It’s been a pretty big week for Deadpool. We got the release of Deadpool Kills the Marvel Universe #1 by Cullen Bunn and Dalibor Talajic. I had some hope on the miniseries due to the crazed and intense screams of the heroes on the cover, which made it seem like an offshoot of sorts of the Marvel Universe vs. Punisher series and its Wolverine prequel.

Sadly, the story has zero to do with that and is merely an exercise in having Deadpool murder all the Marvel superheroes singlehandedly. That on its own has potential if done right and I rather like the explanation where Psycho Man – disguised as a psychiatrist – accidentally unlocks a more powerful and sinister third voice in Deadpool’s head that sets him off on a mission of bloodlust. Without the kill count, this would make for a good story arc for the main series. It certainly would have worked better than the “Deadpool gets committed” story they tried about a year ago.

The basic concept shares similarities with two Marvel comics. One is Garth Ennis’ Punisher Kills the Marvel Universe (naturally) and the other is What If: Wolverine: Enemy of the State by Jimmie Robinson and Carmine Di Giandomenico. The Punisher one is about a world where Frank Castle feels that the superheroes caused his family’s deaths and he hunts them down one-by-one, succeeding until realizing the error of his ways and offing himself. The Wolverine one is based on Logan staying programmed by Hydra and going on a killing spree against superheroes with the organization’s help. He kills a whole lot of them until Kitty Pryde sacrifices her arm (and seemingly her life) to put him down.

Neither comic is perfect, and the Punisher one is definitely something Ennis wrote with his free hand, but they both succeed in making the killers worth caring about. For the Punisher, we care about him because he’s our protagonist and he’s only human. He isn’t invincible and only through experience, smarts and luck – not to mention the convenient incompetence of his enemies – does he make it out alive. Suffice to say, he does come close to death several times. With Wolverine, we care about him being a viable threat. Wolverine is already a scary murder machine on his own, but with Hydra backing him, they’re able to teleport him when he’s in trouble. Not only is he a ruthless killer who’s almost impossible to kill, but you can’t even contain him. When Spider-Man webs him up, he teleports out of it and then stabs Spider-Man to death. He theoretically can be stopped, but it makes sense that he’s killed every major superhero… especially since I think this is when Thor was out of the picture.

I bring this up because of a problem with the Deadpool comic. A major problem from the opening scene that took me out of the issue. The opener shows that Deadpool has inexplicably killed Reed Richards and turned Thing into gravel. Invisible Woman finds him decapitating Human Torch. She does the correct course of action and creates a force field inside Deadpool’s head. With a painful scream, his head pops like a pimple and he’s left with an empty neck. His body collapses, partially sprawled over Torch’s corpse. Sue turns her head ever-so-slightly to the right to look at Johnny’s body and we’re given a silent panel of her staring down.

Then THIS happens in the very next shot.

Seriously?

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Hey, hey, hey. I got comic panels for you because it is late Sunday night and this is the part of the week when I do this thing and oh my God why did I schedule this on Sunday nights when work kicks my ass so badly like it did today and–

Sorry.

I’m helped out by Jody, Gaijin Dan, Space Jawa and Brobe. No Was Taters this time because according to the ThWiP charter, Week 149 is no girls allowed. Really, it was notarized and everything. Or was it motorized? What am I talking about?

Panels.

All-Star Western #11
Jimmy Palmiotti, Justin Gray, Moritat and Scott Kolins

Amazing Spider-Man #690
Dan Slott and Giuseppe Camuncoli

Aquaman #11
Geoff Johns and Ivan Reis

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Like many people, I checked out Dark Knight Rises last weekend. I won’t go into a full review of it, but for the most part, I enjoyed it. A discussion led to me realizing that while I think Dark Knight is a better film, I’d probably find more replay value in Dark Knight Rises. It immediately brought to mind some similar feelings on Empire Strikes Back and Return of the Jedi. Yeah, I know that Empire is the best, but nine times out of ten, I’d rather check out the optimistic conclusion.

