Welcome to a special holiday edition of New Ultimate Edit. Those of you paying attention may have noticed that Ultimate New Ultimates #4 came out two months ago. Due to scheduling conflicts, ManiacClown and I couldn’t get on it immediately like we’ve done with all the other Loeb/Ultimate stuff. As it took longer for us to get to it, we found that it brought sadness and annoyance to… well, nobody really. Not a single person noticed. Nobody cried foul or asked, “Hey, whatever happened to that thing you guys used to do?”

Not that I blame them. The whole thing has become moot. New Ultimates isn’t even that bad. I wouldn’t exactly call it good, but it lacks the apocalyptic, “How did this get made?!” horror that came from Ultimates 3 and especially Ultimatum. Plus Jeph Loeb has left comic writing behind, at least for the time being. Now he’s hanging out in Marvel’s animation division, meaning that the next issue of New Ultimates is his last.

Still, ManiacClown and I felt compelled to at least finish what we started. There are only two more issues left to cover, then we can lay the Ultimate Edit Trilogy to rest. Considering the holiday season kills my productivity due to having a retail job, this issue being a Thor-centric entry and our habit of writing Thor as Santa Claus, it came natural to save it for the week of Christmas. So here we are.

Let’s review, since it’s been a while. Issue one had the Defenders appear with superpowers. They proceeded to steal Mjolnir from Valkyrie and gave it to Loki. In the second issue, the Enchantress mind-controlled most of the women and had them beat up the more high-profile Ultimates as part of Loki’s master plan to conquer Earth. Then in the third issue, the low-profile Ultimates saved the day, Loki’s forces were shot an awful lot and Valkyrie’s death brought the return of a really pissed off Thor.

In tomorrow’s update: Thor is still pissed.

Day Two!
Day Three!
Day Four!
Day Five!
Day Six!
Day Seven!

black is something to laugh about. black is something to cry about.
created: It’s Digital December at ComicsAlliance, and we’re gawn in. So far, I’ve got interviews up with Boom!, IDW, and Dark Horse. On Thursday, DC Comics hits. On Friday, ???. Next week… something more. 2010 is the year that CA put the boot to your favorite comics news site.

It’s also music countdown at the Factual Opinion, so I’m pitching in to help out Marty Brown and my Joe Casey Fan Club brothers Sean Witzke and Tucker Stone figure out what was good this year. You can check the entire category here, and check out the first of my contributions on the top 50-31 songs list. More to come, of course, including a bit of writing that I ended up being really happy with. That’s rare for me, so stay tuned.

black is serious. black is a feeling.
consumed:
–Charlie Huston wrote a short story, The Impossibility of a Diaphanous History Machine, on the Mulholland Books site. I like Huston’s work. He writes dialogue like people talk, where punctuation may not mean what it traditionally means, and I dig that a lot. This story is about bombs, and I like the gag about mental ones.

-Here’s a piece he wrote about children, poverty, and fuel for stories. I generally don’t like people writing about writing. I think that you should just shut up and do it, because “This is how I write” is one of those things that’s just awfully boring, but this is practically a statement of intent. It’s hype. A voice coming out of a dark alley that says, “I have a gun.” Needless to say, I’m hyped for this new book. Drops in 2012, though.

–Huston’s website is here. Get familiar.

–Matt Seneca goes in on a Wonder Woman piece by Bill Sienkiewicz. It’s from an aborted series written by Frank Miller and drawn by Sienkiewicz called Wonder Woman: Bondage. I would trade every issue of Wonder Woman and JLA published over the last five years to see this series. That creative team is one of the best in comics. Every time they get together, somebody needs to sit up and take notice.

-I liked this comic by Sloane, especially the way the grid explodes toward the end.

-Ron Wimberly posted a dope story, too.

-Did y’all hear that they killed Brother Voodoo?

-I read Felipe Smith’s Peepo Choo 3 on my lunch break today. That series is three books long and I dug them a lot. They can be mean and gross, hysterically so on both fronts, but man, they click along pretty well. Last volume had a great action scene, while this one ended up having a lot of heart. Morimoto Mazza Fakkin’ Rokkustaa is one of the best new characters of 2010, too. More on this later, once I sort my thoughts out on it. I kinda laughed at the end. I don’t need more, I think the wrap is fine, but I’d read more.

