Covering Frankenstein is probably the best way for me to end the Dell Monster Trilogy, just because it is easily the best of the three comics. I realize that doesn’t mean much, and believe me, it doesn’t. It’s still pretty bad. It’s just that it’s the only one that feels like it could be a comic book worth reading.

Dracula was very loosely based on the source material and wasn’t quite as fun a concept as it could have been. Werewolf had literally nothing to do with its source material and despite the utter insanity of the story, was really boring for the most part. Frankenstein is the closest to the source and comes across as genuinely amusing for an old 60’s comic at points. It isn’t much, but it’s still the cream of the crop.

Like the other two, the creative team is believed to be Dan Segall and Tony Tallarico. Much like Dracula, Dell refers to the comic book adaptation of the Frankenstein movie that they released years earlier to be Frankenstein #1. The start of the superhero stuff is considered the second issue.

I can’t be the only one who sees Dell Frankenstein and thinks of Captain Murphy from Sealab 2021, can I? I kept hearing his voice for every one of Frankenstein’s word bubbles.

It begins promising enough with the shot of an abandoned castle that hasn’t been touched in about a century. We soon after find out that this is in America and that it’s only miles away from a major city (Metropole City), but at least the atmosphere is there. A huge bolt of lightning crashes through the roof and hits a slab below. On the slab is a body lying and dressed in red spandex with boots. For no reasons explained, his head is green-skinned and the rest of his body appears Caucasian. The bolt awakens him and he sits up, confused.

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Back before DC and Marvel were the two big forces in the world of comics, Dell Comics appeared to be the #1 team. It’s no wonder, considering they got to sell comics with such properties as the Disney and Warner Brothers cartoons characters. Preexisting properties seemed to be their forte, as in the 60’s, they released comic one-shots that retold the films of famous movie monsters, such as Dracula, The Wolfman and Frankenstein.

What’s notable is that those came out during the early days of the Comics Code Authority, which proceeded to lay down ground rules on the comic companies to pussify every one of their titles. This meant the lack of horror aspects, including how vampires and their like were not allowed to see print. Dell decided that they wanted no part of the CCA, even though lots of sellers refused to carry comics that weren’t approved.

Dell didn’t want the CCA regulating them and insisted to the public that they could damn well regulate themselves, so don’t worry about it. I think the pressure on the CCA mentality is one of the things that pushed them towards today’s topic. That, along with their need for original content and how the superhero comics were really taking over the market.

The company decided to take their monster properties and turn them into superheroes. It doesn’t sound too crazy. Morbius the Living Vampire has been a Marvel staple for years and enjoyed some time as the hero in his own series. Similarly, Marvel released comics for heroes Werewolf by Night and Monster of Frankenstein. More recently, DC introduced the Hellboy-esque Frankenstein, who shows that even in the present there’s still much you can do with the old Mary Shelly creation.

That’s… not exactly what Dell was going for here.

There was a castle on fire and a man jumping out of a test tube and I killed a man with a trident.

I’ll admit that this entire article is thanks to Brian Cronin, whose article on the CCA and their opinion on vampires led me to first seeing that cover. From there I knew that I had to own this, read this and tell you all about it. Blame him!

I mean, look at that cover! The ridiculous outfit! The off-center belt! The fact that Dracula is jumping out of a test tube held by Dracula! Sorry to say, despite the cover’s claim, there’s no point where they tell us the secret to his power of appearing in two places at the same time.

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