The What If issue where Storm became the Phoenix was a piece of crap, but I still respect it for one reason. It’s the only What If appearance I can recall of this guy:

Though considering his series started around the same time What If ended, it’s not so surprising.

25) WHAT IF THE NEW FANTASTIC FOUR HAD REMAINED A TEAM?

Issue: Volume 2, #78
Writer: Chuck Dixon
Artist: Enrique Alcatena
Spider-Man death: No
Background: Early in the 90’s, a fake Invisible Woman convinced Spider-Man, Wolverine, The Hulk and Ghost Rider that the Fantastic Four had died and that they needed to fill in for a bit. This led to a story involving Skrulls, monsters and Moleman that ended with the revelation that the real Fantastic Four were really alive. The fake Invisible Woman, a Skrull with limited psychic powers, tried to blast the Fantastic Four with some kind of power ring, but nothing happened. Reed had stolen the ring before she could use it. In this reality, the Skrull lady fires a second before Reed can successfully make the steal.

We begin with Wolverine, Spider-Man and Hulk mourning at the funeral and discussing how badly they screwed up. Ghost Rider appears (which Logan appreciates, since he needs to light his cigar) and says that the loss of the Fantastic Four creates a void. They should stay a team and try and fill that void in order to redeem their failure.

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This article is dedicated to all the Human Torch and Sub-Mariner fans out there. Why? Because anyone else is probably going to be bored out of their skulls.

30) WHAT IF…? STARRING SECRET WARS: 25 YEARS LATER

Issue: Volume 2, #114
Writer: Jay Faerber
Artist: Gregg Schigiel
Spider-Man death: Yes
Background: The all-powerful Beyonder brought a group of heroes and a group of villains onto a planet he created to battle for his amusement. The storyline is known for introducing the Venom symbiote, putting She-Hulk in the Fantastic Four and for one of the funniest movies on YouTube. Dr. Doom, using his own genius, found a way to steal the power of Galactus and challenge the Beyonder. He then stole the Beyonder’s power too, but things went to Hell and he ended up back to his usual ugly self. So if Galactus is powerful enough to challenge the Beyonder, why didn’t he? And what if the fight between the two ended with both of them dying? Toss in Reed Richards’ death for flavor.

The story begins on the 18 birthday of Balder Blake, otherwise known as Bravado (son of Thor and the Enchantress). As he does every year, he tries to lift Mjolnir, his father’s hammer. He still can’t lift it, despite the support of his friends Crusader (daughter of Captain America and Rogue) and Mustang (son of Hawkeye and She-Hulk). They return to his house to find a surprise party waiting for him. It’s there that we meet his other friends Torrent (daughter of Wolverine and Storm) and Firefly (son of Human Torch and Wasp). As the story goes, the Secret Wars lasted for about five more years with many casualties until the two sides decided to call a truce. Now, for the most part, they and their children live in harmony.

There’s also Symbiote Spider-Man. He acts a bit creepy, talking in “we speak” that Venom was so famous for. Plus he’s a bit anti-social. Curious…

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“I am not what I was before,” the silence says. “I am anger, I am madness, I am the spider. And God help you if you get in my way.”

This is gonna be a long one. Get a sandwich, come back, get reading.

Even moreso than the X-Men and Fantastic Four, Spidey is Marvel’s flagship character. He’s their everyman. Reed Richards is a super genius who has enough game to woo Susan Storm and convince her, her brother, and Ben Grimm that stealing a spaceship to go into outer space is a good idea. The X-Men are a bunch of freaks and outcasts with perfect bodies, and nobody likes the Avengers.

Don’t even get me started on those freaking Avengers, all right?

Spidey is the guy that every relates to and loves. He’s probably the most human out of Marvel’s big characters. He’s had girl trouble, family drama, tragedy, and upswings. He’s led a real life and ended up marrying a wonderful girl. He’s easy to relate to. He’s the guy that we’re supposed to identify with when tough choices come up. His role in Civil War, at least outside of the main (crappy) miniseries, shows this. He is us. His set of experiences are pretty much universal, except for that whole crime-fighting thing. Let’s look at that. The crime-fighting, I mean.