After all, Dark Knight is the biggest downer in superhero movies. Three good people are ruined over the course of 2+ hours by a villain whose comeuppance doesn’t even fit the crime. It’s awesome and everyone’s great in it, but God, imagine if there wasn’t a sequel after that.

It’s not the only comparison I can make between the Batman and Star Wars movies. I mean, I’ve been describing Bane’s majestic villain voice as “Gentleman Darth Vader”. But it’s with Darth Vader that Bane shares a neat little similarity outside of the obvious.

It’s well agreed that the Star Wars prequels are garbage. There’s four hours of footage from Red Letter Media that explain it better than I ever could. Still, there are little aspects that work. One of them is something somebody pointed out to me years ago that I’m unsure of whether it was intended or not. The idea is that Darth Vader is the cumulative villain.

The prequels are famous for having ruined one of the most iconic and badass movie villains of all time and retconning him into a mopey loser with issues… and not even cool issues. Well, except for that time he went on a killing spree. That was pretty rad. While the three movies were set on deconstructing him and ruining his mystique, there was an unrelated building of him going on all along.

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Hey peoples. It’s time for another go at sanding down the stuff we’ve read this week into one representative panel. My helpers are Was Taters, Jody, Gaijin Dan, Space Jawa, Luis and Nawid. Remember, if there’s a series you’ve been reading that isn’t being represented, you can always send me some panels. Email’s over there on the right.

This update features Dracula the Unconquered #2 by Chris Sims and Steve Downer. It’s an incredibly fun series so far on both writing and art fronts and is super affordable at $1. You should probably go purchase a copy yourself and enjoy it with a nice bowl of Chocula. Think of it as a Kickstarter. The more of you buy this, the better the chance that Sims will fly over to Pennsylvania and join me for this year’s CHIKARA King of Trios. Do you really want to prevent that man from being able to see the Warlord, Barbarian and Meng team up as the Faces of Pain? If so, you’re a monster and you sicken me. Read the rest of my update and then get out of my face.

But then keep coming back on a regular basis to increase website traffic. And read David’s stuff on Comics Alliance. Just remember to get out of my face when you’re done with all of that.

Avengers Academy #33
Christos Gage and Timothy Green II

Avengers vs. X-Men #8
Jason Aaron, Brian Michael Bendis, Ed Brubaker, Matt Fraction, Jonathan Hickman and Adam Kubert

Barrage #7
Kouhei Horikoshi

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Ah, it’s nice to finally be done with a shitty weekend of closing at work and being ready to enjoy a week off where I do little more than relax and– it’s Sunday and I have to do a ThWiP update, isn’t it. Goddamnit! Fine, let’s get this over with.

Before I get into that, just want to note that I have my very first improv comedy gig coming up this Saturday. I’ll be performing during Anybody Vs. Everybody: AN IMPROV SHOW FOR YOU at the Creek and the Cave in Long Island at 5:30 with my crew, McFlight Club.

This week my posse includes Jody, Was Taters and Space Jawa. I obviously read that Versus issue and even I have a hard time deciphering what’s going on in the panel Jody picked.

Avenging Spider-Man #9
Kelly Sue DeConnick and Terry Dodson

Avengers vs. X-Men: Versus #4 (Gavin’s pick)
Rick Remender, Brandon Peterson and Kaare Andrews

Avengers vs. X-Men: Versus #4 (Jody’s pick)
Rick Remender, Brandon Peterson and Kaare Andrews

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So just a little bit late this update, but I’ve had an incredibly busy day and I’m half-dead. I went to NYC to check out a friend’s improv show, went and saw Ted, went home to watch TNA’s Destination X PPV and then watched the last couple hours of the Evo 2012 tournaments. All that plus the Lakers beat the Supersonics. It was a good day.

Ted is very much worth checking out, even if you’re jaded by the last ten years of Family Guy. And if you do see it, chances are very good that you’ll want to watch Flash Gordon ASAP.