-Kiyohiko Azuma’s Yotsuba&! 9 was fantastic, as expected. Juralumin got one of the hands down best scenes in the book, Yotsuba has some great physical comedy with an exercise ball, and Azuma nails some really nice things over the course of the book. The dinnertime conversation which was very adult, the Yanda/Yotsuba relationship… good stuff. The translation still bugs the life out of me, though. Do I really need to know what the Japanese onomatopoeia for rolling is? And do I need to see it untranslated every single time? Just write “roll roll roll” and we’ll get it.

-The translation really and truly sandbags the book. Stop explaining and just show us. They did well with a dinner scene that would have been tough to translate without notes, but for every one of those, there’s a “Fuuka-onee-chan” to wade through.

-New music: on pause. Been listening to old stuff and have been too busy to buy new joints. Gotta get a lot of stuff did before the Christmas break, and that means doing a couple weeks of work in a few days. Gross.

-But while we’re on the music tip–one of my favorite lines this year is from Evidence, on Copywrite’s Three Story Building. At the end of his verse, he goes, “Started to rap, told my mama I’d be Common/ She thought I meant normal/ I said, “Let’s be honest.” Something about that stuck with me, it’s just ill from top to bottom.

-Copywrite is responsible for another line that I think about a lot. It’s from “Fuck Soundcheck,” off his T.H.E. High Exhaulted tape from forever ago. “I don’t blame you for being wack. I blame your fans for being dumb enough to feel you.”

-I’m not saying that I believe that it’s a fair statement or anything that you should say in polite company. But it’s probably true.

-You hear that Steel might be dying next year in this Doomsday event? I should probably care more, but I could care less, instead. Sorry, John Henry.

-New issues of Chew, Bulletproof Coffin, and Atlas hit ComiXology today. Be nice to catch up on the first two and to ditch a few floppies of the last one.

-I keep trying to think through why I’m uncomfortable with “fun” being a crap descriptor of a comic. I’m trying to purge it from my vocabulary because it’s become vague and meaningless. I think Tucker came closest to how I feel with his review of Batman & Robin 17, a book I thought was mediocre at best. Something else I need to think through, clearly.

black is us, the beautiful people.
David: Amazing Spider-Man 650, Thunderbolts 151
Esther: Batman and Robin 18, Birds of Prey 7
Gavin: Batman And Robin 18, Green Lantern 60, Green Lantern Emerald Warriors 5, Green Lantern Plastic Man Weapon Mass Deception 1, Time Masters Vanishing Point 5, Avengers Academy 7, Chaos War 4, Chaos War Thor 2, Strange Tales 2 3, Thunderbolts 151, What If Spider-Man, Darkwing Duck 7

Fairly small week, though thankfully with help from Was Taters to bulk it up slightly. It’s definitely a good thing as it introduces me to Thor’s amazing facial expression.

The Wolverine story in this week’s What If is pretty dire. Just saying.

Batgirl 16
Bryan Q. Miller and Dustin Nguyen

Booster Gold #39
Keith Giffen, J.M. DeMatteis and Chris Batista

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get three coffins ready
created: Just a couple. You can read me talmbout Dan Abnett/Andy Lanning & Brad Walker’s Heroes for Hire or a round-up of the current slate of Batman-centric comics. I’ll have a gang of goodies next week.

my mistake, four coffins
consumed:
–

Brandon Graham’s King City 12.

Did you read that? Stellar end to a stellar series, and definitely one of my favorites of 2010. Cripes, man. The first thing I wanted to do after reading King City 12 was to read King City 12 again, but slower. And after that, I wanted to reread 1-12. Which I will do, and you will reap the whirlwind here, but I have to put that off and let it settle for a week. But seriously: if you weren’t reading King City, and apparently it sold like three thousand copies or so a month so a lot of you weren’t reading it, you missed out on some good comics. Only a few comics came close to even touching it this year.

-Takeshi Koike’s Redline is in the middle of an encore presentation at New People, so I saw it for the second time on Monday. I wrote a review for CA after my first viewing, and you know what? I liked it even better the second time around. It’s distilled spectacle, determined to give you whiplash from the hard cuts and harder action scenes. Every single frame demands more attention than you have to give, simply by virtue of being filled with information. The cast is full of character sketches (sexy girls, tv stars, hard-working earth dudes, a renegade cop, a cool dude, a cool girl, a MACHINE GOD), but all of it hangs together perfectly. The sketches are clever enough to support their own shorts, even. It’s funny, it’s frantic, and I’m glad it exists. It’s counterprogramming for all the moe stuff that’s dominating the anime industry, which probably explains the reports of it not doing very well at all in Japan. Buy the Blu-ray when they drop it.