Spidey is a jokester. He’s constantly cracking wise. It’s been pretty well-established that jokes are his way of both coping with the incredible danger he finds himself in every day and throwing villains off balance. I mean, seriously, I can barely stay calm when some jerk is telling me unfunny jokes, imagine if some guy were telling jokes and punching you. Disorienting for sure. The joking is coping because it allows him to maintain control of a sick situation. It takes his mind off the fact that Carnage is about to murder a schoolbus full of children. It lets him focus.

Spidey also believes in the innate goodness of man. I’m reminded of the scene in “Return of the Green Goblin” where he sits down and just has a heart-to-heart with Norman Osborn about his life, their relationship, and Gwen Stacy. He remarks that Norman can never win because Gwen will always be greater than he is. Her smile and her spirit will always overpower Norman’s hate and crazy. Norman killed her, but her memory defeats him. In his heart, Peter believes that almost everyone can be rehabilitated. Evil exists, but it has nothing at all on good. Good will win out in the end, because that is the way it is. That is the way it has to be. Right?

What happens, though, when you push him to the edge? Not in a battle, I mean. When battles get serious, Peter gets desperate. What happens when you make Peter Parker genuinely angry? What happens when he gets close to that breaking point, or possibly just past it?

What happens when the jokes stop?
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Civil War is really fucking stupid.

I think I could fix it.

Let’s see if you agree.

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The new Marvel solicitations have been released, detailing the new What Ifs. One is based on Deadly Genesis, which doesn’t interest me since I haven’t read that yet. The other, which looks to be awesome, is Age of Apocalypse. This time, Legion did kill Magneto… but he also killed Xavier. Judging from the cover, this could be very interesting.

35) WHAT IF THE AVENGERS FOUGHT THE KREE-SKRULL WAR WITHOUT RICK JONES?

Issue: Volume 1, #20
Writer: Tom DeFalco
Artist: Alan Kupperberg
Spider-Man death: No
Background: I myself haven’t read the Kree-Skrull War arc, but I get the gist of it from Wikipedia and the Watcher’s introduction. It doesn’t sound very good, all in all. The important parts to note are that the Super-Skrull had captured Captain Marvel, Scarlet Witch and Quicksilver with Captain America, Goliath (Pym), Iron Man, Thor and Vision off to save them. Rick Jones somehow got captured by some Kree guys as the Kree’s fleet prepared to invade Earth. In the end, Rick met with the Supreme Intelligence, who betrayed the Kree. He stimulated Rick’s mind so that he mentally projected memories of his childhood heroes (ie. the Invaders and the like) to beat up the Kree fleet. Sounds retarded, but it was the 70’s. This version of the story is far better. There’s a part of the original story where Rick Jones was brought before Ronan the Accuser. Rick stole a guard’s staff and attacked Ronan, only to do no damage. Ronan noted Rick’s courage and figured he’d make a good slave. In the Tom DeFalco version, Ronan is more pissed than amused and kills the boy with his cosmic hammer dealy. He calls for the fleet to make way to Earth and decimate it.

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That hiatus was long enough. Let’s get back to business.

80) WHAT IF DAZZLER HAD BECOME THE HERALD OF GALACTUS? /WHAT IF IRON MAN WAS TRAPPED IN THE TIME OF KING ARTHUR?

Issue: Volume 1, #33
Writer: Dan Fingeroth, Steven Grant
Artist: Mike Vosburg, Don Perlin
Spider-Man death: Yes
Background: Two stories here, neither have much to do with the other. First, there was a time when Terrax, Galactus’ then-herald, schemed behind his master’s back and ended up in a black hole for his troubles. Because Dazzler was a bit overpowered at the time, she was chosen to bring him out of the black hole to stand trial. Galactus decided that Terrax had learned his lesson from the black hole and reinstated him. So what if he wasn’t so forgiving? As for the other story, there was a storyline where Dr. Doom and Iron Man ended up in Camelot via time travel. After a little adventure, the two banded together to return themselves to the correct point in history. Here, Doom is more of a bastard and really isn’t bright if you think about it.

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I’m not dead!

I’ve basically been grinding for the last week on a game for work. Check out Games Radar this weekendish for my Dead Rising guide. I had one short short deadline, so I went Quick ‘n’ Dirty with it. It’ll get you through the game and show you the highlights. Getting 100% is up to you.

