Ares, God of War, is a pretty awesome guy. At least, he was in the last year and a half. The dude lit himself on fire and had Hercules throw him into the middle of an army of Japanese zombie demons while firing a gun on the way down.

If that doesn’t get you membership into the Avengers, nothing will. So I was jazzed when I found out he’d be in Bendis’ Mighty Avengers. I also dug the scene that leads up to his membership, where Iron Man and Ms. Marvel discuss their need for a Thor-type and a Wolverine-type. Ms. Marvel takes a second away from being a lying bitch to suggest a guy who borrows a little from both guys.

I saw a lot of potential in this bit. Now you have to pay for it.

– Fun with Ares: Take One

– Fun with Ares: Take Two

– Fun with Ares: Take Three

– Fun with Ares: Take Four

– Fun with Ares: Take Five

– Fun with Ares: Take Six

– Fun with Ares: Take Seven

– Fun with Ares: Take Eight

Myth Conceptions – Black History of Comics

Pretty good group interview with Kevin Grevioux of Underworld and New Warriors fame, Mike Sales of Type Illy Press (a company I’ve been meaning to check out for a fair few months now), Andrew West, and Adrian Wilkins. It’s must reading, as all of these fellows make good points. Here’s a bit I particularly enjoyed:

“Of course there can be a separation when it comes to Black characters,” explains Grevioux. “Being black does not encompass all of who I am. It’s a large part of me, but by no means all. It’s the same thing with fictional characters as well. At least it should be.”

“That said, I definitely have a strong sense of responsibility and there’s nothing wrong with that,” Grevioux continues. “Look at how poorly Jews were treated in the early days of America , yet two talented Jewish kids recreated the story of Moses and created one of the biggest cultural icons in the history of the world in Superman. Two Jewish kids possibly recreating the concept of the Judges in the Old Testament, who fought those who committed evil against the nation of Israel , created another cultural icon in Captain America who fought Nazi’s. That’s great stuff, and it goes to show that you can use your culture, whatever it is, and tell great stories. So once again, race is nothing that people should be afraid of.”

“But I think people have to understand to that we as blacks, can oft times bear the burden of responsibility just by virtue of our skin color, adds Grevioux. “No matter how you slice it, we are born political. There are racial assumptions, both good and bad, that people automatically think. And when it comes to industry and commerce, it can mean either suicide or salvation in terms of sales. And in comics, just a black man on the cover of a book can evoke a political response before the pages are even opened. We need to work to change that.”

It puts me in mind of Priest’s The Crew being decried as another ghetto book, unworthy of sale, acclaim, or even attention. This is all despite the fact that The Crew was really a very good book and both Priest and Joe Bennett brought their A-game to it. Even the covers were brilliant.

A book about a black character is inherently political and an “issue” book. It almost always comes up in titles starring black characters. Monica Rambeau had her “No More Hate” issue back in the day, Black Panther spent some time fighting the Klan in the late ’70s (early ’80s?), Luke Cage is really kind of obvious, and so on. Storm and Bishop managed to avoid it, to my knowledge at least. But, it often comes up and we get A Very Special Issue Of Blossom or whatever out of it. If it doesn’t come up in the title itself, it’ll come up in fan reaction to that title. Sometimes, it’ll come up both ways.

It’s kind of like this. “Black” books tend to attract a different level of critique, or maybe a different form, than other books do. I’ve seen people complain that Black Panther, Luke Cage, Blade, Brother Voodoo, and Monica Rambeau (what the crap is her code name now?) have nothing whatsoever in common besides being black, and all black people don’t know each other, so what are they doing teaming up in post-Katrina New Orleans?

In other words, “What are all these black people doing hanging around each other?”

Flip the question. What did Hank Pym, Iron Man, Hulk, Thor, and the Wasp have in common, pre-Avengers? Think on that for a minute.

A man in that link up above makes a good point, which is that if you want to fix something, fix it yourself. Write the comics. You must be the change you wish to see in the world, so do like Cheryl Lynn says and make the comics. I plan to, eventually, but I’m not quite at that skill level I want to be just yet. Eventually, though, I will. I’ve got a voice. I’ve got a point of view. You can make a realistic comic featuring blacks without being preachy. Milestone did it. No reason why no one else can’t, right?

The new Tales of the Unexpected hit this week and featured a grisly Spectre story (I see where it is going now and it is interesting!) and a new installment of Dr. 13.

The Architects are finally revealed and the answer is so flipping obvious! Good show, Azzarello. Best issue yet.

edit: I also love the end to Spider-Man: Reign.

