I probably should’ve gone to San Diego instead of E3. E3 was pretty limp, and actually kind of pointless on my part, but SDCC sounds like it was the bomb. I mean, when playing a two year old fighting game with friends is the highlight of the show… something might not be right, you know?

Live and learn, eh? Please believe that I’ll be at basically every Bay Area con next year, though, and I’m planning on hitting SDCC and NYCC to boot.

NYCC07 was my first con and it was solid. Here’s hoping for many more.

Short on time, long on work, so this’ll just be a quote for you folks. I’m going to try to have content every day of the week, but we’ll see how it goes! I’ve got to bang out a few manuals and possibly start a new strat guide, so I’m going to have to learn to juggle pretty hardcore if I want to keep up a good pace!

Anyway, if you’ll pardon me getting a bit cerebral for a moment, this is a quote from one of my favorite comics. Kabuki is one of those series that sticks with you, and there’s some philosophy to be found inside its pages that just makes perfect sense. I’ve tried to put more than a little bit of this into action in my life. Enjoy!

Start by recalling what you liked to do as a child. Around the age of 9 to 11. At that age, your personality is sophisticated enough to know what you like to do and are internally motivated to do, but it is right before the age where you begin to submerge your natural identity to accommodate the expectations, preconceptions, and rigid categorizations of the adult world… that you become increasingly sensitive to as you enter adolescence.

Think back to what you enjoyed before they squeezed your dreams into a box of practicality. Before they were minimized or channeled into a cookie cutter.

Before you were labeled or groomed for your family’s, or your society’s, expectations of you.

Write down a list of what you enjoyed doing at that early time in your life. Chances are, you have the innate ability to enjoy that, because you were designed to do it. Hardwired for it. Making that list puts your dreams into the three-dimensional world. It shows you that your thoughts are already affecting physical reality.

You make the list and then the list becomes real. But not just the reality changes. You change as well. You grow as you create. Because you are essentially creating yourself.

The act of writing the list of your dreams is the first step in the momentum of enacting it into reality. But it works that way in the reverse as well.

You may take something troubling from your past, but in writing about it, turn it into something beautiful. Maybe even something helpful. By starting with that, you can take what may be considered your flaw, your madness, and turn it into your asset.

You can take a part of you that died or was damaged… and bring life to it. Take your problems, your baggage. And turn your garbage into gold.
–David Mack, Kabuki: The Alchemy #4

I’ve been thinking about a few things and you cool cats get to reap the benefits.

Damsel in distress/lost family stories. They form the basis of characters like Punisher, and are common in Spider-Man, Batman, and Daredevil stories. They’re part of a “You Touched My Stuff” trend that’s understandably bothersome. They tend to reduce the damsels, or families, to things that are possessed by the hero– my wife, my son, my family.

All that is true, but I’m having trouble letting go of them. It’s an easy story, but one that never fails to get me. It’s a suspense builder. It’s an easy way to get that “Oh, snap!” reaction. It gets that because it’s an easy pop. Of course the hero is going to fight harder when his family is in danger, who wouldn’t?

I’m not all about them, don’t get me wrong. But, if a story comes up featuring a character I know and a writer I enjoy, I’m much more likely to give it a chance than I would if it was some no-name character.

There were two that have gone down in comics relatively recently that come to mind. Punisher: Man of Stone featured something like a damsel in distress, and Daredevil’s most recent arc features a traditional one. I’m going to spoil both of them, mind you, but they’ve been out for a while so I guess that’s okay.

I kind of wish I could put my resolution right here, above the fold, but it kind of flows better if it’s at the end. Read it if you’re interested in seeing where I’m going, hey?
Read the rest of this entry �

From Newsarama:

Marvel recorded 48.42% of the Unit Market Share, nearly 20 percentage points above DC’s 28.57%. Both the size of the “spread” between publishers and DC’s percentage of share are perhaps both historic figures in the Diamond/single distributor era.

From a Dollar standpoint, Marvel’s 43.62% to DC’s 27.07% is comparable to May’s figures.

That’s Marvel up twenty percentage points in market share. This is not even remotely a good thing for DC, obviously. Five books in the top twenty? Countdown shedding a couple grand worth of readers a week? Not cool.