-I bought the self-titled Hard Nips EP. I read a review on the Mishka blog about it and liked the single “Release It,” so I threw four bucks at it. I don’t really have a frame of reference for this kind of music. If it was rap, I could tell you what year it sounds like and who had an influence on the flow, but this is all new to me. I think I like it. I have a hard time with Yoko Sawai’s accent on a couple songs, but I like the way it sounds. It’s very heavy, with deep sounding guitars and vocals that feel like they’re climbing out of the music. If they drop a full album or another joint, I’d pick it up.

-Bilal’s Airtight’s Revenge is unexpectedly good. Not that I don’t like Bilal, but it’s been a good while since I really sat down and listened to some old fashioned neo-soul/R&B sanging cat. He’s hitting those high notes like D’Angelo used to, and the album is overall pretty strong. Clever, emotional, on and on. I like it more than Cee-Lo’s The Lady Killer, which is itself inferior to his Stray Bullets mixtape. Apparently they’re all from the same sessions, which makes The Lady Killer being aight pretty weird. Stray Bullets bangs.

-Redman’s Redman Presents…Reggie is… aight. Kinda disappointed. It makes me want to listen to Red Gone Wild, mostly. Just aight isn’t good enough these days.

-Been listening to a lot of Blur. Really digging Modern Life Is Rubbish and Parklife.

-B.o.B dropped a new mixtape, No Genre. Unsurprisingly, I cosign it. There’s a joint with TI, Bobby Ray, and Young Dro over a flipped version of the Sanford & Son beat. Quincy Jones on production. It disappeared off his official site, though. Label issues?

-Been reading Dragon Ball Z in Vizbigs. It’s been years since I’ve read DBZ in Shonen Jump, but I apparently never read this stuff. It sticks pretty close to the show, so there aren’t a lot of general surprises, but there are a few specific ones. Vegeta turning into a monkey I’d entirely forgotten about, for example.

-I bought Persona 3 Portable. I’ve been playing Persona 4 off and on for about two years now, more off than on, and figured I might as well check this one out, too. Gives me something to do before bed, anyway.

–Here’s some vintage Wally Wood. This guy was so good.

i don’t think it’s nice, you laughin’
David:
Esther: Yes: Batgirl 16, DCU Holiday Special, Knight and Squire 3, Superboy 2 Maybe: Batman Annual 12, First Wave 5, Red Robin 18
Gavin: Booster Gold 39, Justice League Generation Lost 15, Knight & Squire 3, Welcome To Tranquility One Foot Grave 6, Chaos War Ares 1, Incredible Hulks 618, New Avengers 7, What If Wolverine Father

We got a lot of good panels from me and David and Was Taters and Space Jawa. Shockingly, not one of us included a single panel from Shadowland/Daredevil. That’s too bad.

Great week for me, though. For one, there’s more WWE Heroes insanity. Taskmaster has concluded, finalizing that it’s a depressingly great miniseries. Then there’s a mundane What If issue featuring an amazing backup story that I’ve included for its own panel. Even still, there are three more parts to it!

Oh, and Taters was late in reading last week’s pile, so there’s a Thor: The Mighty Avenger in there.

Action Comics Annual #13
Paul Cornell, Marco Rudy and Ed Benes

Ant-Man & Wasp #2
Tim Seeley

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David Welsh is running the One Piece Manga Movable Feast this month, and he asked me to take a look at “Baroque Works,” an arc in One Piece. I gave it some thought during some downtime and came up with a few ideas. This is post is something I came up with that doesn’t really fit into an exploration of the content of the series, but it’s definitely something interesting about “Baroque Works.”

The “Baroque Works” arc comes at an interesting point in Eiichiro Oda’s One Piece. It spans roughly from the end of volume 12 to most of the way through volume 24, which puts it somewhere in the neighborhood of 2400 pages. Volumes 1-12 are collectively known as “East Blue,” but are instead more properly considered a collection of short stories and arcs rather than a long-term story arc. “Baroque Works,” though, is a monster, longer than Katsuhiro Otomo’s Akira (give or take a couple hundred pages). While it is composed of smaller stories–“Whiskey Peak,” “Drum Island,” that island with the giants whose name I forgot–those stories all work toward getting the crew to Alabasta. The first twelve volumes don’t have that unifying theme, beyond the goal of getting to the Grand Line. There’s no major villain lurking in the shadows so much as a series of midbosses that Luffy and crew need to get past to make it to the Grand Line. Kuro, Axe Hand Morgan, and Arlong don’t quite have the same pop as Crocodile, and Buggy and Alvida are so funny as to be more comedic relief than true blue threats.