What comics are you reading? Good stuff, I trust. Personally, I have impeccable taste. Okay, maybe not impeccable, or even good, really, but at least I don’t read Tarot: Witch of the Black Rose or Fantagraphics’ porno comics so shut up you pervert. :doom:

Anyway.

I’ve been really enjoying Ed Brubaker lately. Criminal was one of the best comics I’ve seen lately, and is proof positive that the Brubaker/Phillips team is the proverbial bee’s knees. They tell a tragic noir tale full of the usual twists and turns that you’d expect from both Brubaker and films noir, and then hit you with a downer ending that feels oh-so-right. His run on Captain America has revitalized the character and quietly done away with the story-arc focus that Marvel had a while back, when each story was modular. Here, the issues are composed of multi-part arcs, but each arc builds organically into the next. Bru’s first twenty-five issue all tell one story. It’s pretty impressive, and the quality of the work has been ridiculous.

Of course, you can’t talk Brubaker without mentiong Immortal Iron Fist, and therefore Matt Fraction. This book is practically perfect. The story promises us(and delivers) new insights into the Iron Fist lineage and manages to pull off the “long, lost X” angle very well. It nails Danny Rand as a character almost as well as David Aja is nailing the art. There’s a nine-grid in the latest issue, #4 I believe, of Danny flitting around the building that is just a perfect comics page.

Talking about Fraction dovetails into Casanova. I haven’t read the entire series, due to me missing out on two or three issues of the seven issue series, but what I’ve read, I have loved. It’s another nigh-perfect comic, from the words to the art to the back matter. Casanova Quinn is both a sympathetic and alien protagonist, but I love him nonetheless. Casanova, the book, is pure id on the surface, but there’s a scary intelligence working underneath. It’s whip-smart and clever. It wants to fool you even while beckoning to you. It’s passionate, and that may sound a little corny but it’s absolutely true. You can feel the emotion coming off this book. But then, you check out the back matter and you realize that with the things he says and the feel the book gives off that you’re reading an amazing book. It isn’t just id or ego, it is Fraction himself in those pages. There’s an amount of “This is cool, so we’ll do it,” but 90% of that book is about or mirrors Fraction, just like The Invisibles mirrored Morrison.

Kyle Baker’s Nat Turner cannot be praised enough. I’ve got volume one and I’m ordering volume two asap. It’s a tale I remember hearing rarely in school, and then it was always painted as something to skip over in class and unimportant. I’m rather fond of the story myself, and Baker has definitely done it justice.

This is going to sound dumb, but I really like Jimmie Robinson’s Bomb Queen. I picked up the first trade (Woman of Mass Destruction) the other day. On the one hand, its gratuitous nudity, language, and violence are exactly what’s wrong with comics today. On the other, this kind of winking-at-the-reader lowbrow humor just pushes all the right buttons. Jimmie Robinson’s official position is that it is parody, and I can see that at work, too. It’s charming, in a smutty, violent, lewd kind of way. Maybe charming is the wrong word?

Anyway, Bomb Queen tickles that same funny bone that Garth Ennis’s humor work does. Adventures in the Rifle Brigade, for example, is a completely non-serious book with really, really dirty jokes. There’s a bad joke in there about America still being a colony of England is funny just because of the earnest way that Hugo “Khyber” Darcy delivers the line. Plus, it’s a story about the most bungling bunch of soldiers this side of Beetle Bailey going after Hitler’s missing testicle, so how “mature” can it be?

The Authority: Kev cycle of four miniseries is another good example, and it blends a message into all the jokes about poop and people with hideous and/or hilarious facial deformities. How do you find the strength to march to the beat of your own drum? How do you become a better person than what you are? Kev, More Kev, The Magnificent Kevin, and A Man Called Kev almost all explore this while doing Ennis’s usual “Superheroes are jerks” and “guns are awesome” stuff. The first three minis are collected in two trades. Hopefully A Man Called Kev will hit soon, as it’s easily the best of the lot.

Speaking of Ennis, though, I finally own my most favorite of his stories. It even beats out Punisher MAX, which is quite a feat. It’s 303, the book he did out of Avatar with Jacen Burrows. It is about one man, empires, wars, costs of wars, and what it means to be a man. It is, of course, in Ennis’s He-Man, War is Interesting, Guns are Awesome, Mind the Gore, Luv mode. Quite a lot of people die. The story has a point, though, as one man begins a trek for, if not revenge, honor, armed with his 303 Lee-Enfield rifle. 303 says a lot about war and the effect it has on later generations. It talks about how history chews up and spits out people. I should stop now, as I kind of want to do a dedicated post to this book later on this week. Suffice to say that it is one of Ennis’s best works. If you’re an X-Men fan, it’s everything Wolverine ever said about duty and honor but failed to deliver on. It’s played completely straight, too. No jokes, no maimings, just drama. Well done.