I hate on DC a lot, but it’s out of love, believe me. Or maybe like. Anyway– I want them to do better, because they’ve got a sick cast of characters. I love Charlie Huston, but what is Moon Knight, an eternal B-lister, doing selling more than Detective Comics, Wonder Woman, and Superman? What’s DC doing wrong?

DC can do a lot of right. Here’s one you might not of heard of. Son of Vulcan, a miniseries by Scott Beatty and Keron Grant. It’s a legacy book, or at least pretends to be one, so that’s DC’s niche right there. It’s got a kid hero, an older kid hero (who is in a retirement home), and a very colorful and entertaining cast. It’s the kind of world-building that DC just doesn’t do any more.

Scratch that– Blue Beetle, written by the excellent John Rogers (who also wrote the best movie of the summer featuring Robots in Disguise), does this kind of thing and it’s one of the greatest books DC has. That isn’t damning with faint praise, either– Blue Beetle is excellent. In fact, SoV is kind of a proto-Beetle in a lot of ways.

Son of Vulcan. Balls nasty. Six issues. Great comedy. World building. It’s what DC needs more of. Don’t believe me? Here’s a few pages. I want to talk more about the series later on, but I’m still pretty wiped after E3. I’d love to see more of this series, but I don’t think it fits in with NEW EARTH and COUNTDOWN TO EXILES OF NEW EARTH and KILL CHARACTERS IN LIMBO FOR CHEAP THRILLS, you know?

Me, I’m just waiting for Death of the Z-List DC Characters You’ve Never Heard Of mega-crossover.

Enjoy.

from issue one

from issue five

Let’s be honest here.

I would pay DC money if they let me write an Injustice Gangstas miniseries. Even a one-shot.

JIM STARLIN: FERRYMAN OF THE NEW GODS – NEWSARAMA

I’m just going to cherry pick a few quotes for you guys, okay? Bolds for emphasis.

JS: Dan’s the boss. Myself, I sort of think of this project as putting an ending to Jack’s New Gods’ saga. Since Kirby’s initial run on the characters others have presented them with mixed results. Looking back I’d say at least half of the past New Gods series have done more harm than good. So for me, Death of the New Gods is half honoring Jack Kirby, half mercy killing.

JS: Didn’t realize that was a Mother Box until hearing your question. You know they come in all sorts of shapes and sizes. As for the Black Racer clue—well, the Racer was easily my least favorite of the New Gods. So no one should be surprised to learn he doesn’t last long in Death of the New Gods. Never could figure out what Kirby was thinking when he created this one. He should have been gotten rid of a long time ago. Then again, that’s just my opinion.

JS: Big plans for the Source. You’ll never guest whose father he turns out to be. No, seriously: everything you think you know about the Source is wrong. This is the part that the really fanatical Kirby fans are simply going to hate.

NRAMA: Got it. Finally, then, will this project lead to a re-iteration of the New Gods in the foreseeable future? Or do you think it is time to close the final chapter on an old idea and try a new concept?

JS: DC owns the rights to the character’s names. There’s some great names there. What do you think?

Thesis: Sometimes, it’s okay to let old characters lie in limbo. You don’t have to use them, and you don’t have to break them to make them more serious or mature.
Proof: Post-IdC DC Comics

Thesis: Grant Morrison and Walt Simonson are the only people who should ever touch Kirby’s New Gods.
Proof: Countdown-era DC Comics

Thesis: Black Racer is awesome.
Proof: JLA: Rock of Ages

Here, let me end on one more quote. Dan Didio at Comic Bloc.

DD: Yeah, we are in a position right now where we have a direction in what we are trying to do for the DCU and we have an overarching story that we’re trying to tell. I’d say about 75% of the concepts that are being created are editorially driven. And realistically, at that point, we are trying to figure out bringing in the best people for the job.

Editorially-driven comics aren’t bad. Truth: Red White Black was pitched by Axel Alonso. But, when you’re up as high as 75%, you’ve got a problem.

This is Countdown-era DC. Welcome to the FUN PLACE.

art by rad mcawesome, click for big
(write me an article rad, or else thriftie gets it. we also accept articles done in 3 or 4 panel format)

In slightly better news, Martha Washington drops this week (hoorah) and I bought like three pairs of shoes yesterday.

There once was a comic called Edited Crisis 04. It skewered Infinite Crisis 04 and was pretty freaking hilarious.

The #sa-comics crew got together to do another one, this time based off Sinestro Corps… when we realized that it was really nowhere near as badly written as Infinite Crisis 04. We did a get a few pages in, though, so you get to reap the rewards.