Thinking through the length: Conventional wisdom says that if you have a super long epic in mind, and 2400 pages is several pages past “super long,” you need to hook your readers in first. You need them to believe in your story before you throw them into the deep end. You don’t lead with the uppercut. You start with a jab to test the waters. It worked for Brian Azzarello and Eduardo Risso with 100 Bullets, which was sold as a morality tale and ended up being something almost entirely different. Azz and Risso hooked them and then got down to business. Oda did the same thing.

Follow along: The main cast of One Piece is made up of Luffy, Nami, Sanji, Zolo, and Usopp. Chopper joins partway through “Baroque Works,” and Nico Robin joins at the end of the tale in volume 24. The next member joins around 21 volumes (another 4200 pages) later, and the final member comes a handful of volumes later. For much of the series, the cast that is established going into “Baroque Works” is the cast of the series. They’re the core, the primary cast.

Okay, so what, he has a cast, even Queen’s Blade has those, big deal, who cares? Well, by the beginning of “Baroque Works”, after having already made it through around 2400 pages of getting to know the primary cast, we’ve built up a connection between us and them. We made it through the emotional minefield that is Nami’s origin, seen Zolo’s slightly less sad in comparison origin, gotten used to Luffy’s (let’s be fair here) complete idiocy, and realized that Sanji isn’t just another pretty face. If you’ve made it twelve volumes in, you’re a fan, is what I’m saying, and you get how the characters react and feel.

That provides a necessary foundation for “Baroque Works.” Without that foundation, like if Oda had started the series with volume 13, we’d be dealing with getting used to the primary cast, meeting Chopper, meeting Vivi and Carue, and then the conflict of the arc. That’s a lot to take in all at once, but since we know all of the principal characters, “Baroque Works” is allowed to move at its own pace.

Long story short, “Baroque Works” is interesting because of its length and focus. It seems like after completing “East Blue,” Oda felt comfortable enough in his craft and in his fanbase to do something with a bit more meat on its bones. After “Baroque Works” comes “Skypiea,” which is around ten volumes. “Water Seven” is fourteen volumes, “Thriller Bark” is five, and “Sabaody” ended up being just a couple volumes, though “Sabaody” leads directly to “Impel Down.” He got away with a long arc on “Baroque Works” and then knew he could get away with it again.

That’s all I got as far as meta reasons to pay attention to “Baroque Works.” I’ve got a list of things to cover in the big grabbag in the next post (tomorrow, maybe) that’ll cover “Baroque Works” and more, but really, the best reason to pay attention to this arc is that it includes Mr. 2, Bon Clay. Bon Clay stands alongside Don Quixote Doflamingo, Hawkeye Mihawk, Rob Lucci, Trafalgar Law, Carue, Chopper, Kiwi, and Mozu as some of the best characters in the series.

if you smoke a dime, then i’ll smoke a dime
-I bought Gil Scott-Heron’s I’m New Here last week and finally got around to listening to it (that’s what happens when you go on vacation, you don’t do things). It’s nuts, totally worth whatever it was I paid for it.

-Scott-Heron is gravel-voiced, astute, and clever. The production is tight, a lot more modern hip-hop than I expected, but with an eager nod toward the black blues/soul tradition. It sounds like what I want this kind of music to sound like.

-He hooked me from the first song, honestly. “On Coming From A Broken Home Part 1” opens with a few bars that are like a shot directly to my dome:

I want to make this a special tribute
to a family that contradicts the concepts
heard the rules but wouldn’t accept
and women-folk raised me
and I was full grown before I knew
I came from a broken home

-Even better: it’s over Kanye’s “Flashing Lights.”

-I listened to it twice in a row, took a break to wrap up this music countdown thing I’m working on with my TFO family, and now I’m on listen three.

-I finally broke the spell Kanye’s My Beautiful Dark Twisted Fantasy had over me. Listening to it twice a day, minimum, had to stop. I put on OutKast’s ATLiens and Aquemini, two of my most favorite albums ever, back to back. I ended up running through Speakerboxxx/The Love Below and Big Boi’s solo record, too. Feels like I just replaced one addiction with another.