I’m slowly making my way through Sequart.com’s Modern Master: Grant Morrison: The Early Years. It covers Zenith through Doom Patrol, I believe, and it is pretty fascinating. I already knew a lot of it, but it’s neat to see someone else’s perspective on the same things. I’m making my way through the Animal Man section at the moment. Lit-crit applied to comics is so cool in such a nerdy way!

100 Bullets, Loveless, and Tales of the Unexpected are all obvious favorites, too. Loveless is building suspense, and genuine suspense at that, something that is rarely seen in comics. Things are heating up to a fever pitch, and Atticus, Ruth, and Wes are going to go from knee-deep in it to neck-deep in blood in only a few short issues. I can feel it. The Dr. 13 special in Tales is in a book that features Dave Lapham and Brian Azzarello both writing, which was sure to get my attention, but it’s so much better than I expected. I’d never heard of any of these characters before, save for Dr. 13, but he’s written a story that is both continuity porn and its polar opposite. I don’t have to know anything about these guys, since everything I need to know is there. Frankly, I thought he was making people up for the first few parts. I, Vampire? Infectious Lass? Seriously?

On a more sour note, Incredible Hulk‘s Planet Hulk is starting to lose me, I fear, which does not bode well for World War Hulk. I just kind of stopped caring about what happens to that planet. I’ll be mighty glad when these events are over and done with, but I do hope that WWH at least delivers on its premise.

What’re you into?

I’m going to level with you. This is not going to be an impressive group of characters. Remember how the last article had Captain America and Captain Marvel and shit? The most famous character here is known for having a cameo in X-Men 2 and a damn near non-existant role in the third movie. But we are going to delve into some really weird stories. Oh, yes.

God, I hate you, Wonder Woman.

CELESTIALS

Eternals #2 (1976)

The Celestials are mentioned a few times in the first issue of Eternals, but we don’t get to actually see one until the next issue. Now, bear with me on this because I don’t know the slightest thing about the Eternals and I’ve never really paid attention to the Celestials. The story here has to do with Ikaris and his archeologist friends fighting some Deviants until Ajak comes in on a spaceship and saves the day. All of the sudden, this guy shows up.

Sorry. Too much trippy exposition for me to follow.

CHALLENGERS OF THE UNKNOWN

Showcase #6 (1957)

I would barely even know who these guys were if it wasn’t for New Frontier and that one Amalgam story where the Challengers of the Fantastic fought the mighty GALACTIAC. Looking at it from the beginning, these guys have one cool origin story.

Rocky Davis, Professor Haley, Red Ryan and Ace Morgan are four different guys announced to be guests on a radio show dedicated to heroes. As they ride the same plane, they run into turbulence and crash.

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Too long, didn’t read version: 300 was a pretty rocking movie, but I still like the book better.

Short story long version:
I think that I may have mentioned this here before, but Frank Miller got me back into comics five or so years back. I usually attribute it to the Daredevil Visionaries and Dark Knight Strikes Again, but I’d totally forgotten that I’d read a different Frank Miller book a year or two before I’d read those.

This would’ve been back when I was in Madrid. Me, my mom, and little brother were at Hipercor, Supercor, or whatever the crap our local grocer was called. I was in the arts & crafts/books section (it was kind of jumbled) and I saw a book there. It looked familiar, and I realized it was by the Sin City guy! I probably begged Mom to buy it for me so I could read it.

It was the Norma Editorial edition of 300 and it was completely in Spanish.

That book is probably why I still remember so much Spanish nowadays. I’ve easily read that book a dozen, maybe a couple dozen, times. More than any other comic I own. I now own it in English and Spanish, but I remember all the good lines in Spanish. “Stumblios” is “Storpios,” “Barely a year ago” is “Hace apenas un año,” that sort of thing.

I’m just trying to set the stage here. I’m a big fan of the book, and though I haven’t read it in a while, I’ve read it enough that I basically have a lot of it memorized, which probably colored my opinion of this movie.

I’ll sling this behind a cut, since there’ll probably be some (fairly light) spoilers.
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^ This is BLASPHEMY!

^ This is MADNESS!

^ THIS! IS! BARDAAA!!

(Images have been added to the post! Scroll all the way down.)

Have you ever had something take you utterly by surprise that, in hindsight, is completely obvious?

That happened to me with Annihilation. I had no idea that Annihilus was the villain of Annihilation until the end of the Annihilation Special. No duh, right? I’m usually pretty good with picking out plot twists. I bet watching tv shows or movies with me sucks, since sometimes I just can’t help going “That guy’s the traitor, his wife is the hero in disguise, and that little one-liner about being good with explosives means he’s going to fake his death.”

