shogun sent his ninja spies to our house. They were supposed to kill my father… but they didn’t.

That was the night everything changed.

-GZA, “Liquid Swords” from the album “Liquid Swords”

I didn’t come to Lone Wolf & Cub through the First Comics run, which had covers by Frank Miller. I never read the original manga, saw the subtitled films, or even saw Shogun Assassin. No, my introduction to Lone Wolf & Cub came via a series of skits on GZA’s classic rap album Liquid Swords.

The first track on the album began with the text quoted above, and it was one of the most amazing things I ever heard as a kid. My cousin Franchesca and I would play the tape over and over, but particularly that part. We even had the whole quote memorized, from the “sam-rai” to the “devils” to the screams of the mother between the last two lines. The tape may have popped at some point, I’m not sure. But we played it a lot.

There are a few other skits from the film scattered throughout the album. The most notable among them is the “Come boy… choose life or death” from the beginning of 4th Chamber, a Wu-Tang classic among classics. I don’t know if this is true for my cousin or not, but Liquid Swords was elevated above even the usual fantasizing that rap brings along with it. Yeah, being from a place called Shaolin would be awesome, and so would the kung fu aesthetic that the first few Wu albums were filtered through. The Lone Wolf & Cub, or Shogun Assassin, quotes took it to the next level. I knew nothing about LW&C but what this album said, which wasn’t a lot. It was just enough to catch my interest and force my imagination to fill in the blanks.

Years later, when I actually found out about Lone Wolf & Cub and watch Shogun Assassin, I was pleased to see that it wasn’t too different from what I’d imagined it was as a pre-teen. Sure, Ogami Itto looks pretty homeless and unkempt to be a formerly famous samurai, and Daigoro is barely a toddler rather than the young kid of about my age I’d imagined him to be, but the concept is strong and has legs.
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