-The new Gorillaz single, Doncamatic featuring Daley, dropped last week.

-I hadn’t heard of Daley before this song, but he seems pretty dope. I thought he was a she before I saw the video, to be honest. Apparently he’s an amateur gone pro, and that’s kind of cool.

-I like the song, but I don’t like every part of the song. The horns (though they’re probably from a keyboard, come to think of it) that sit on top of the drumbeat don’t quite work for me. It puts me in mind of circus music, or the guys with the accordion and a dancing monkey.

-The rest of the song, particularly the vocals (the “Talk to me talk to me talk to me” on the hook is pretty great). It’s laid back, and it fits well with the tone of Plastic Beach, or rather, a return to Plastic Beach.

-Doing a zillion things at once right now, and I’m New Here has switched over to Ski Beatz’s 24 Hour Karate School. I picked it up the other day, and the first track is pretty straight.

-Curren$y on the first track is reminding me that I need to pick up Pilot Talk II. I thought Pilot Talk was just aight. Spitta stayed in his comfort zone, which is fine, but a little boring on an LP. I like him enough that I’ll give him a second try, though.

-More on Ski Beatz: Is it just me or was the Dipset breakup the best thing that could have happened to Jim Jones? It forced him out of his comfort zone, which was being a voice in a crowd of many, and into something resembling the limelight.

-Jones was never the most lyrical dude in Dipset, or even the most interesting flow-wise, but he’s got an ill voice that’s just made for rap. That rasp really works.

-Having to go solo, or something like solo, has led to him linking up with Dame Dash, Joell Ortiz, and other cats who have pulled some good work out of him. He feels hungry again. I like that. He’s not great, but he’s interesting enough at this point that I’ll check his work out just off GP.

– /*-~~JETS~~-*/ fool

-There were two songs dedicated to weed this year that were just called “Marijuana.” Yelawolf did one on Trunk Muzik 0-60, and Kid CuDi had one on Man on the Moon II: The Legend of Mr. Rager. Remember when we used to get at least one weed smoker’s anthem a year? Bone Thugs alone had that subgenre on lock.

-Cripes, remember when the phrase “Bone: Thugs-n-Harmony” wasn’t embarrassing on any level? When they fell off, they fell all the way off.

-Back to Ski Beatz: six tracks in and I’m well pleased. Production is on point.

-A larger post on music coming soon, I think.

-Pac-Man Championship DX CE on PlayStation 3 is hotter than the surface of the sun. They completely turned that game out.

but in the middle we stay calm, we just drop bombs
created: A couple joints this time… Marvel is already trying to screw up the digital comics market like a bunch of clowns and Dark Horse has their head on so straight it’s scary.

consumed: I didn’t do much reading over the past week. I was in Los Angeles and had other priorities. Despite that, I ran through:

-Gerard Way and Gabriel Ba’s Umbrella Academy: The Apocalypse Suite: I bought the digital comic off iTunes by accident like four months ago and finally got around to it. This was my second time through the series, and I liked it. I do think that the art way outclasses the script, which is just sorta okay. I’ll read the sequel for the first time next year when Dark Horse drops its digital store.

-Jacques Tardi’s It Was the War of the Trenches: This was fantastic. Longer post next week, since I get some other stuff done first, but: yes, you want this. I let it sit for a couple months after reading the first twenty pages or so for some reason, but reading it all in a shot was a great experience.

-I picked up New Mutants 2: Necrosha by Zeb Wells and a whole gang of artists, including David and Alvaro Lopez, who I haven’t seen since their days on Catwoman with Will Pfeifer. In a way, this book is the best example of what I like and don’t like about corporate comics. Wells is telling a pretty good story and bam, a fairly crap X-Men crossover pops up. He treads water through that, managing to do some cool stuff with Doug Ramsey in the process, and then gets back to his ongoing plot. Except! After Wells gets two issues in and introduces his big bad villain and scripts a particularly fun issue for an old X-Force fan like me, we get a crossover with Siege that’s written by another writer entirely. And then, after that issue, is a three issue detour into X-Men: Second Coming. That’s gross. And yet, Wells is holding his head through all of this, and he’s created the only X-Men comic I’m even really interested in right now. Dude is good. I just wish Marvel would give him room to breathe, but I guess working with the X-Men comes with certain expectations.

nigga, I’m feelin’ better than ever, what’s wrong with you? you get down!
David: Heroes for Hire 1, King City 12
Esther: Yes: Action Comics Annual 13, Secret Six 28 Maybe: Batman: 80 Page Giant
Gavin: Secret Six 28, Ant-Man & Wasp 2, Chaos War God Squad 1, Heroes For Hire 1, Ozma Of Oz 2, She-Hulks 2, Taskmaster 4, What If Iron Man Demon In An Armor, (maybe) Wolverine Best There Is 1, Irredeemable 20

King City 12 this week? My my my.

