A few months back, I suppose inspired by the internet anger at One More Day, Tom Brevoort made mention on his blog how puzzled he was about part of the reaction. Back when The Other happened, people were annoyed as hell that Spider-Man had those crazy new powers, like his newfound wrist spikes. Now that they’ve gone back to webshooters and removed his new powers from the table, people are angry again. Why is that?
It brought me to realize that change in comics has two parts. One is the change itself. The other is the use of that change. Why was everyone annoyed? Because even though The Other was over-hyped and boring, it’s amplified when you realize that they hadn’t done anything with it. Peter David tried to use the spikes here and there in his Friendly Neighborhood run, but that was pretty much it. Not only did The Other make his powers seem stupid, Marvel made no effort to make us believe otherwise. They just shrugged and gave up on it.
It makes me think of how some people generalize The Death of Superman. Some say that any real comic reader knew that Superman would be back in a short time and that the whole thing was rather pointless. In that over-simplification, you ignore how that entire story (maybe without all the mourning issues) brought so much to the Superman mythos. First, it gave us a villain who, while used badly over the years, is still considered an iconic monster. One Superman villain was redesigned into a more fearsome and recognizable form, while another was redesigned into an interesting tweener character. Then we got two new superheroes with staying power and the groundwork for Hal Jordan’s descent into madness.
Hell, look at Hal Jordan! I mean he’s so handsome and dreamy and—sorry. Look at how many people frothed at the mouth at Green Lantern: Rebirth and the first few issues of his series. Without the return of Jordan, there wouldn’t be Sinestro Corps and the two Green Lantern series wouldn’t be nearly as fantastic. It paid off in the end.
I’m going to take a moment to look at four changes in comics, each an example of one of the four possibilities. A good change that worked out, a bad change that didn’t, a bad change that paid off and a good change where the ball was dropped. Maybe this will be a series. I don’t know.
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