But, I’ll still miss some completely obvious things.

So, pull up a chair and check this out. I’m probably going to spoil the ending of Fantastic Four: The End for you in the process. That’s still a few paragraphs down, though.

Just for clarity’s sake– FF: The End is the first of two (!) FF: The End projects. The upcoming one is being done by the team of Stan Lee and John Romita Jr. The one I’m talking about here, though, is the recently concluded FF: The End by Alan Davis and Mark Farmer. As usual, Farmer inks while Davis pencils and writes.

The last project I remember Davis and Farmer collaborating on is JLA: The Nail and JLA: Another Nail. They were Elseworlds tales about Superman being raised by Amish farmers, rather than the Kents, and the differences that brought out in the world. They weren’t perfect stories, as I seem to remember Jimmy Olsen somehow getting superpowers or something a little ridiculous like that, but they were great fun. JLA: Another Nail actually had the best Green Lantern ever. A deceased Mister Miracle escaped from death on Apokolips and into a GL ring which was worn by Big Barda.

A husband-and-wife Green Lantern. Awesome.

Davis has a lot of strengths. Costume design, for one. Another Nail is full of pretty sweet redesigns, and FF: The End is no different. He is kind of overly fond of raised collars, but he comes up with a cool in-story explanation for why so many Inhumans wear masks, so it evens out. Another is that he’s the original Bryan Hitch. Hitch used to be a Davis imitator, and his inker Paul Neary is well known for working with Alan Davis. Both of them have a great eye for detail and realism, which means that disaster scenes and low-key scenes both hit with appropriate impacts.

What I’m trying to say is that Alan Davis is an awesome artist. With FF: The End, he becomes a good writer, too.

FF: The End is set after the Mutant Wars, and after Reed Richards has finally put his mind toward improving the Earth to its fullest potential. He’s extended the lives of everyone on the planet exponentially. Lives are measured in the centuries now, which also provides a convenient reason for all your favorite heroes to show up still youthful, though Doc Strange missed out on the treatment. Crime is essentially gone, and there are heroes all over the solar system. The solar system itself has been quarantined, shut off from the Kree, Shi’ar, Skrulls, and most other Marvel space aliens. Marvel is finally a utopia.

That’s not to say that it’s been a bloodless advancement. The prologue shows that Franklin and Valeria Richards died in the FF’s final battle with Doctor Doom. We fast forward to twenty years after that, and the FF didn’t manage to stay together. Ben Grimm retired to Mars with Alicia Masters, his longtime girlfriend, and they have a handful of kids. Ben can turn from monster to man and back again, as well. Johnny Storm goes by John now, and he’s a bigshot hero in his own right. He’s extremely well-respected, to the point where he’s the top dog in the Avengers. His is the only new costume that I’m not really digging, but he thankfully gets some FF duds part-way through the series. Either way, the hothead has grown up into a true hero. Sue has buried herself in archaeological research and is hunting for various esoteric objects all over the Earth. She’s also sporting a boyish haircut that is pulled off amazingly well, and speaks to Davis’s sense for character design. Reed? Reed is alone on a satellite, cut off from human contact nine times out of ten, tinkering with his inventions and looking to keep pushing forward. Marvel’s First Family aren’t much of one any longer.
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And twice as nice.

from fantastic four #543’s backup story, words and art by paul pope, colors by jose villarubia

I love him already, but I think that reinventing Lockjaw as a terrier is an awesome idea.

I was going to use Wednesday to finish up the latest installment of Deadshot’s Tophat — filled with nothing but B and C-listers this time — but the big Marvel newsworthy thing kind of distracted me. I myself couldn’t go more than two minutes online without being bombarded with the big spoiler. Another five minutes later, the Reign of Supermen reference jokes were beaten into the ground.

(Yes, yes. We get it. Visor Captain America and a black guy in Cap armor.)

Whatever. It was still a great issue and had more surprises than CNN and Yahoo let us know. I trust Brubaker as far as I can urinate, so I’m sure this arc will be just as fantastic as the past 24 issues.

Poor Jeph Loeb. He writes a silly reveal that Hawkeye from the Heroes Reborn world is really Logan, only to have it smacked down by Captain America #25.

Now that Civil War is over and Captain America did that thing that he did in that issue that got spoiled, I look back and notice the familiarity. Back when I did the What If Countdown, there was one issue that didn’t make the list, but I didn’t so much hate it. Looking through the story, I see several parallels with what Marvel’s been giving us lately. Let’s take a look.

The issue is What If Steve Rogers Had Refused to Give Up Being Captain America (What If vol. 2, #3), written by Jim Valentino. And no, Spider-Man doesn’t die in it.

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