Now that I’ve got this bear off my back (though I have another arriving in the mail later today! hooray for getting paid to play games!) I can get back to my labor of love: comics!

What happened while I was busy? Looks like Marvel let Civil War slip hard, pushing the ending back to Feb 07 at the earliest. Mark Millar says it’s McNiven’s fault and that he only had a few weeks lead time.

“So, what?” say the fans. “Why didn’t you launch later?”

Tom Brevoort gives an interview about it and says this interesting piece:

The whole infrastructure of comic book retailing is changing, and I think what you’re starting to see is the beginning of the movement away from a monthly magazine publishing model over to something more akin to a book publishing model. This is very distressing to a lot of people who’ve grown up with the monthly model as a bedrock concept. But ever since we retreated almost wholly to the Direct Market in terms of the basic comic book product, there’s no compelling reason for the monthly release schedule outside of the need for retailers to have a predictable cash-flow that allows them to keep their doors open.

Insult or nugget of truth? Probably both! I’d have no problem with Marvel switching to trades only, with multiple teams releasing multiple books staggered so that you get a new 128-144 page story every couple of months. It’d effectively kill megacrossovers, but you could still do event comics.

Make the comics industry behave like a real publishing industry and we’ll be on better ground.

And what’s this? Mark Bagley is leaving Ultimate Spider-Man with #110? Bags is one of the top three Spidey artists, easy, so I’m sad to see him go. USM has always been a good looking book and he’s leaving behind some huge shoes to fill.

I’ve got two drafts in the works. First is an examination of Superboy #91 and the second is my list of Top 5 Black Women, to go along with my list of Top 5 Black Men. Also on the docket is my love of Jim Lee and the X-Men. Gavok’s off for a week, so I need to throw 4l on my back and keep up regular updates! His What If countdown, which you should be reading if you aren’t, will return when he does.

However, I recently got the final volume of Ed Brubaker’s Catwoman. It’s the last book to feature Cameron Stewart on art and it’s called Catwoman: Wild Ride. Give it a look, if only because it features this classic scene from Catwoman 22 reproduced below (and without permission, I’m sorry!) with Robert Mitchum Slam Bradley. I tell you what, man, it’s the cigarette throwing what does it. Slam has style. If you like this scene, do yourself a favor and check out the rest of the series. It’s beyond excellent.

In the meantime, check out Slam going toe-to-toe with Batman and I’ll probably see you tomorrow once I get some sleep!

(There’s a couple guys out there who’ve offered me guest articles… hop to it! I’d be glad to run them. Hoatzin/Rad, I’m calling you out, man. We need some Scrooge McDuck up in here! If anyone else wants to talk, the e-mail is at the top right!)

I think I’m out of intro fodder. Let’s just get to the meat, then.

85) WHAT IF THE VISION HAD DESTROYED THE AVENGERS?

Issue: Volume 2, #5
Writer: Jim Valentino
Artist: Jim Valentino
Spider-Man death: No
Background: When the Avengers first met Wonder Man, he was secretly dying of a rare radiation disease. Baron Zemo offered to cure him if he helped destroy the Avengers. Appearing as a friend, Wonder Man led the team into a trap. Soon he had a change of heart and sacrificed himself to save Thor. Giant Man recorded Wonder Man’s brain patterns in hopes that he could live on. He did, later on, in the form of the Vision. While an android, Vision’s personality was based on that of Wonder Man’s. Some time later, Wonder Man did return from the dead, but that’s beside the point. What if Wonder Man had his change of heart before luring the Avengers into a trap?

Wonder Man tells the Avengers that he’s supposed to trick them, but can’t due to how they’ve treated him with such dignity. Giant Man talks with Reed Richards about a possible cure for Wonder Man’s condition as Wonder Man fights alongside the Avengers. After the brawl with Zemo’s forces is over, Giant Man gives him the cure and saves his life. Wonder Man is granted membership into the Avengers.

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If I’m posting on this here comics blahblahblog, I try to ensure that we’re working with snark-free waters. Not these Snark Free Waters, but similar in spirit nonetheless. Personally, I feel that comics are too awesome to waste sniping at each other and the creators. If I have a grievance, I’ll air it out professionally, courteously, and in a coherent manner. If I can at all help it, you’ll never hear the words “(author) is a hack” come out of my mouth. 99% of the time that word is thrown around, it’s completely untrue, and there’s really a better way to say “I don’t like this guy’s work.”

