It’s time to begin. Er… now that I’ve done two prelude articles before starting this off, I now realize that I don’t have anything to say for an intro. I could always go over the history of the series. Yeah, let’s do that.

What If first started in 1977 with the issue What If Spider-Man Had Joined the Fantastic Four?, based on the very first issue of Amazing Spider-Man. The series lasted for seven years until ending with issue #47, What If Loki Had Found the Hammer of Thor? For the most part, the quality remained about the same.

Several years after cancellation, a special was released called What If Iron Man Had Been a Traitor? While not exactly a classic, it seemed to have helped bring the rebirth of the series as volume 2 started the very next year, 1989. Volume 2 followed the same structure of the first volume: Uatu the Watcher would go on a monologue about who he is and what he does, followed by spelling out just what the issue’s story is about. Like I mentioned a couple articles back, this is a good way to learn Marvel history. Me, I just found out Shang Chi’s backstory days ago. Before that all I knew about him was that he’s some martial artist guy without fear and his name makes him sound like Shang Tsung and Quan Chi from Mortal Kombat did the Fusion Dance.

I can’t be alone in this, can I? Read the rest of this entry �

Okay, so I have to say something here.

A lot of people seem to think that Magneto, the X-Men’s arch-enemy, is a stand-in for Malcolm X, while Charles Xavier plays the Martin Luther King, Jr. role. Charles is the peaceful integrationist, while Magneto the reactionary firebrand, one willing to bust a cap in the collective human skullpiece. He’s been called a “reverse racist.” Is there a direction racism is supposed to go in?

Stop it. This is both disrespectful and part of the ongoing demonization of Malcolm X. It’s got to stop. Magneto is a charismatic man who talks a good game, but won’t hesitate to kill a gang of people if it suits his purposes. This is the Malcolm X figure in Marvel Comics? A killer? That isn’t what “By any means necessary” is about.

C’mon guys. Not to denigrate his accomplishments, but we’re shown pages upon pages in text books of Martin, who is a peaceable man, then a couple paragraphs on Malcolm that basically boil down to “He didn’t like white folks much.”

No. That is not the business. It’s not right, and only education can fix that. Here is Wikipedia’s article on Malcolm X. It’s a good starting point. From there, read the Autobiography. See what the man was actually about before making comparisons between him and a murderer. Look at his life after Mecca. It isn’t as simple as Malcolm X bad, Martin Luther King good. That’s a false dichotomy that is practically taught in schools nowadays. It’s untrue.

Magneto is Magneto. He is a killer, sometimes a sympathetic one, but a killer nonetheless. Malcolm X is Malcolm X. He was a troubled man, and sometimes a great man, but a man nonetheless.

Please. Stop using this comparison. Even if it’s in the comics, it’s wrong and hurtful.

On a lighter note, look for a new post tomorrow. It’ll be about X-Men: Mutant Genesis and why the Jim Lee-era of X-Men is a classic one. I’ve got a couple deadlines for paying work staring me in the face, but I love you guys so I’ll make time! You may even enjoy it. It’s got Gambit catching bullets, once again proving that he’s awesome.

If I’m posting on this here comics blahblahblog, I try to ensure that we’re working with snark-free waters. Not these Snark Free Waters, but similar in spirit nonetheless. Personally, I feel that comics are too awesome to waste sniping at each other and the creators. If I have a grievance, I’ll air it out professionally, courteously, and in a coherent manner. If I can at all help it, you’ll never hear the words “(author) is a hack” come out of my mouth. 99% of the time that word is thrown around, it’s completely untrue, and there’s really a better way to say “I don’t like this guy’s work.”

So, in the spirit of the idea that comics are freaking awesome and we’re all freaking awesome for reading them, even you in the back with the bad haircut, I’m going to present to you a Cool Comics Love-In. It’s a snapshot of what I like in comics right now, be they single issues, series, or other, and you better like it, too, or else I’ll and hopefully you’ll dig it as well. Let’s see if I can do these three or four at a time, once or twice a week okay?
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I finally finished it. 176 issues of What If and I’ve finished reading them. My list of the 100 best is put together and the series of articles will commence.

But first… let’s just take another look at some of the issues that won’t be on the list. Some of the really bad ones.

Before I start, I’ve been asked about the clichés included with the series. In the last article, I mentioned the bit about Reed Richards being a borderline psychopath, but what else is there?

1) Spider-Man dies. A lot. Of course, this is to be expected. After all, he shows up in many, many issues. It’s the law of averages in effect here.

2) Kingpin dies. A super lot. What I said about Spider-Man doesn’t apply for Wilson Fisk. If he’s in the comic, there’s a 95% chance that he’s going to die. Then again, it’s a wonder why he’s still alive in regular continuity.

3) Loki is a puss. I can’t recall a single issue where Loki comes out a winner. Then again, there is a chance that he survived Marvel Zombies, so he has that going for him.

4) Hulk depressed! If the Incredible Hulk is the main character of a What If issue, the chances are very good that this isn’t going to end well. There are a couple exceptions.

Now to the crap. Read the rest of this entry �

“What people often forget, of course, is that Magneto, unlike the lovely Sir Ian McKellen, is a mad old terrorist twat. No matter how he justifies his stupid, brutal behaviour, or how anyone else tries to justify it, in the end he’s just an old bastard with daft, old ideas based on violence and coercion. I really wanted to make that clear at this time.”
–Grant Morrison

I’m not usually one to complain about comics companies “destroying” characters. In fact, I think it’s kind the kind of stupid invective that gives comic fans such a negative fanboy image. “Destroying” is a loaded term, and there’s much, much better ways to express your feelings on the matter. This may be my attempt at that, or my attempt at putting my foot in my mouth. U DECIDE.

I do think, however, that comics companies can make/allow some fairly terrible narrative choices. Turning Xorn into some kind of Jerry Springer-esque twin brother was one. Actually, every time Xorn has been mentioned outside of Morrison’s New X-Men has been a mistake, I think. Identity Crisis left a bad taste in my mouth, despite Rags Morales’s excellent art. I liked the scene where Batman and Robin are trying to get to Tim Drake’s house before his dad dies. That was powerful, but the death of Jack Drake? Bleh. He was a cool dude. Mark Millar turning the New Warriors into patsies? Bah, Doom says.

So basically what I’m saying is, not everything comics companies do is great. Big surprise, huh? I once read a comment Keith Giffen made about the death of Blue Beetle. He said he wasn’t mad about it, and that his only feelings on the matter were “I would’ve done it differently.” I think that’s all any fan can really say. “I would’ve done it differently.” Mark Waid once said something like “Comics is the only industry where 90% of your audience thinks that they can do it better than you.” It’s true.

Long, rambling introductions aside, DC screwed the pooch on the Batbooks when they made the main man overly angry, right? Well, what about the satellite titles? Catwoman went from a must-read book to “Peace out, homey!” all in the space of one issue for me. Batgirl has renounced her title and is pretty much a villain now.

I am okay with one of these things, but I do not like the other. Let us begin, then.
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