But enough about my exploits. I’m joined by Jody, Gaijin Dan, Was Taters, Space Jawa and VersasoVantare.

Action Comics #11
Grant Morrison, Rags Morales, Brad Walker, Sholly Fisch and CAFU

Age of Apocalypse #5
David Lapham and Davide Gianfelice

Amazing Spider-Man #689
Dan Slott and Giuseppe Camuncoli

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I regularly peek at the traffic of the site because of ego. No big deal, I figure. While the new stuff almost always ends up hitting the top of the hit list, it’s interesting to see what stuff regularly gets its share of visitors no matter how old it gets. The We Care a Lot and the What If stuff, for instance, still do well. One of those articles that still gets notice is the Top 70 Deadpool Moments. It’s a 7-day series of daily posts I did three years ago that listed my favorite moments in the character’s history (with a little help from the readers). It was a fun writing project, but I look back at it and raise an eyebrow.

The timing of it was deliberate. X-Men Origins: Wolverine, which featured a character that was SUPPOSED to be Deadpool, was about to be released and Day 7 came out on that Friday. It was right before what I like to call the Deadpoolsplosion, where he started appearing all over the place with way too many comics to keep track of. And I think back to the list and all the comics that have come out since then and I wonder how much I’d change the list if given the chance to update it.

Sadly, I wouldn’t change all that much. There really haven’t been too many stellar incidents with him since mid-09. He’s had his moments for sure, but they’re more few and far between than there should be, what with him being all over the place. In fact, for a guy who was once one of my favorite Marvel characters, the only thing I read with him is a team book where he rarely gets shoved into the forefront.

I figured it would be a good time to look at the character’s history and see what went right and what went wrong.

Deadpool made his first appearance in New Mutants #98 in 1990, where he fought Cable and lost. While Fabian Nicieza was the writer, the basic design for the character was an idea of the artist, Rob Liefeld. Liefeld had always wanted to draw Deathstroke the Terminator professionally – something he’d get to do 22 years later at the expense of me caring about what was a fun series – but since Deathstroke was a DC character, he had to make due with a pastiche. We got Wade Wilson instead of Slade Wilson and our awkwardly-drawn villain was born.

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Hey. My usual crew is with me, as I have Gaijin Dan on lead guitar, Jody on backup vocals, Was Taters on bass guitar, as well as Space Jawa on tamborine.

AND I’LL FORM THE HEAD!

We’re only a few weeks from Week 150, so I should probably think of something for that. In the meantime, check out that Green Lantern: New Guardians panel for the best/worst one-liner of the week.

All-Star Western #10 (Taters’ pick)
Justin Gray, Jimmy Palmiotti, Moritat and Jose Luis Garcia-Lopez

All-Star Western #10 (Gavin’s pick)
Justin Gray, Jimmy Palmiotti, Moritat and Jose Luis Garcia-Lopez

Amazing Spider-Man #688
Dan Slott and Giuseppe Camuncoli

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Sorry for the lack of updates on my side, especially comic-related. I’m in this weird funk I get in every now and then when I’m writing pieces of different articles all at once and can’t commit to one, meaning I end up doing a whole lot of nothing and there’s no output. Hopefully this will at least get me through it.

A couple months ago, I wrote about the history of pro wrestling and had very little positive to say about Total Non-Stop Action, otherwise known as TNA. Even when they had something cool going for them, they were always washed over with more that was terrible. This got worse when Vince Russo was brought aboard and fell deeper once Hulk Hogan and Eric Bischoff were given roles in creative.

I tried giving them a chance time after time, especially when they tried to go to war with Raw on Monday nights because if anything, that would be the time when they’d be trying their hardest. Everything was a mess and continued to be a mess and I couldn’t bring myself to watch anymore. Part of the nightmare ended a few months ago when they finally fired Vince Russo. WHY they waited so long to do that when the fans were actually chanting for them to do so for years whenever something stupid happened is beyond me.