So, in the spirit of the idea that comics are freaking awesome and we’re all freaking awesome for reading them, even you in the back with the bad haircut, I’m going to present to you a Cool Comics Love-In. It’s a snapshot of what I like in comics right now, be they single issues, series, or other, and you better like it, too, or else I’ll and hopefully you’ll dig it as well. Let’s see if I can do these three or four at a time, once or twice a week okay?
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I hate making posts with no visual aids, but I’m in that nebulous time period known as “after church” and “before work” trying to hit you with some content, so just imagine that I put different Superman illos throughout this thing, okay? I managed to find one image I already had uploaded, and it fits, so it’s going up!

Just so I can get this out of the way: Ed McGuinness, hands down, draws the best Superman. No contest. His Superman looks like a super-hero should look.

Anyway.

I’ve found that, in my experience, there are at least three different Supermen. They all share traits, but they all have enough differences to be distinct in my mind.

The first, and by far the most popular, is portraying Clark Kent as the true identity, and Superman as the uniform he puts on to go do good. I think of this one as Mild-Mannered Clark Kent as Superman. This is the one you tend to see in the comics. He’s got human parents, whose values he inherited, a human wife who means the world to him, and a human job that he’s inexplicably managed to hold onto. It’s the values of his parents that make him put on the costume. He has the ability to help, so therefore he has a responsibility to help. He does it out of what appears to be altruism, though one could say he gains some amount of pleasure from fulfilling his duty and making his parents proud. Also, he has a Kryptonian super-dog and possibly a cat. His cousin Kara has a super-horse who turns into a man who she has a crush on, but that’s so horrifically twisted we’re not even going to touch it. This Clark was also possibly Superboy, or would that be Young Superman now?

The other, and next popular (though it may technically be the most popular!) is Superman as Clark Kent, or Why Aliens Aren’t Human. Clark is his mask that he puts on so that he fits in. He’s an alien, and Jor-El’s exhortations to do right are what spur him on. He says stuff like “Great Rao!” and “Sweet Christmas!” He’s an alien masquerading as a human. Clark Kent is supposed to be him as human, blending in, but he way over does it. This Clark Kent is supposed to be down to earth, but he ends up slapstick. Knocking things over, tripping, “Whoops golly gee did I miss Superman again?,” “Hey Lois w-w-would you, ah, would you l-like to go to a movie?” and all that. He’d be a comedian if he got on Comedy Central. It’s like Superman as Jim Carrey. This is the one from the various movies. This one doesn’t have a super-dog, necessarily, but give them time.

The third, and my favorite, is the interpretation we saw in Miller’s Dark Knight Strikes Again. The Super Way or the Highway. He’s an alien with great power, and he knows it. He also knows that earth is horribly flawed, so he does what he can to fix it. Why? Well, because it’s right. Right pays no attention to laws, boundaries, or nations. He’ll cross your borders and fix your civil war himself if he has to, he just can’t let injustice stand. Toward the end of DKSA, this Superman asks his (equally awesome) daughter Kara Zor-El, “What do you want to do with our world?” He’s kind of a behind the scenes benevolent dictator. If you’re doing wrong, you’re in his sights, and let me tell you buddy, he’s got laser eyes. This is a change from the normal comics one in that he’s willing to do things for the greater good, rather than detouring around China because they don’t want him in their airspace. He’ll sling your giant robot into the sun (where it will eventually come back after hibernating, I’m certain) and then come back down and parade you in front of the people you were dictating… dictated… lording it over, just to show that the power is now theirs. He doesn’t have a superdog, and you better be thankful, because Kryptofascist (see what I did there?) will kill you for looking at him funny.

This is also the OG Superman, because he’ll come into your house and throw you up against a wall for hitting a woman. “Don’t get tough!” you’ll say. “‘Tough’ is putting mildly the treatment you’re going to get!” he’ll respond. “You’re not fighting a woman, now!”

In your face, wife beater.

So, yeah, Superfascist is the man. Have a desktop commemorating his awesomeitudinal cool factor.

What’s your favorite Superman?