:whatup: to Edgeandchristian, Pookie_Bear, indigi, d00gz, and everyone else who helped.

One more, unrelated to Sinestro Corps but wholly related to this.

Click here to see it.

I took a long break from these babies to do the Wrestlecrap articles, but now I’m back with quite a collection of characters. Some are a bit topical, too.

CROSSBONES

Captain America #360 (1989)

The story of the issue is part of an arc called the Bloodstone Hunt. It involves Captain America and Diamondback taking on Baron Zemo, Batroc, Zaron and Machete over some gem. That part isn’t really important.

Though I will say that Diamondback’s appearance is sort of off-putting here. Her outfit is pink spandex with a series of black diamonds over her front and back. Considering she’s in the water for most of the comic, she hangs around some people in bathing suits, and the way the pink is colored here, it looks like she’s wearing a black thong that doesn’t cover her chest. That’s all well and good, but her costume is torn in places, so now it looks like she has some nasty-ass skin disease.

Anyhow, she and Cap get away with the prize. As they leave, we see that they’re being watched.

Crossbones is so cool.

Read the rest of this entry �

You ever get the feeling that the wool’s been pulled over your eyes, just a bit?

Garth Ennis is known for a few things. Blood, curse words, comedic facial deformities, sex jokes, a mild hatred of superheroes, and more blood and then a few more curse words. On the good side, he’s a pretty solid plotter, he knows his strengths, he does great dialog, and he’s the best war writer since Kanigher and Kubert.

Just in case you aren’t familiar, he’s written comics where a demon named Baytor becomes master of hell, Nick Fury strangles another dude with his own intestines, an alien sex pervert becomes a British diplomat and gets eaten by a tiger while dressed in a corset with an orange up his butt, a soldier constantly tries to trick his superior officer into kissing him by faking death, a guy gets his nose swapped with his penis and vice versa, an Australian pope has sex with nuns and curses, the Saint of Killers shoots God, a short man with glasses has sex with a giant statue made out of meat, superheroes are depicted as a bunch of people who are completely worthless human beings (and sex perverts), a dude has sex with himself and then shoots himself in the face in front of his son, and– actually, this is a pretty good sampling of the stuff he’s known for. Plus, this is going to completely ruin the search terms on this site.

Anyway, Ennis has got something of a rep. He’s done his fair share of gross-out comics, though it’s usually played for humor. But, I’ve been noticing something in his comics. He keeps sneaking in these little things that make a scary amount of sense. I don’t necessarily agree with Ennis on the religion front, but he makes good points about how to live life. Sexism, racism, whatever– it’s all stupid. It doesn’t matter. Leave it behind and just do right.

The quote up top is from The Boys #8, a series about some humans whose entire job consists of smearing and then beating the snot out of superhumans, who are all sex perverts and callous jerks. We’ve seen a bulldog have sex with another, smaller dog, and a Teen Titans-alike have a screwed up coke orgy. The book opens with a guy swinging around with his girlfriend like they were in a movie, only a superhuman comes crashing down and basically explodes her on impact, leaving the guy holding her severed arms. There’s also a dude who lives below a comic shop who basically calls Will Eisner a punk. And despite all this grisly stuff, you get little scenes like the one in that image up there.

Punisher: The Slavers dealt with white slavers. On the one hand, it’s a wish-fulfillment fantasy. We, the reader, get our revenge on the rapist and slavers of the world through Frank Castle’s actions. He kills quite a lot of them, and the series ends with him lighting a local boss on fire on video, looking into the camera, and saying “Don’t come back here.” He sends the video back to Eastern Europe with one of the allies of the slavers. On the other hand, though, I can’t remember the last time I saw the aftereffects of rape and kidnapping in a comic. One of the cops featured in the story actually quits the force, because she believes she can do more good helping track and assisting the girls who were kidnapped. The last two pages of The Slavers are heartbreaking. You don’t have the full context here, obviously, but I think the pages are worth sharing. Check out the softcover or the hardcover (B&N link) if it catches your interest. The softcover’s like ten bucks, it’s worth it. I cut out the pages where Cristu was burned alive because they aren’t 100% relevant here.

For reference: Viorica lost her daughter to the slavers.