Not that they were in the clear. Hogan and Bischoff felt the need to include their children. Brooke Hogan was given an on-air role and Garrett Bischoff was put in a story about becoming a wrestler against his father’s wishes. Brooke can’t act and Garrett can’t wrestle, so this is problematic. At least it gave us former employee Scott Steiner’s Twitter rants, which went on forever until TNA’s legal dudes told him to stop.

Interesting thing happened, though. Over the past couple months or so, the online wrestling circles I spy into haven’t really been complaining about TNA. In fact, they’ve been kind of shrugging it off and pointing out that it’s been pretty good. Great, even! Their last few PPVs have been completely solid and it’s been overall really watchable. Now, on one hand, fool me once, shame on you, etc. On the other hand, WWE has been boring the hell out of me lately, even when they’re giving us a feud based on Daniel Bryan vs. CM Punk with AJ Lee doing a Harley Quinn gimmick in the background. I want to believe that there might be some kind of good mainstream wrestling out there, so I gave the past few weeks a watch.

Hot damn, this actually isn’t bad!

It could be blamed on a lot of things, from what I understand. Russo being gone, for one, as it’s now written by someone who knows that stories are supposed to have beginnings, middles and ends, plus make some semblance of sense. Bischoff has been hands-off lately, meaning that his storyline is forgotten about. For a limited time, the show is live instead of taped, so there’s this overall drive for the performers to do better. I keep hearing that for the first time in years, Samoa Joe is actually motivated! Of course, it could also be blamed on a broken clock being right two times a day. Latter-day WCW had that and WWE tends to have that.

For the moment, not only am I digging TNA, but I’m finding it just plain better than WWE. And I’m not even talking about the talent. Each side has great wrestlers and crap wrestlers. It’s what they do with them that counts.

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With Sunday came my second improv show and my second time performing on stage. This was the graduation show for Improv 201 at the Upright Citizens Brigade Training Center. Another eight weeks of fun-as-hell learning went by and here’s what I have to show for it.

201 is a lot different from 101 in the sense that it’s a lot more challenging. 101 is about building you up, almost making you believe that you can do no wrong. 201 breaks you down with its rules and at times it becomes taxing on your confidence. It pays off in the end, but there are times when you get interrupted by the instructor mid-scene more times than you’d wish and it gets in your head.

The format of this show is different from the 101 show from two months back. 101 was suggestion, monologue, three scenes, monologue, three scenes, monologue, three scenes. 201 is suggestion, three monologues, three scenes (four in my team’s case due to having eight people, so everyone could get a scene in), second beats and third beats. Plus, unlike the random end-of-scene blackouts in 101, we’d “edit” ourselves, as the people on the back line would choose when to cut off a scene. This is a guessing game in itself that’s awkward at times in that you can edit too fast so that the performers don’t even get to the point or wait so long that the performers run out of gas and get a little desperate. Both of these happen during the show.

As for the whole “second beat” concept, the main focus of 201 is “game”. “Game” is the term for what’s funny about the scene. What’s the unusual thing being explored? Sometimes it needs to be said out loud to fully establish it and for both performers to agree on what they’re working towards, so they’re in full agreement. The “second beat” is when you return to that game later on and give it a different spin, whether you’re playing the same characters or not. For instance, during a practice run of the show, me and Matt were doing a skit where I made his favorite dish – spaghetti with meatballs – and it was a ruse, as I was trying to get him to enjoy my pot roast, which he hates. Later on, we did another scene where I acted like we were going to a baseball game, only to reveal it was an intervention as me and the others in the class aggressively got on his back about how he doesn’t enjoy the Sopranos. Then later on, he’s sitting in a chair, relaxing and we talk up how great this Jacuzzi is… until asking a priest to come into the room and give Matt a baptism against his will. First beat, second beat, third beat. Same theme.

So here’s the show. Up first is the Beetles with Two Es (Steve, Ray, me, Geoffrey, Sam, Megan, John and Dan) followed by Six Pack Abs (Kelsey, Jaimee, Norma, Nancy, Matt and Sean).