This week we have entries from the usual crew in Space Jawa and Was Taters, but also an addition by Luis, who gave me something from Amazing Spider-Man. When I discovered who that’s supposed to be holding the decapitated head, I let out one hell of a sigh.

Amazing Spider-Man #649
Dan Slott and Humberto Ramos

Avengers & The Infinity Gauntlet #4
Brian Clevinger, Lee Black and Brian Churilla

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This week brought the end to one of the more enjoyable Marvel miniseries of the year in Avengers & the Infinity Gauntlet. Written by Brian Clevinger (of Atomic Robo and 8-Bit Theater fame) and Lee Black with art by Brian Churilla (the Anchor), it’s a very fun and all-ages reimagining of the Infinity Gauntlet storyline. Rather than have a bunch of heroes run headfirst into a gruesome death by Starlin’s second favorite character, only so that Starlin’s first favorite character can be the one to stop him, Clevinger goes a different route. The group of heroes sent to figure out what’s wiped out half the universe is made up of Spider-Man, Ms. Marvel, Hulk, Wolverine, Doctor Doom and US Ace. Yes, that space trucker from the awful US-1 comics of yesteryear.

The real star of the comic is Dr. Doom, mainly because of his dynamics with the rest of the cast. He hates Spider-Man for his lack of respect and penchant for annoying humor. He hates Ms. Marvel for daring to give Doom orders. He hates Hulk for being an imbecile. He hates Thanos for being one level above him in the megalomaniac game. He hates US Ace for being a ridiculous space hick. He hates Wolver… actually, he sort of almost seems to respect Wolverine just because they see eye-to-eye as the straight men of the group.

It’s a fun four issues and I can’t wait to check out Clevinger’s Captain America: The Fighting Avenger in January. But that’s not what this post is about. You see, Avengers & the Infinity Gauntlet has this subplot about the Skrulls and Kree joining forces to destroy Earth (long story). There’s a sequence that shows the people of Marvel Earth from all over the globe responding to this. Nick Fury, Mole Man, civilians trying to stay alive, etc. One panel shows the Punisher trying to fight back against the alien invasion. He’s surrounded by flame and… er… the bad choice of coloring hit me by surprise.

Hey, now! Hm… Then again, the guy’s already killing people on the streets. It’s not like public indecency is going to add that many years to his 329 back-to-back life sentences. Still, be warned: if you mention “Micro” around Frank Castle, you BETTER make sure he knows you mean his hacker sidekick.

I jabbed Clevinger about this and this is what he had to say about the Punisher’s Naked Kill:

😀 Lee and I never got to see a color proof for issue 4, so this panel came as quite a surprise. Looking at it now, I’m not sure if we’d have said anything or not. I mean, we got to include the phrase “meanest mother trucker” and show Wolverine killing a guy on panel in an all ages book. Why not go balls out and have Punisher, uh, go balls out?

It’s nice to see him taking it in stride like this. Since he’s been so cool about me poking fun at Frank’s exposed shotgun and grenades, I thought I’d do him a solid. Right here, right now, you’re getting a 4thletter! exclusive. Cross your fingers, but I’m hoping Marvel could use this for the cover for the Avengers & the Infinity Gauntlet trade.

What courage. I would never allow that thing anywhere near Wolverine’s claws!

…what? I meant the beach ball.

Sorry for the lateness. I was planning on finishing this baby up yesterday, but I was exhausted. Exhausted from MARKING! Why was I marking again? Oh yeah…

Right! Miz winning the title. Good times. But I’m sure I’ll be forgiven for finishing this list off a couple days late. Posting it on Thanksgiving sort of works, right? You’ll forgive me, won’t you, Miz Title Win Reaction Girl?

Oh. Never mind, then.

As for the PPV? I thought the first half was brilliant and the second half was below average. The Kane vs. Edge match especially. That’s a shame, since I like the angle.

Now for the top three Survivor Series!

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