(words by ennis, art by fernandez)

“All she can do is live with what life they left her.” Ouch.
Read the rest of this entry �

Dick Hates Your Blog: Focused on a single issue for a change

Dick Hyacinth is a man after my own heart.

So, because nobody demanded it, I’ve got a few suggestions for those of us who are concerned about the portrayal of women in Marvel/DC comics, yet equally concerned that the debate is getting unfocused, too shrill, or just somehow vaguely off:

1. Don’t treat those who disagree like children, no matter how much they might deserve it. I like a good put-down war as much as the next guy (yes, yes, probably more so), but I like my opponents to be fully-functioning adults. There’s no sport in matching wits with your average Blogorama troll (though there is some fun in mocking them from afar, say at your own blog). Be polite, keep the high ground, don’t make blanket generalizations that you can’t support (again, unless you’re doing it at your own blog).

1a. Maybe you should give the bingo thing a rest. Yes, we might find it funny, but I think it alienates people who might otherwise be sympathetic to complaints about sexism/misogyny. The post which explained the whole bingo concept (which I can’t find right now) does a fairly good job in explaining everything, but I still think this is a fairly exclusionary rhetorical device–you’re for us or against us! You get it or you don’t! In the present landscape, I don’t think this is a useful way to frame the argument. People are much more willing to consider your perspective if they think you’re inviting them to do so, rather than telling them they’re too stupid to understand.

2. Don’t be afraid to moderate comments. This is a tricky one–nobody wants to look like a censor. But some people aren’t interested in discussing issues in good faith; they’re either intellectually incapable (hopefully due to youth) or just not interested in real debate. I wish the powers that be at Blogorama were a little quicker in deleting these sorts of comments, though I kind of understand why they aren’t. For the rest of us, especially those whose blogs end up being the epicenter of a particular controversy: if the commenter feels slighted or oppressed, you might remind him or her that blogs are free. And if you have something interesting to say (or even if you don’t, sometimes), people will eventually notice you.

2a. Don’t feed trolls. I also wish that people who know better would just ignore the type of comment described above, especially those left on Blogorama. It’s good to engage with people who have opposing viewpoints, but only if they’re legitimately interested in honest intellectual debate. Arguing with trolls quickly turns into a screaming match. This might be somewhat amusing when discussing Civil War or something else that doesn’t fucking matter–hell, I think there’s some value to trolling in such a situation. But this is actually somewhat serious shit. Pick your words carefully; don’t let something that matters to you devolve into a cable news talk show.

There’s another couple rules in there, along with a lot more text, all of it worth reading.

He says there what I say here but in a much more concise and less-rambly manner.

For a blog based on hating other, lesser, blogs, Dick’s blog is top notch.

DEATHBLOW #7

Written by Brian Azzarello, art and cover by Carlos D’Anda.

At war not with just the enemy but with his allies, Deathblow finds himself challenged for the title of “World’s Deadliest Man.” The challenger is less than a man — but more than human! Half machine, half dinosaur — 100 percent Osamasaurus!

32 pages, $2.99, in stores on Sept. 26.

Half machine, half dinosaur, 100 percent OSAMASAURUS.

Yes.

SUPERMAN/BATMAN #40

Written by Alan Burnett, art and cover by Dustin Nguyen and Derek Fridolfs.

Will Batman and Orion’s wife, Bekka, give in to their desire for one another? Find out as Darkseid’s plan begins to come to fruition in ³Tormet² part four!

32 pages, $2.99, in stores on Sept. 19.

I also really, really like this Dustin Nguyen cover for Superman/Batman #40. Yeah, it’s got Batman with his hand over Bekka’s chest, and if she’s Orion’s wife she’s gotta be a take-no-crap kinda gal, but it’s just so… elegant? It’s like a piece of fine art. Not to mention the machinework. Nguyen is really one of the best out. I love this image.

Do you see the Superman logo on that cover? It took me a second, but it’s there. Very cool.

There is a lot to like in the new DC solicits. I might have to dedicate a whole post to it.

There’s not a lot to like on scans_daily, on the other hand. I mean, it’s a suggestive scene. That’s kind of the point. He’s seducing her to the darkside, so to speak. To see it as forced oral, though, is a bit much. I mean, look at his arms. No way does Maximus have a 36 inch penis. But, hey, that white highlight on her cheek must be you know what!

Ugh, I’ve got to stop clicking on links to parts of the internet I hate. Personally, I blame Tejeda.